Collaborators by John Hodge, Cottesloe Theatre, 7 January 2012

I think I liked this play more than Janie did.

It was a fictionalised…somewhat fantasised account of encounters (which did occur to some extent in real life) between the writer Mikhail Bulgakov and Joseph Stalin.

We were blessed with Alex Jennings as Bulgakov and Simon Russell Beale as Stalin, with Nicholas Hytner in the director’s chair.

In truth, I don’t think it was a great play. It was a very good idea for a play with some very good scenes within it, but as a whole it didn’t quite work for me as an entire play.

But there was enough really good stuff going on to please me plenty, on  balance. Whereas I think Janie found it a little drawn out and confused/confusing.

The reviewers were more with me (on the plus side) than with Janie (on the “a bit muddled) side – click here for a search term that finds the reviews.

Below is a link to the trailer:

…and the following vid is an interview with John Hodge, the playwright:

The Arsonists by Max Frisch, Royal Court Theatre, 3 November 2007

After an aborted evening at the Hampstead Theatre the night before, this was a much better theatre experience for us.

I have liked this play ever since I read it, hundreds of years ago…well, soon after doing Andorra by Max Frisch at school. This production at the Royal Court Theatre, performed in rep alongside Rhinoceros which we saw a few weeks earlier, promised a fresh translation and another chance to see up and coming young star Benedict Cumberbatch before he became too famous to watch.

We both really enjoyed this production. It isn’t one of Janie’s favourite plays, but the translation and production were indeed fresh. Will Keen was excellent as Biedermann.

Most of the major reviews were highly favourable and are reproduced faithfully on the Royal Court stub for this production – here.

Charles Spencer in the Telegraph thought it tailed off – here. Sarah Hemming in the FT was also less than sure – here. Philip Fisher in British theatre Guide missed the epilogue – here – (I thought its omission was a good thing, on balance).

 

Rhinoceros by Eugène Ionesco, Royal Court Theatre, 6 October 2007

I’ve liked this play for almost as long as I can remember; certainly since school. Janie and I saw a quirky production of this at the Lyric Hammersmith years ago, but I thought this version at the Royal Court, translated by playwright Martin Crimp might have a bit extra. It did.

Benedict Cumberbatch was a young actor on the “one to watch” list in those days; now (writing in 2016) one might pay good money to avoid him – simply because of extreme overexposure to his manifest talent, you understand.

The above link (or click here if you prefer) takes you to the Royal Court archive, which has the who’s who and excellent reviews, saving me time and effort. But the absence of Michael Billington’s name in the Royal Court resource led me to suspect that Billi-o didn’t like it and I was right – click here for his review.

Philip Fisher in British theatre Guide (also unmentioned) did like it – click here.

 

 

Blue Heart: Heart’s Desire & Blue Kettle by Caryl Churchill, Royal Court Downstairs At Duke of York’s Theatre, Followed By Dinner At Nobu, 4 October 1997

Our take on this:

Interesting (weird) evening. Programme missing – only insert sheet.

Actually the programme might turn out to be a play text which might turn up somewhere on my bookshelves.

I wouldn’t mind reading these plays again. This was Caryl Churchill in impenetrable mood.

Gabrielle Blunt, Jacqueline Defferary, Karina Fernandez, Bernard Gallagher, Valerie Lilley, Mary Macleod and Jason Watkins, directed by Max Stafford-Clark.

Paul Taylor in The Independent was impressed:

Blue Heart Taylor IndyBlue Heart Taylor Indy 25 Sep 1997, Thu The Independent (London, Greater London, England) Newspapers.com

Nick Curtis from The Standard reviewed it a few week’s earlier in Edinburgh, also finding it good:

Blue Heart Curtis StandardBlue Heart Curtis Standard 22 Aug 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

We are all agreed them – weird but good.

Dinner At Nobu

Then on to Old Park Lane Nobu for dinner. That place was the latest “in place to dine” back then, so we were keen to try it. Who’d have thought that, 25 years later, the signature black cod in miso dish would be something we can obtain from our local (Japanese) fishmonger and serve at home?

This was a couple of years before the Old Park Lane Nobu became infamous for Boris Becker’s broom cupboard romp and many years before Boris ended up in jail.

In 1997, Nobu had just opened to rave reviews. Here’s Fay Maschler in The Standard:

Nobu Maschler StandardNobu Maschler Standard 25 Feb 1997, Tue Evening Standard (London, Greater London, England) Newspapers.com

Helen Fielding in The Independent also waxed lyrical in amusing fashion about Nobu

Nobu Fielding IndyNobu Fielding Indy 09 Mar 1997, Sun The Independent (London, Greater London, England) Newspapers.com

That was a lot of sensory stimulation for one evening – Caryl Churchill followed by Nobu. My guess is that Janie was very keen to try the place but could only get a late evening booking, so it sort of made sense to go after theatre.

To add to the excitement, we did it all again (in terms of theatre followed by dinner out) the very next day:

The Skriker by Caryl Churchill, Cottesloe Theatre, 26 March 1994

A strange play, this. Here is a link to its Wikipedia entry. Writing about it 25 yrars later, it seems in some ways more relevant now than it did then, as evidenced by the several revivals of it in recent years.

According to my log, Janie and I both found the play and the original RNT production we saw very good. Here is a link to the Theatricalia entry for that production.

The wonderful Kathryn Hunter was in it. As was Richard Katz, who had, at that time, fairly recently done a grand job with my material in NewsRevue. I’m pretty sure it was Richard who belted this one, for example:

I’m struggling to find reviews, but this preview from the Independent is interesting.

Here is a clipping from The Guardian:

Billington On The SkrikerBillington On The Skriker Sat, Jan 29, 1994 – 24 · The Guardian (London, Greater London, England) · Newspapers.com

While here is a 79 page doctoral thesis about this play, which posits that our whole political and social system comprises patriarchal binary oppositions. So there.

And there was Janie and I thinking that we’d spent an evening seeing an interesting play by Caryl Churchill performed exceptionally well. What simple souls we were/are.