Happy End, Curzon Bloomsbury, 23 December 2017

Reading about this Michael Haneke film in the Curzon brochure, it sounded very interesting and right up our street. Strangely, we have often noticed reviews of Haneke films and thought that they sounded like our cup of tea, but this (I think) is the first we have actually got off our butts and gone to see one.

We’ll be looking out for more Haneke films (including some of his earlier ones) after this experience. We thought this was a really superb movie.

Here is the IMDb entry for Happy End.

Talk about dysfunctional families – this high-falutin’ French family really takes the biscuit. They reminded me a bit of families you sometimes find in Francois Mauriac novels – just a more modern version.

Haneke tends to work with an ensemble of favourite actors and actresses, so it won’t surprise Haneke fans to see Isabelle Huppert  and Jean-Louis Trintignant, for example. A nice little cameo role for Toby Jones too.

Janie and I thought the stand-out performance was Fantine Harduin as the little girl, Eve, at the centre of the plot. Remember where you first saw her name!

Bass Viol (Viola Da Gamba) With Seven Strings, By DasBee, source https://commons.wikimedia.org/wiki/File%3AViola_da_gamba_basso_7.jpg

So why the picture of the rare seven-string bass viol and a name check for Hille Perl, one of the leading exponents of that instrument? Well, it is only a sub-plot but a rather full-on one; it is not all that often that you’ll see the terms sexting and viola da gamba in the same sentence…or in the same subplot. That subplot put the gilt on the gingerbread for early music lovers like me and Janie.

Fabulous movie, highly recommended by both of us.

Mary Stuart by Friedrich von Schiller, Lyttelton Theatre, 20 April 1996

Frankly, Janie and I were not too much taken with this one. And how were we to know that, 10 years later, Anna Massey would become one of Janie’s regular clients? And that more than 20 years later both of us would have a go on Mary Stuart’s tennis court at Falkland Palace, which remarkably still plays?

But I digress.

A fine cast, not only Anna Massey but Isabelle Huppert, Tim Pigott-Smith and a fine collection of RNT regulars, directed by Howard Davies. The Theatricalia entry for this production can be found here.

It just didn’t really float our boat.

What did the critics make of it, I hear you cry?

Michael Billington described it as “far from perfect” but commendable. I’d go with that:

Billington on Mary StuartBillington on Mary Stuart Fri, Mar 22, 1996 – 2 · The Guardian (London, Greater London, England) · Newspapers.com

Paul Taylor in The Independent described it as a “far from unrewarding evening” – I can go with that too.

Michael Coveney, on the other hand, was absolutely taken with it:

Coveney on Mary StuartCoveney on Mary Stuart Sun, Mar 24, 1996 – 71 · The Observer (London, Greater London, England) · Newspapers.com