Luxury Travel Fair, Olympia West and Revolutions Weekender, V&A, 4 to 6 November 2016

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Doesn’t look all that revolting to me.

Janie and I arranged a day off on the Friday (4th) primarily to visit the Luxury Travel Fair.  Conde Nast Traveller Magazine had bunged Janie a couple of freebie tickets and we are seeking ideas for our next trip.

We had also wanted to keep some extra time free for the weekend as the V&A had mysteriously pre-announced that there would be a weekend of activities around the Revolution Exhibition – which we saw in preview a couple of months ago – click here. Janie had chased this up a couple of times but we only got the programme about a week before – still several items looked good.

Here’s a link to that very V&A programme – click here.

I didn’t hold much hope for the travel fair, so wasn’t too disappointed when Janie announced that she needed to get Bill to sort out a problem with the boiler at the house and that first thing Friday was the ideal time. Naturally, that took up the whole morning, so in the end we got to the travel fair around 14:45.

There were a few interesting stands, but on the whole the larger agents had sent their “B” teams to staff the stands and very few of the smaller agents covered holidays that might appeal to us. Cruise anyone? Not us.

So we had bags of time to get to the V&A for the first thing we wanted to see: a movie entitled Louder Than Love by Tony D’Annunzio which was due to be shown at 18:15. We got there about half an hour early, to discover that the movies were running early so that piece was playing to an empty room as we arrived and we caught the last 20-25 minutes of it. Probably got enough out of it that way nonetheless. Roger Daltry and Alice Cooper being the most interesting people from that scene still alive and their interviews were in that last reel.

That timing shift enabled us to see John Lennon “In His Own Write” that same evening. This is basically a performance piece based on John Lennon’s 1964 poetry book of that name. Cartoons too, projected onto a screen. The performers; Jonathan Glew, Peter Caulfield and Cassie Vallance, were all very good. Some of the poems were good; some very silly, some horribly violent. Still, certainly an hour well spent before dinner.

We also saw a small exhibit about Glastonbury and danced for a while in a rub-a-dub stylee to Babylon Uprising. Not quite “Janie and Ian, the only one’s dancing”…but not far off.

Sunday 6 November

After a cold game of tennis at Boston Manor, we went straight to the V&A to see a conversation between Joe Boyd and Nigel Waymouth. We were keen to see this, not least because Joe is a client of Janie’s and I found his book White Bicycles fascinating.

I thought I should try to sport some fitting gear, given our incongruous “just off the tennis court” look, so I wore the tee-shirt Kim had made for me from Janie’s “guru on a camper-van” picture which she used as the 60’s party invite in the spring:

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I also thought I should sport one of my most psychedelic-looking bandannas. It was indeed all in keeping with the subject matter of the conversation, just as I thought, although perhaps not so much in keeping with the way the rather elderly (on the whole) audience was dressed.

We ran into Brian Eno briefly before the session started. I don’t think he stayed for the session, so must have been popping in to see Joe before the start.

At the end of the session Janie asked Joe Boyd a rather penetrating question about commercialism (or rather lack thereof), which I thought was by far the most interesting question (and indeed answer) in the Q&A bit of the event. Whether or not Joe will have anything more to do with Janie after that question is hard to say.  I’ll guess yes.

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