A Museum In Baghdad by Hannah Khalil, Royal Shakespeare Company, Swan Theatre, 14 October 2019

Gertrude Bell, 1909, in what is now Iraq

Janie and I saw a preview of this superb production at the Swan, about a week before press night.

We became fascinated with Gertrude Bell when we saw the film Letters From Baghdad and a panel discussion about it a couple of years ago at the Curzon.

Hence our enthusiasm to decamp to Stratford and see A Museum In Baghdad more or less as soon as it opened. The RSC explains and describes the piece in its resources here.

Playwright Hannah Khalil explains her thinking behind the piece here:

The following trailer explains little but does give a flavour of the atmospheric music and sensescape of the piece:

Janie and I loved the play/production and came away from the show buzzing from the quality of ideas, drama, sounds and emotions we experienced at The Swan.

Janie tends to dislike plays that overlap time periods (this play is set in 1926 and 2006) and mess with the linear telling of stories, not least because she often finds that confusing. But this one works so well and certainly worked for her, such that the overlapping of the two time-settings just added a little to the chaos of the situations being depicted, without interfering with the narrative line.

The production runs at The Swan for a few months before transferring to the Kiln in London. We have not yet been to the latter since its refurb, so wonder how well the piece will work there. It certainly worked wonderfully for us in the three-sided Swan setting. It certainly should appeal to Kiln audiences.

All of the acting was top notch, as was the design, sound and movement. Hard to single out performances, but Emma Fielding, Rendah Heywood and Rasoul Saghir were exceptional.

We were grateful to be staying just across the road in The Arden, as the heavens were in open mode that evening. We debriefed over a snack supper there. I believe I spotted Mark Ravenhill with his entourage, amongst the small number of people who decamped to the hotel after the show.

We loved A Museum In Baghdad – what else is there to say?

Postscript following press night: reviews of this production can be found through this link.

Creditors by August Strindberg in a new version by David Greig, Donmar Warehouse, 27 September 2008

Janie and I are both very partial to a bit of Strindberg.

Creditors is a top drawer Strindberg play and this was a top draw production of same at the Donmar.

I had seen a smaller scale production of this before – at The Gate back in the 1980s – I’ll review that too in the fullness of time. But this version of Creditors, in David Greig’s edgy hands, was even more gripping than I remembered the play.

Here is a link to the Donmar’s excellent downloadable Study Guide for this production.

Superb cast too – all three of them excellent.

Even the West End Whingers were on the case for this one and seemed broadly satisfied – click here.

An especially good night at the theatre.