Why, in the name of all that is good and pure, did I subject us to yet another nightmarish journey to the Wigmore Hall just before Christmas?
Did I not learn my lesson three years ago from that Brad Mehldau concert of Bach music?
Clearly not. In my own defence, I thought that activity would have died down by the Saturday before Christmas. For us, work-wise, it had – but not for the shops and shoppers in neighbouring Oxford Street. Who knew?
In any case, I was very keen to see and hear this concert. Janie and I had very much enjoyed the Avital Meets Avital concert some eighteen months earlier:
So I was fascinated to see how Avi Avital got on with Baroque music and sort of glossed over the proximity to Christmas when I booked this Venice Baroque Orchestra concert.
Suffice it to say that the journey was suitably awful for Janie and me to agree, “never again at this time of year”…again. Yet, also again, the pain soon turned to pleasure when we listened to the music and watched the musicians.
The Wigmore Hall was full to the rafters for this one, which is always good to see. Here is the Wigmore Hall stub on this concert.
Mostly Vivaldi, but we got to hear some Geminiani (of the Corelli variety) and one piece by a later Neapolitan composer, Giovanni Paisiello. Avi told a fruity anecdote about the difference between Venetians and the hyper-romantic Neapolitans.
Avi Avital also told an amusing anecdote from his early childhood about falling in love with the Winter concerto from Vivaldi’s Four Seasons, only to find out some years later that the piece he had actually fallen in love with was the Summer Concerto. Avi claims, it wasn’t until he went to Venice to work with the Venice Baroque Orchestra, that he actually experienced a violent summer thunder storm and realised why that stormy-sounding music represented summer rather than winter.
But the most interesting anecdote, which Avi told right at the end of the concert, was the fact that the concert very nearly didn’t happen at all. Most of the musicians were stranded as a result of the Gatwick Airport Drone Incident, which had required Avi’s team and the Wigmore Hall to work tirelessly rerouting musicians to enable the concert to go ahead. And we thought we’d had a stressful journey to that concert!
The orchestra are clearly seasoned exponents of this flavour of baroque music, although we felt that one or two members of the orchestra were not at their best that evening; perhaps travel or even life weary.
Avi Avital is an extraordinary, charismatic virtuoso of his instrument – his quality shines through all he plays. Yet, Janie and I both felt, some of the pieces that have been transposed from violin virtuoso pieces lose some of their musical quality through the transposition. Not for want of fine playing, but simply because the mandolin is a more limited, metal-stringed instrument. I enjoyed the change in some of the transposed pieces, but really missed the violin’s colour on others.
Below is a YouTube of a lovely, similar performance from a concert in Seoul a few week’s earlier:
