Dances Of Death by August Strindberg in a new version by Howard Brenton, Gate Theatre, 21 June 2013

Yes, yes, yes! This was really good.

I have seen The Dance of Death before – indeed both parts – but this tight version by Howard Brenton, enabling both parts to pan out in one play, worked really well for me and for Janie too.

Superbly well acted – Michael Pennington and Linda Marlowe were sensational in the leading roles (my previous experience of Edgar and Alice was Alan Bates and Franbcis de la Tour, so I know my top notch Edgar and Alices). The youngsters in the tightened up Part Two were also excellent.

An extraordinary production too, in that tiny theatre, managing to get so much out of that small space.

Click here for a link to the Gate resource for this play/production.

Click here to a search term for the (mostly very good) reviews.

A cracker.

The Promise by Ben Brown, Orange Tree Theatre, 27 February 2010

I don’t think this one really floated our boat. We liked the idea of it but it had a rather laboured feel as a piece of drama.

We were not having a good run at the theatre in the first part of 2010 and this one was part of that poor run for us.

Here is a link to the Orange Tree resource on the production.

I remember guessing at the time that Michael Billington would like it; he did – click here.

This search term – click here – will find you the other main reviews, most of which were luke warm.

We went for our traditional dinner at Don Fernando afterwards; I have a feeling we even skived the second half of this one.

Taking Care of Baby, Dennis Kelly, Hampstead Theatre, 2 June 2007

Friday night at the Hampstead Theatre was our more regular habit, but the Carlos Perez concert had enticed us to the SBC the night before, so we plugged for the Saturday night for this play.

Probably just as well, because this was a truly troubling play that would not have worn well rushing to the theatre at the end of a stressful week.  It poses as a documentary drama about Donna McAuliffe, a woman convicted of murdering her infant children.  The story resembles in many ways the tragic Sally Clark case.

It was extremely well done and I am very glad we saw it.  We had enjoyed Dennis Kelly’s writing before, which was the main reason we booked it.  Hampstead was patchy to say the least in that era but the Dennis Kelly stuff was a rare exception and this one proved no exception to the exception.

Lyn Gardner spoke highly of it in the Guardian – click here.

As did Ian Shuttleworth for the FT – click here.

Philip Fisher in British Theatre Guide was less sure – click here.

Everyone agreed that Abigail Davies was marvellous.

I have the playtext for this one; unusual for the Hampstead but might well be worth a re-read, there was a lot going on in this play.

 

 

 

Macbeth by William Shakespeare, Barbican Theatre, 19 February 1994

Janie is not partial to Shakespeare, but this production directed by Adrian Noble with Derek Jacobi as Macbeth and Cheryl Campbell as Lady Macbeth was quite special and we both thought it very good.

Theatricalia sets out the deal here.

I now learn that one of the three witches was Tracy-Ann Oberman, who went on (shortly after this production I think), to perform in NewsRevue/SportsRevue. Not our first sighting of her, that was in The Changeling at Stratford:

Returning to The Scottish Play, though, this is one of two productions Janie and I have seen; the other being the Tony Sher/Harriet Walter production to be Ogblogged “in the fullness”.

A couple of contemporaneous reviews survive on-line:

Here is Michael Billington’s review:

Billington On MacbethBillington On Macbeth Sat, Dec 18, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Here’s the Michael Coveney clipping:

Coveney On MacbethCoveney On Macbeth Sun, Dec 19, 1993 – 58 · The Observer (London, Greater London, England) · Newspapers.com

Not brilliantly well received, then.