Middlesex v Australians At Lord’s, Then Django Bates Belovèd At Wigmore Hall, 9 June 2018

There are only two places remaining on the planet where stewards and on the odd occasion even fellow patrons

Three Days On The Trot At Lord’s For England v Pakistan, 24 to 26 May 2018

…still refer to me as “young man”: Lord’s and the Wigmore Hall.

Janie and I ended up going to both of those places on the same day, but sadly, no-one referred to me as “young man” in either place. Perhaps our mistake, in this regard, at Lord’s, was to take the youngsters, Charlie and Chris (Lavender & Escamillo Escapillo), as our guests. These terms are comparative, after all. In other regards, however, this was not a mistake, because we all four had a most enjoyable day at Lord’s.

Janie and I got to Lord’s really early, to secure enough seats in Janie’s favourite pavilion spot; the upper sun deck. And in order to achieve that, we both got up ridiculously early. Janie was on picnic duty for this one – never a quick and dirty process in the morning however much preparation can be done the day before.

Janie had sourced quite a lot of the food (and indeed other weekend food) at Finn’s – which seemed most appropriate with Steve Finn skippering Middlesex for this match.

Steve Finn congratulating Max Holden for his fine bowling. Holden can bowl – who knew? Image embedded from Middlesex CCC Website

So the picnic basically comprised some cheesy biscuit nibbles, ham rolls, sweet nibbles, beef rolls, carrots, tomatoes and grapes. A bottle of Vouvray and a bottle of Pinot Noir. Yummy.

Our little group got quite jolly and at one point there was a round of hat swapping, which left Chris looking a little unusual in Janie’s big colourful floppy sun hat. I primed my camera for a photo, but Chris felt that, as I am a captain of industry, it would be best not to have a permanent record that showed me to have been in Chris’s company…or something like that.

A suitably sensible-looking photo

The occasion was, in part, timed to coincide with Chris’s birthday. He mumbled about producing a birthday honours list, on the basis that, if the queen could have such lists, why couldn’t he?

Meanwhile Charlie (the only one of us not drinking) occasionally went into schoolmarm mode in a vain attempt to restore decorum. She seems to quite like that role these days.

Also meanwhile, Middlesex bowled really well, we felt. At no point did Australia really get away and we kept revising our estimates of the potential Aussie score downwards. Nathan Sowter took an absolutely stunning catch to secure the first wicket and perhaps settle the nerves of some of the younger players such as Barber, off whose bowling that catch was taken.

The Middlesex batting looked a little weak on paper for this standard of opposition and so it proved on grass. It’s a shame that one or two of the more senior batsmen didn’t dig in a little more, which might have given the less-experienced players a bit less to do. Still, young Holden batted beautifully and the Middlesex players for sure did not embarrass themselves. They gave the Aussies a good workout and the crowd a good match to watch.

Here is a link to the Cricinfo scorecard and resources for this match.

The weather smiled on us – the sun was out much of the time but not too hot – it was warm throughout the day, even when the sun went in.

We sat and chatted in the members’ lounge for a few minutes after stumps, to let the crowds subside then walked together to St John’s Wood before going our separate ways; the youngsters further north-west, while we went two stops south to Bond Street and on to “The Wig”, to see Django Bates Belovèd and guests play jazz.

Here is the Wigmore Hall resource on the concert we saw.

While here is separate Wigmore Hall interview with Django Bates about the gig.

An interesting mix of bluesy, Charlie Parker type jazz and more modern, experimental (almost free) jazz – the latter type pleasing us (especially Janie) less.

Below is a vid of the trio performing without guests.

One of the guests was an incredible saxophonist, Marius Neset. Below is a vid of him performing, but not with Django:

I liked the female vocalist, Claire Huguenin, more than Janie did – I thought her vocals added subtle texture to the music, whereas Janie felt that her voice got lost in the instrumentation. Below is a vid of her performing with her own crew:

Django Bates traditionally wears hats and has adopted the beanie in recent years. His beanie on the night had a sort-of blood and vomit colouring that might have been in honour of the MCC and our earlier visit to Lord’s…

…but on the other hand the colour match was almost certainly a coincidence.

One thing I do realise about no longer being so prone to the description “young man” is that days that start early and end as late as this are no longer in my comfort zone – nor Janie’s. We were ever so happy at the end of a successful and enjoyable day, but also ever so knackered…

…and both of us feel some sense of trepidation about taking our aching backs onto the tennis court…we’re leaving in five minute’s time as I write.

Postscript 10 June

Well, Janie managed to get her body moving again marginally better than I did. But as we came off the tennis court after a long session trying to get moving again, we saw Gerry – an elderly Irish dog-walker, with whom we quite often converse.

Good morning to you, young man, good morning young lady,

said Gerry. So there is a third place where we might still, just occasionally, be addressed in that manner – Boston Manor.

House Of Games by David Mamet, Jonathan Katz & Richard Bean, Almeida Theatre, 11 September 2010

We are big fans of Mamet and also big fans of the Almeida, so Janie and I were really looking forward to this one.

We indeed got a fabulous production, wonderfully well acted, directed and produced. But we were less sure about the piece itself.

Of course with Mamet you get more twists and turns than a country lane. Of course you get even riper language than an expletive-filled debate at our place after Janie and I have both had a bad day. And of course, with Richard Bean in the driving seat for the play script itself, you get some lovely stage devices and coups de theatre.

But the piece itself, based on a 1980’s Mamet film script, seemed surprisingly slight and it was unusually easy to predict the twists. I suspect the film worked better, but I haven’t seen it.

Still, with Alleyn’s School alum Nancy Carroll heading up a pretty impressive cast, plus Django Bates providing the atmospheric jazz music, it was an entertaining evening to be sure. Janie enjoyed it thoroughly, but also claimed she let the plot wash over her.

Here is a link to the Almeida resource on the play/production. 

Sceptics might not trust the above resource to link to all the reviews – quite rightly, as the reviews were mixed. Here’s a helpful search term for your own deep dive – click here.

If you’d like to see the trailer, click below – it’s pretty cool:

Copenhagen Saxophone Quartet, Italian Baroque Plus, Wigmore Hall, 19 July 2008

Janie likes a bit of sax. So a quartet of saxophonists playing Italian Baroque at the Wigmore hall seemed right up our street.

At the time of writing, I have had a more recent sax quartet experience – click here – having retained only a vague memory of having seen a sax quartet before. This Copenhagen Saxophone Quartet experience was it.

Judging from their website activities page – click here – this appearance at the Wigmore Hall might have been the end of the story for this troupe, even if at the time of booking it might have seemed like a big break near their beginning.

The concert does have an instant encore listing, though, which I am delighted to link here, although (at the time of writing) I am the only person to confess to having been at the concert. I think there were quite a few of us in, but perhaps not the packed Saturday night the Wig and the quartet might have hoped for.

Which is all a shame, as they were rather good, as was their interesting choice of music. I remember them describing their instruments and the pieces they were playing rather well.

I seem to recall that the baroque pieces did more for us than the modern ones. I also recall feeling that saxophone might not be the ideal instrument for baroque music – all sentiments that returned to me when I saw the Ferio Quartet at SJSS in December 2016 – click here.

Anyway, this concert got us all relaxed and suitably prepared for the following day’s battle playing cricket at Bentley.