We loved this innovative, short piece.
It is performed (alongside the author) by a different performer each night, who has not seen the script. We got Phelim McDermott, who is one of the artistic directors of Improbable. He was very good.
The piece is, on the surface, very simple, childish even. Yet the more you think about it, the more you realise that Nassim is making profound points about freedom of speech, not least the pains people like him go through when they leave their home country (in his case Iran) in order to communicate what they have to say in a foreign place and a foreign language.
We sat right at the front but managed to avoid the worst elements of the audience participation. Having said that, I got the dirtiest of dirty looks from Phelim when I tried to help him follow his instructions, by pointing to an “X marks the spot” which was located next to my seat.
We weren’t just moved and thoughtful; we laughed a lot during the 70 minutes or so. Nassim is clearly a very innovative and skilled dramatist; we’ll certainly look out for his work again.
This Bush run is an Edinburgh preview – I think this piece will go down very well in Edinburgh. It is then returning to The Bush for a while after Edinburgh – I recommend that you grab a ticket for that while/if you still can, if you like this sort of thing.
Janie and I had a crazy craving for Iranian food after Nassim’s homesick piece, so decided to try Rice Chiswick, which we found very satisfactory. Not quite Mohsen’s standard, but close and very convenient for the Bush.
A splendid evening.