The Flying Lovers of Vitebsk by Daniel Jamieson, Sam Wanamaker Playhouse, 18 June 2016

The Flying Lovers of Vitebsk was a really super production – click here for The Globe’s information on the piece, which includes extracts from and links to the excellent reviews.

Just as well, really, because Janie had been really looking forward to this for months, which might have been a recipe for disappointment. She loves Chagall.

We had whet our appetites for this piece a few days before, by visiting The Globe for our complimentary members’ tour.  But we hadn’t seen the inside of the Sam Wanamaker, as the playhouse was too busy getting ready for the start of our production.

Anyway, it all went right on the night. We got to the neighbourhood ridiculously early, wanting to make sure we allowed time for the relatively long journey and time to park up without time pressure. As we had mistakenly written down 7:30 when in fact the play started at 8:00, we had plenty of time to anticipate the production.

A lady came and sat with us for a while, then in the interval did the same again, bringing her husband with her that time. Unusual.

The Playhouse is not all that comfy; we noted where we might prefer to sit for next time – only some rows have back support for example.

Lots of candlelight for this production, which pleased Janie. I liked the cockamamie set. It was a charming play – quite straightforwardly linear in telling the story of Marc and Bella Chagall. But the two leads, Marc Antolin and Audrey Brisson who really made the show; super talented and delightful to watch.

We’d had a terrific weekend of theatre; this one and Wild on Friday both really excellent. We celebrated with a take away from Mohsen’s – probably the best of the Persian places we have tried for Persian-style kebabs at least. Probably Jewish food would have been more fitting, but where can you get that at 22:30 on your way from Bankside to W3?

The Game Of Love And Chance by Pierre Marivaux, Cottesloe Theatre, 20 February 1993

The Theatricalia entry for this production can be found here.

What a cast: Maggie Steed, Trevor Baxter, Caroline Quentin, Peter Wingfield, Stefan Bednarczyk, Marcello Magni. Joint directors Mike Alfreds and Neil Bartlett.

No wonder I was keen to see it.

Still, I don’t think Janie and I were wild about this one. I was fast learning that Janie doesn’t like classics as much as she likes modern pieces, nor does she like farce. Marivaux was never likely to float Janie’s boat.

Yet worse, from a “what Janie does and doesn’t like” point of view, this production had re-located the piece in the 1930’s, adding a Cowardesque flavour to it that didn’t go down well with the reviews that are currently ( as I write in 2019) on-line/clippable.

Despite that, the sheer weight of talent on show carried the day for us, as we both found the production entertaining and could not question its quality of production.

Below is Michael Billington’s review from the Guardian:

Billington Game Of LoveBillington Game Of Love Wed, Jan 13, 1993 – 26 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Michael Coveney’s review from the Observer:

Coveney Game Of Love & ChanceCoveney Game Of Love & Chance Sun, Jan 17, 1993 – 47 · The Observer (London, Greater London, England) · Newspapers.com