The Night Alive by Conor McPherson, Donmar Warehouse, 22 June 2013

Janie and I are partial to a bit of Conor McPherson. We absolutely loved The Weir, but then you can’t expect a playwright to achieve such giddy heights every time.

Further, this was our second visit to the theatre that weekend, having seen the superb Dances Of Death at The Gate the night before – click here or below:

Dances Of Death by August Strindberg in a new version by Howard Brenton, Gate Theatre, 21 June 2013

So I suppose this particular evening was all set up for disappointment.

A wonderful cast, especially Ciarán Hinds and Caoilfhionn Dunne, plus a good script, provided plenty of entertainment for the evening – so in that sense we were not disappointed. It just wasn’t quite the jaw-dropping, mouth-watering night of theatre we had hoped for when we booked it. Greedy pair, we are, me and Janie.

Having been critical of the Donmar’s lack of on-line resource on many Ogblog occasions – I have now discovered (perhaps it has only recently opened up and/or was well-buried) a wonderful trove of Behind The Scenes resource guides on many productions – click here

…including this production of The Night Alive, which I have uploaded and which you can specifically click here. Excellent resources – well done Donmar.

Below is a Donmar trailer, mostly talking about the music – interesting to hear and see Conor McPherson talking about his own work:

Click here for a search term that finds the reviews for this production. It was mostly very well received and transferred well. I’m glad. It deserved to do well, even though it didn’t bowl us over. We’ll still look out for Conor McPherson’s work, though – he’s a special talent.

The Veil by Conor McPherson, Lyttelton Theatre, 19 November 2011

Gosh I remember how disappointed we were by this one.

We had loved Conor McPherson’s previous work whenever we had seen it – especially but not only The Weir.

But this play, set in the early 19th century, just left both of us feeling cold.

Super cast, with several of the “usual suspects” for Irish plays, not least Bríd Brennan. Plus an early sighting of Caoilfhionn Dunne.

But for us, nothing could quite save this play.

I remember saying afterwards that it was like “Chekhov had written a ghost story” and I remember smiling when I subsequently saw one of the reviews saying just that.

Here is a link to a term that finds the (mixed/indifferent) reviews.

I think we stuck it out on the strength of the performances and the hope that it would liven up in the second half.

Below is an interview with Conor McPherson about the play…

…and below this is the NT trailer for the production:

Oh well.

The Weir by Conor McPherson, Duke of York’s Theatre, 2 January 1999

With the Royal Court in exile, we missed the original “Upstairs” version of this at the Ambassadors. With all the stuff we had been dealing with in 1998, this one almost passed us by completely when it transferred “downstairs” to The Duke of York’s. So when the Duke of York’s production returned to that Royal Court “home in exile”, at the start of 1999, to kick off a major tour, we booked early and were there at the outset.

Excellent play and production

I wrote.

That was to say the least. It was truly memorable and awe-inspiring drama. No wonder many critics had fawned over it when it first came out in 1997.

Here’s John Gross in The Sunday Telegraph:

Weir Gross Sunday TelegraphWeir Gross Sunday Telegraph 13 Jul 1997, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh thought that the Royal Court overdid Irish drama, but still liked this one:

Weir de Jongh StandardWeir de Jongh Standard 11 Jul 1997, Fri Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer thought it superb:

Weir Telegraph SpencerWeir Telegraph Spencer 14 Jul 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

We saw a great cast and crew – most if not all the originals – Kieran Ahern, Brendan Coyle, Dermot Crowley, Michelle Fairley and Jim Norton acting, Ian Rickson directing. Here is a link to the Theatricalia entry for the production we saw. It was a privilege to have seen that production.