A Net At Lord’s After Dumbo Nearly Gets Into Trouble, As Reported By Dumbo on King Cricket, 22 July 2015

King Cricket published Dumbo’s report of almost surreal happenings on the way to Lord’s, click here.

My conversation with the police and Dumbo’s paranoia combined makes Kafka read like a level-headed guy’s straightforward narrative.

An irony of all this, as I write this up for Ogblog some nine months after the event, is that Dumbo is now a surprisingly regular feature at Lord’s, what with the Middlesex strategy (work) and real tennis (rest and play).

Was-It-Because-Im-Black
Was It Because I’m Black?

For collectors of the Dumbo pieces (there must be loads of you out there – don’t be shy about it), this is Dumbo’s third report; the previous two in reverse order are:

Dumbo fans can also rest assured that this piece is not the last word from Dumbo; there are two more 2015 pieces by Dumbo which will be Ogblogged once King Cricket has done his worst with them.

England v Australia Day 3 at Lord’s, King Cricket Report, 18 July 2015

Janie and I (or should I say Ged and Daisy) went to the Saturday of the Lord’s Ashes test in 2015.

My King Cricket match report linked here, describing our day, was published on King Cricket nine months after the event. That fact is in no way a criticism of King Cricket. My “deal” with him is that I write these quirky pieces when and if I darn well feel like it; he publishes them when and if he darn well feels like it.

This was the first of mine published on King Cricket for some time, as I am reliably informed that some big piece of cricket news has reliably turned up in the past few months whenever King Cricket has been about to reach for my pile of unpublished articles. As it turned out, a few minutes after King Cricket published this piece on 18 April 2016, a big story indeed broke. Rob Key (one of King Cricket’s favourite players) retired. Having just published mine, that at least enabled King Cricket (aka Alex Bowden) to concentrate on writing a wonderful tribute to Rob Key, published on Cricinfo – click link here.

But back to my report on Day 3 of the Ashes test at Lord’s – click here if you didn’t click to see the report above.  This piece is, in a way, the third part of a trilogy.  It builds on a couple of earlier pieces about Ged and Daisy encountering Mr Johnny Friendly, an MCC member, friend of the family and real tennis enthusiast. In reverse order:

  •  the one linked here – Anyone For Real Tennis describes the Sunday of the New Zealand Test (24 May 2015) is the direct prequel to the Day 3 Ashes report;
  • England v Sri Lanka Day 3 (14 June 2014) – linked here describes a similar encounter with Mr Johnny Friendly the previous year. I misspelt Jane Austen as Jane Austin in this piece and King Cricket missed the error when he subbed; both of us metaphorically ate our own livers for the error in private, but I decided to milk the pun. Thus this piece inadvertently became the first part of a trilogy.

The irony that I myself have now enthusiastically taken up real tennis in the months between writing this piece and it being published is not wasted on me.

To understand my King Cricket match reports you need to know that:

  • Ged and Daisy are nicknames/noms de plume for me and Janie. Friends are all referred to pseudonymously;
  • King Cricket match reports have strict rules: “If it’s a professional match, on no account mention the cricket itself. If it’s an amateur match, feel free to go into excruciating detail.”

If you do want to know about the cricket itself, you might want to have a look at the on-line scorecard – here.  But if you are an England supporter you probably don’t want to look.

 

 

Nahda by Sevan K. Greene, Sandpit Arts, Bush Attic, 17 July 2015

An interesting looking production in the Bush Attic; we thought we’d give it a go despite it starting quite early (19:00) on a Friday. Janie made it to mine with bags of time to spare.

Excellent stub for this production on the Bush site, sparing me the trouble to explain it all – click here.

This short piece was really a few sketches presented together, overlapping more in their subject-matter (female and second generation identity) than the stories themselves.

We enjoyed it and were glad we invested the time to see this production.

I hope the Bush use that attic space more after the refurb (I am writing in December 2016). We thought it had great potential for this sort of studio work, much like the Royal Court Upstairs and Hampstead Downstairs.

 

 

The Salt of the Earth, Curzon Chelsea, 14 July 2015

I’m pretty sure we went on that Tuesday (14th July) although I have no diary note, so it might have been a different midweek evening that week.

It was something Janie really wanted to see, but we knew we’d only go midweek if we both felt, at the time, that we could fit it in.

Janie’s patients must have run to time. I had more time that week than expected, as I had planned to go to Merchant Taylor’s to watch Middlesex play but (as usual when I plan to do that) it had rained solidly on my planned day.

The award-winning film The Salt of the Earth is well described in its IMDb entry – click here.

It is basically about the photographer Sebastião Salgado and his stunning photography of cultures and landscapes of the world. The film was made by his son, Juliano Ribeiro Salgado, together with Wim Wenders of Buena Vista Social Club fame.

We saw a preview and picked up a leaflet there from a preview Q&A session with Sebastião Salgado himself, but we weren’t there on the evening he appeared for questions afterwards.

The film was very moving and beautifully made. Worth seeing on a big screen, as we guessed, although small screen would be better than no screen at all.

 

 

36 Phone Calls by Jeremy Brock, Hampstead Theatre Downstairs, 11 July 2015

Another of those winners at the Hampstead Downstairs. A really excellent one man performance in which you witness a chap’s life unfurl through a few dozen phone calls conducted on his several different phones.

It reminded me a little of The Human Voice by Jean Cocteau, except the one person in 36 phone calls is a man rather than a woman and there are more calls and more devices in this new play – welcome to 21st century communications.

This excellent Hampstead Theatre stub provides all the resources you need if you want to know more about this play/production – click here.

Lee Ross was exceptionally good as the unravelling man, Martin.

I think we might have taken away some food from Harry Morgans after the show that time; the diary silent on the matter. But I do recall this play giving us plenty to chat about afterwards.

 

Anthony Marwood, James Crabb & Graham Mitchell, followed by Patricia Hammond and The Versatility Serenaders, Wigmore Hall, 10 July 2015

After the chaos of the Alexander McQueen at the V&A – click here, the Wigmore Hall felt like a sanctuary.

We had arranged a cold plate supper in advance, which worked fine, then enjoyed this excellent late night concert of violin, accordion and double bass music.

Click here for Wigmore Hall stub that explains it all.

The  main concert was excellent – we particularly liked the Piazzolla but it all worked well, even the Bach. Very relaxing and enjoyable.

I liked the Patricia Hammond & The Versatility Serenaders more than Janie; she finds early and pre-jazz not quite to her taste. Still, we stuck around for a while before heading home.

Alexander McQueen: Savage Beauty, V&A, 10 July 2015

Janie was really looking forward to this exhibition. I thought I’d find it interesting too.

The V&A explains the exhibition and provides some video elements that show you quite a lot about it – click here.

In truth, neither of us much liked it. I really didn’t like it at all. Some of the rooms were so noisy and had so many different stimulae at the same time, I couldn’t really get my head around the art of it all. Perhaps it really was replicating the heaving nature of fashion shows. It didn’t help that, for this show, that Friday evening slot seemed very popular and therefore very crowded. Not for me.

We knew that we’d find several examples of our fashion photographer friend Anthea Simms’s work and sought those out; several to be found amongst the iconic postcards and posters for sale in the exhibition shop. We liked that bit best.

Here’s an e.g. for those Anthea Simms works – click here or on the picture above while the link is still live.

I for one was grateful that we’d arranged to go on to the Wigmore Hall for some grub and a late night concert afterwards; it felt like an escape from chaos into tranquility – what a huge cultural shift just down the road.

The Invisible by Rebecca Lenkiewicz, Bush Theatre, 4 July 2015

This was an interesting play about a legal aid lawyer and her cases. It raised a great many issues about that corner of our society.

Click here for the Bush Theatre stub, which explains the play/production well.

I have a playtext for this one; which is a good read.

It worked better as agitprop than as drama, in truth, although there were also some good dramatic moments.

Well written, well acted, well produced.

It got me and Janie talking about the issues anyway. Well worthwhile evening.

 

O/MODƏRNT: Monteverdi to Tango & Monteverdi in Historical Counterpoint, Wigmore Hall, 3 July 2015

Two related concerts in one evening, both of which looked right up our street:

On the first stub, as indeed it read in the Wigmore Hall brochure, it says:

The Wigmore Hall Restaurant will serve dinner after the concert. Please contact the Box Office on 020 7935 2141 to make your table reservations.

This absolutely clinched it for us. The food at The Wig is pretty good these days and we know that they can deal with the sort of meal they can serve between concerts.

But what a palaver we had booking the meal.

“We’re not sure that we’ll be open still at that hour on that evening…”

“…but it says in the brochure that you will be open…”

“…ah, well if it says it in the brochure then we will be open…

“…great, we’d like to book please…”

“…I can’t take bookings yet, because I can’t be sure we’re going to be open…”

It all came right on the night (indeed before the night) of course.

The whole thing was part of a festival project named O/MODƏRNT, which is explained on its website – click here.

The first concert, mostly blending Monteverdi and Piazolla, was an exceptional classical ensemble concert with several ensembles and soloists involved.

Then the relatively simple meal that Wigmore Hall can serve in these circumstances, all done with speed, efficiency and smiles in the end. We know many of the staff there; indeed any who stick around for a while.

The second concert was jazz with the Svante Henryson Quartet. We weren’t quite sure what Monteverdi had to do with it; perhaps some links in the musical themes being extrapolated. Still, it was very good jazz, although Janie, as usual in such circumstances, felt that it fell short of Tord Gustavsen, which is a tough, indeed perhaps unreasonable benchmark to set. But Janie has set that benchmark for all visiting jazz ensembles since Tord graced the Wigmore Hall with his presence some years ago – an event which I shall Ogblog in the fullness of time.

In short, our O/MODƏRNT evening was a great success and well worth the effort.

 

Essex v Australians at Chelmsford, Day 2, 2 July 2015

A day out in Chelmsford, reported upon at length on the King Cricket website.

This season my possessions are taking an increasing role in proceedings, writing many of my King Cricket match reports for me.  Dumbo, the Suzuki Jimny started this trend while we were in Ireland – click here.  Dumbo continued this trend on a half-day out to Uxbridge, linked through this posting here.  There will be more to come from Dumbo, once King Cricket gets around to publishing it.

Ivan The Smart Phone Reporting
Ivan The Smart Phone Reporting

But the report on the Chelmsford day was a first airing for Ivan the Smart Phone, my iPhone 5.  He tells you almost everything you might want to know about that day out, in a rather logical style – here. Indeed there will also be plenty more to come from Ivan.

To understand my King Cricket match reports you need to know that:

  • Ged and Daisy are nicknames/noms de plume for me and Janie. Friends are all referred to pseudonymously;
  • King Cricket match reports have strict rules: “If it’s a professional match, on no account mention the cricket itself. If it’s an amateur match, feel free to go into excruciating detail.”

If you do want to know about the cricket itself, you might want to have a look at the on-line scorecard – here.  Essex did rather well the day we went, perhaps foreshadowing problems to come for the Aussies that year, but we really didn’t spot the weakness at the time, that delightful day in Chelmsford.