The World Of Byrd: Consorts Hymns Divisions & Dances, Phantasm, Wigmore Hall, 20 February 2018

This was a lovely concert of English viol music, specifically William Byrd, from the late Tudor/early Jacobean period. Phantasm are seriously good at this stuff.

Janie was up for this one. Wigmore Hall – warmer, much warmer. Byrd too.

William Byrd
An evening of early music with my Byrd
Funnily enough, come the interval I realise that, sitting behind me, was the very couple I sat next to at the Ancient Montreal concert the previous week, with whom I had swapped stories about the cold…

Music in New France & Québec, Studio de Musique Ancienne de Montréal, St John’s Smith Square, 15 February 2018

…we all agreed that the Wigmore Hall is much warmer. There’s something warm about Phantasm too. They come across as a very mellow, gentle ensemble. Laurence Dreyfuss always explains things and reads things out as if he is sitting in your private parlour having a comfy chat.

Here is a link to the Wigmore Hall resource on this concert.

Anyway the music was very soothing and relaxing, although it didn’t quite manage to do the de-stressing job on us that particular Tuesday night, while we were both having “a bit of a week”. That is the thing about Tuesday evening concerts.

That’s not Phantasm’s fault, nor the Wigmore Hall’s I do realise.

The World of Orlando Gibbons, Phantasm, Wigmore Hall, 24 October 2016

This had allegedly been a day off, although I did plenty of work during the day. Still, Janie and I played tennis in the morning and had  a very pleasant late lunch and late afternoon together.

Then to the Wiggy for this concert, booked a long time ago and I had no recollection what it was about.

Ah yes, a rare opportunity to hear consort music by Orlando Gibbons, performed by the esteemed viol ensemble Phantasm.

They were great on the night.

Here’s a link to the Wigmore Hall stub for this concert, so you can see what we heard, as it were. 

All the music was wonderful but, as Laurence Dreyfus quite rightly puts it in his programme notes, it is the six part pieces that really stand out.

Listening to them is like peering into a kaleidoscope…[t]he term ‘syncopation’ simply does not cover it

Syncopation – surely not “The Funky Gibbons”? – no, perhaps not. Very soothing music as it happens.

Dreyfus also mentions in the notes that it is so difficult to keep time for these pieces that even seasoned performers can miss their entry beat…

…and indeed he came a cropper himself on one occasion. Dreyfus took it on the chin and they started O Lord In Thy Wrath again.

Indeed, Laurence Dreyfus seems a rather sweet, self-effacing chap. When he introduced the encore, Pavane in F by John Jenkins, the elderly gentleman next to me said, rather loudly, to his wife…

John Who?

…Laurence Dreyfus smiled sweetly and said, a little louder, directly to the gentleman…

John Jenkins.

…I liked that.

The Gibbons music reminded me a little of the Corelli sonatas I enjoy so much, but of course these pieces were written so much earlier – incredibly sophisticated and rich sounds for their period.

Wonderful musicians all, Phantasm. Of course they spend almost as long tuning their viols as playing; that’s viol music for you.

I’m thinking I should invest in a good recording of these consort pieces. Glenn Gould is said to have listened to little else at times, but then he was as mad as a bag of frogs, so perhaps not a role model for listening choices.

Still, I loved the Gibbons consort sound and Janie dozed and listened appropriately.

Excellent review by Michael Church in The Independent – click here.

Yummy Chinese grub taken away from The Four Seasons on Queensway to round off the evening.

Update: I couldn’t resist downloading Phantasm’s recording of Gibbons Consort music – click here for link – delightful sound on the recording too. Not the same as live, of course, when is it ever, but lovely soothing sound.

The “Film Star Makes President” Edition Of Concourse, 9 March 1981

To celebrate the 40th anniversary of the “Film Star Makes President” edition of Concourse, I have republished the whole paper in the form of high-quality scans in a Flickr album – click here or the embedded image at the bottom of this page.

Dave Lee edited this edition and I provided him with a great deal of help, including a near-fatal lock-in for the deadline.

Dave had generously given me a great deal of editorial control over the political pages, so the front page and the next two pages were very much mine, content-wise.

Presentation-wise, I think it was entirely down to Dave that we went for an audaciously eye-catching front page – big headline, big photo and election results table only. This was not the regular Concourse way but I think it did help us sell.

I was very proud of the headline; a nod to Ronald Reagan’s recent election and the fact that Mark Thomas headed up the Film Society.

I realise also on re-reading the paper that I interviewed almost all of the protagonists from that early part of the election season: Mark Thomas, Frank Dillon, Anna Summerskill, Ric Cowdery, Steve Townsley, Vince Beasley, Jon Rees…

…I already knew some of them reasonably well and got to know most of them a lot better as the next year or three went on.

Other highlights include:

  • Dave Lee editorially eating his own liver over the previous editors’ resignation scandal and the Katy Turner column faux pas, on Page 4 and then again at length on Page 13;
  • Jon Gorvett & David Perrins fret-piece about fire risk, following a Dublin disco fire, on Page 7;
  • Some Concourse memorabilia on Page 11, looking back 10 years (which now is 50 years), including a snippet about Neil Baldwin from 1971;
  • A couple of damning album reviews, one by me and one by Simon Jacobs, which I have previously Ogblogged about – here, or see it in printed form on Page 14;
  • A couple of damning gig reviews on Page 17, including the Krokus one by Simon Jacobs which I have Ogblogged about here and the Rob Blow & Di Ball one from deadline night;
  • I rather like Phil Avery’s hockey team review on the back page, not least because I had to read the entire thing to the end to work out which sport he was reporting. If only his weather forecasts were so suspenseful.

If you want to browse/read the whole thing, simply click the link below and you will find all the pages in high quality digital form, easy to read/navigate on most devices and for sure downloadable.

March 1981 Concourse P1L