You For Me For You by Mia Chung, Royal Court Theatre Upstairs, 9 January 2016

We attended the last night of this quite remarkable piece at the Royal Court.  It was also the last night downstairs for Linda by Penelope Skinner , so the place was swarming with luvvies, presumably supporting their friends and/or sticking around for an end of run party.

We spotted Sam West (who I knew reasonably well at school) and Laura Wade in the bar.  We also saw Tamsin Greig and Richard Leaf, plus Benedict Wong and his date.  These latter four ended up in our upstairs show sitting close by.

Janie asked, “is that Ai Wei Wei?” just after Benedict Wong  squeezed past us, to which I said “yes,” thinking she meant “is that the bloke who played Ai Wei Wei?” rather than mistaking him for the Chinese artist himself. “Good job I didn’t congratulate him on his exhibition at the Royal Academy,” said Janie later when the confusion came to light, “he’d have taken me for a right divvy”.

As always now with the Royal Court (and many other theatres), the archive contains pretty much everything you want to know about the production including the reviews, which were universally and deservedly very good indeed.

This is not an evening of light entertainment, but it is a wonderful piece of original theatre, with superb acting, stage design, movement and all.  It deserves a transfer and sighting by a much larger and wider audience, but the bleak North Korean subject matter will, sadly, probably prevent that from happening.

Chimerica by Lucy Kirkwood, Almeida Theatre, 1 June 2013

Janie and I both really really liked this play/production.

In many ways not the sort of play we normally like. It was quite long and very broad in its sweep – spanning continents and decades.

But it was such a good play and so well done.

Fine cast; not least Claudia Blakley (who we think of as an Orange Tree regular), Stephen Campbell Moore (who I got to know quite well shortly afterwards at BodyWorksWest) and Benedict Wong (who we’ll forever think of as Ai Weiwei – or at least Janie will).

We liked Lucy Kirkwood’s previous play, NSFW...we loved Chimerica.

Click here for a link to the Almeida resource on this Chimerica production.

It subsequently transferred (pretty much intact, I believe) to the Harold Pinter that autumn.

Below is the trailer vid:

It got rave reviews, deservedly – click here for a search term that finds them.

London theatre at its very best.

#aiww: The Arrest Of Ai Weiwei by Howard Brenton, Hampstead Theatre, 26 April 2013

Janie and I both loved this piece/production.

I’m not a great lover of Howard Brenton’s work; the best of it is terrific (e.g. Pravda, which he wrote jointly with David Hare), while some of his plays seem to me to be gratuitously violent, ponderous or both. But this one is excellent.

Here is a link to the Hampstead resource on this play/production.

A fabulous piece of design, trying to utilise Ai Weiwei principles without overdoing it, the set was eye-catching throughout.

A large cast, all good, led by Benedict Wong who was superb as Ai Weiwei – the fact that he really looks the part helps but would not have been sufficient – he is also a very good actor. James MacDonald is a very reliable director too.

Parenthetically, Benedict Wong SO looks the part that Janie mistook him for Ai Weiwei himself at the theatre a couple of years later – click here or below:

You For Me For You by Mia Chung, Royal Court Theatre Upstairs, 9 January 2016

This link – click here – takes you to a short BBC interview with Howard Brenton about the piece.

Below is a short vid showing the making of the urns for this production:

Here is a link to reviews etc for this play/production- mostly deservedly excellent.