The Unknown Island adapted from a short story by José Saramago, Gate Theatre, 29 September 2017

Ellen McDougall is the new artistic director of The Gate and this production is a great start to her role.

Based on The Tale Of The Unknown Island, an allegorical short story by Portugese writer José Saramago, four actors enact the piece. It is a very simple story with many-layered themes; to some extent the unknown island is an individual’s capacity to explore personal horizons, to some extent it is an allegorical tale about bureaucracy, leadership, power and colonialism.

Sounds heavy but honestly it isn’t. It is a one hour piece full of fun and little coups de theatre. There’s even a tiny bit of audience participation…but not of the “embarrassing pick on one person” kind.

Here is a link to The Gate’s resource on the play/production. The production has deservedly had superb reviews, links to which can be found in this resource, saving me the trouble.

Janie and I thought we were the oldest people in the audience…

…turns out I had inadvertently booked for “Young People’s Night” – it was simply the only Friday evening we were available!

Still, we are young at heart.

There was a short Q&A session after the show for Young People’s Night. As we were honorary young folk by then, Janie and I stayed on, finding the discussion interesting.

But back to the play/production – it is most certainly well worth seeing; for the story, for the production and for the quality of the performances, all four performers being excellent.

At the time of writing (the next morning), this production still has a week to run; Janie and I would thoroughly recommend it. Hopefully the piece will transfer and allow a wider audience to enjoy this thought-provoking and thoroughly enjoyable production.

Islands by Caroline Horton, Bush Theatre, 24 January 2015

We thought this play and its production were just awful.

I seem to recall that it ran straight through without an interval; had there been an interval we would not have returned for the second half of this one. Perhaps there was and we didn’t. The whole experience was so bad we’ve mostly blotted it from our minds.

The subject matter – tax havens and the greed of the super rich – is fair game for theatre. But this was like a really bad copy of Alfred Jarry’s Ubu Roi style with almost no substance – opportunities missed.

If you want to know more about the production, the Bush has a decent stub on it – click here.

I could go on, but I won’t.