The Arsonists by Max Frisch, Royal Court Theatre, 3 November 2007

After an aborted evening at the Hampstead Theatre the night before, this was a much better theatre experience for us.

I have liked this play ever since I read it, hundreds of years ago…well, soon after doing Andorra by Max Frisch at school. This production at the Royal Court Theatre, performed in rep alongside Rhinoceros which we saw a few weeks earlier, promised a fresh translation and another chance to see up and coming young star Benedict Cumberbatch before he became too famous to watch.

We both really enjoyed this production. It isn’t one of Janie’s favourite plays, but the translation and production were indeed fresh. Will Keen was excellent as Biedermann.

Most of the major reviews were highly favourable and are reproduced faithfully on the Royal Court stub for this production – here.

Charles Spencer in the Telegraph thought it tailed off – here. Sarah Hemming in the FT was also less than sure – here. Philip Fisher in British theatre Guide missed the epilogue – here – (I thought its omission was a good thing, on balance).

 

The Fire Raisers by Max Frisch, Riverside Studios, 10 June 1995

We were having a veritable Max Frisch fest that spring, having seen Biography at The Questors just a few weeks earlier:

In those days, The Riverside Studios were doing some quite large theatre productions. This was part of a season, I believe, hence the generic season programme cover above.

I rated this very good and I’m sure Frances de la Tour and Malcolm Tierney were excellent, but I’m not sure this is the best Fire Raisers production we have seen. We returned to the piece some years later to see Benedict Cumberbatch in this play (translated as The Arsonists) at the Royal Court, which I think was a more dynamic production.

Still, very good is very good. Michael Billington said these faint praise things about it:

Billington on Fire RaisersBillington on Fire Raisers Thu, Jun 1, 1995 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney was also unsure about it:

Coveney on Fire RaisersCoveney on Fire Raisers Sun, Jun 4, 1995 – 78 · The Observer (London, Greater London, England) · Newspapers.com

Biography by Max Frisch, Translated by Michael Bullock, The Questors Theatre, 20 May 1995

I was really excited at the opportunity to see this play, which had not been performed in England before. I’ve been a fan of Max Frisch’s writing ever since performing in Andorra when I was at Alleyn’s:

An unusual opportunity to see a premier at The Questor’s Theatre, with Janie & The Duchess (Janie’s mum).

I liked this production, rating it “good” in my log. I recall the play being quite tricky and probably a challenge too far for The Questor’s.

The conceit of the piece – a behavioural researcher is given the opportunity to return to any point in his life and change the decisions he made – is intriguing and “very Frisch”.

25 years on, I have ordered a copy of the book and shall no doubt enjoy reading it.

Returning to 1995, I am pretty sure that the arrangement will have been “the usual” – i.e. The Duchess supplied The Questor’s tickets, Janie bought the interval drinks and I will have paid for dinner at Wine and Moussaka. That arrangement was decreed to be “fair” by The Duchess; who were we humble little folk to disagree with that?

But what if I could return to 1995 and make such decisions over again…?

Andorra by Max Frisch, Rose Bruford at The Half Moon Theatre, 25 July 1989

I went to this show with Alison Benjamin. My log reads:

Alison was going out with one of the Rose Bruford mob – Simon McLinden I think.

That explains why she went to a Rose Bruford production. I went because I was invited and because it was Andorra, a play in which I had appeared at school more than 11 years earlier:

I seem to remember the Rose Bruford mob doing a decent job of Andorra although in truth I remember little about this production.

I’m sure I secretly felt that my school production was just as good if not better but would have been far too polite to say so…

…actually that’s nonsense. I probably secretly realised that our school production was properly “kids amateur” whereas the Rose Bruford production would have been close to professional quality.

The diary is silent about what we did afterwards – I suspect that some eating and drinking was involved, quite possibly with some of the cast.

Andorra, 23, 24 & 25 February 1978

I got involved with “proper drama” at Alleyn’s for a couple of productions. Andorra by Max Frisch was the first of them, when I was just 15.  Here are my diary extracts.

The first block, from January, shows little emotion or detail at having got a decent part in a Bear Pit production:

Friday 13 January 1978, Got a talking part in the school play – I’m the innkeeper – V pleased,

16 January 1978, should have rehearsed – cancelled,

17 January 1978, first Andorra rehearsal,

20 January 1978, rehearsed for Andorra, 23 January 1978, rehearsed for Andorra,

24 January 1978 Andorra rehearsal,

26 January 1978, rehearsed for Andorra,

27 January 1978, rehearsed for Andorra,

30 January 1978, rehearsed for Andorra,

31 January 1978, Andorra rehearsal.

Two weeks in, by the start of February, I’m a critic as well as a performer.  Didn’t I know about hubris?  I was way overconfident anyway – “perfected” is not a term I would ever use now:

Thursday 02 February 1978, rehearsed for Andorra – OK,

03 February 1978, rehearsed for Andorra – OK,

05 February 1978, first Sunday rehearsal for Andorra – not bad,

06 February 1978, rehearsed for Andorra,

07 February 1978, Andorra rehearsal – good,

09 February 1978, rehearsed for Andorra – good – seems to be OK,

10 February 1978, rehearsed in evening for Andorra,

12 February 1978 rehearsal for Andorra in afternoon – a good one,

13 February 1978, rehearsed for Andorra – not bad,

14 February 1978, scene 11 of Andorra perfected.

Matters were bound to take a turn for the worse after that and so they did:

Friday 15 February 1978, Dennis [Galvin] rushed to hospital last night with colitis – Mick Lemp [Michael Lempriere] has taken over,

16 February 1978, rehearsed for Andorra – not bad rehearsal but still looks poor,

17 February 1978, field day and rehearsal,

19 February 1978, rehearsal cancelled as Mick Lemp visits relatives in Exeter,

20 February 1978, Mick stuck in snowdrift, Dan [Shindler] in bed with flu, disaster for play,

21 February 1978, Rehearsed all day for Andorra – Mick & Dan & Den all absent,

22 February 1978, flop dress rehearsal this evening – does not look good.

But the show had to go on:

Thursday 23 February 1978, Yesterday’s flop dress rehearsal lead to an almost empty house [tonight] watching a great performance,

24 February 1978, 2nd night of Andorra – even better than last night – 3/4 house – enjoyed it,

25 February 1978, Last night of Andorra – 7/8 house – performance good – party afterwards – got drunk.

I suffered more than my fair share of embarrassment on the last two nights – written up and available by clicking here or through the link below:

Andorra Embarrassment Story, 24 February 1978

With thanks to Mike Jones, who rescued a copy of the programme, here are scans of the pages:

Andorra CoverAndorra CastAndorra Bear Pit Production TeamAndorra PreambleAndorra Acknowledgements