Barrymore’s Tight Awright, NewsRevue & Ben Murphy Lyric, 23 May 1994

Ben Murphy encouraged me to write about this fellow, Michael Barrymore, who had only minimally entered my  consciousness previously.

I wrote and logged this lyric 23 May 1994. Not sure why I copied it, seemingly verbatim, to Amipro 30 November 1994 – probably just a resubmission thing and a desire for a while to port some of the existing lyrics into Amipro as templates for future lyrics.

Not sure if this ever got used. Ben Murphy did a Barrymore thing loosely based on it, using a different tune, I think.

BARRYMORE’S TIGHT AWIGHT
(To the Tune of “Saturday Night’s Alright”)
VERSE 1

It’s Saturday, late,
I need some opiate,
Cos Michael Barrymore is here;
Seven o’clock, so I’ll snort some rock,
Then I’ll get a belly full of beer.

My old lady, Cheryl,
Says my life is deep in peril,
But my producer knows I’m sane;
He says I look cute when we’re ready to shoot,
With a heap load of shit in my brain.

Ohhhhhhhhhhh….

CHORUS 1

Don’t give me more rehabilitation,
Cos drying out’s an effing bore;
Saturday night’s awight for tripping,
When you’re Michael Barrymore.

Speed has got me talking like a diesel train,
I’m gonna strike it lucky tonight;
Saturday night’s awight for snorting,
Saturday night’s awight.
Awight, awight, ooh, ooh, ooh, ooh.
(Barrymore collapses and tries to crawl off the stage)

OPTIONAL OUTRO

(Chorus enters to help carry Barrymore off. As they do this they chant)
Barrymore, Barrymore, Barrymore, Barrymore, Barrymore, Barrymore,
Barrymore, Barrymore, Barrymore’s tight awight.

Here’s Elton John singing Saturday Night’s Alright For Fighting with lyrics on the screen:

A Song With No Tune/ Woodstock Revival Song, NewsRevue Lyric, 18 May 1994

It doesn’t make sense for NewsRevue, this one, but by gosh it does make sense for me to play with it now (May 2017) as a practice/performance piece on my baritone ukuleles.

I republished it unchanged as The Woodstock Revival Song in October 1994 but I don’t think anyone picked up on it that time either.

I rather like it, mainly because I always disliked “A Horse With No Name” and the feeble attempts of non-talented guitar players to render both of its chords.  As I said, ideally suited for me to try out new techniques on my ukes.

A SONG WITH NO TUNE 

(To the Tune of “A Horse With No Name”)

 

(The singer’s voice should start to show strain from the middle of VERSE 2 onwards)

 

VERSE 1

 

In my first gig out in Bethel,

I was hoping the crowd was alive;

There were heads and hawks and hogs and freaks,

There for Woodstock to revive.

 

The first thing I played was a chord name of E,

And the second note was an E;

For the third chord, I thought I’d try me an E,

On the fourth I freaked out with an E.

 

CHORUS 1

 

I’m giving a concert with a song with no tune,

It’s so good to get out here and croon;

If you remember, it has no words either soon,

And the la las’ll send the crowd right over the moon;

La la, la la la la, la la la, la la;

(Wow-harmony) La la, la la la, la la la, la la;

 

VERSE 2

 

After two days in the Bethel rain,

My songs were sounding like Bread;

After three days, my throat is in so much pain,

I sound like Crosby Stills and Nash instead;

And the stories I told made them realise I’m old,

And the crowd wished that I was dead.

 

CHORUS 2

 

You see I’m giving a concert with a song with no range,

It’s so good to be out on the stage;

The lack of lyrics may appear to be strange,

But you can’t recall much when you get to my age;

La la, la la la la, la la la, la la;

(All together now) La la, la la la la, la la la, la la; (Key change….

….no only kidding) La la, la la la la, la la la, la la.

Here is America singing A Horse With No Name with lyrics up on the screen: