The Promise by Ben Brown, Orange Tree Theatre, 27 February 2010

I don’t think this one really floated our boat. We liked the idea of it but it had a rather laboured feel as a piece of drama.

We were not having a good run at the theatre in the first part of 2010 and this one was part of that poor run for us.

Here is a link to the Orange Tree resource on the production.

I remember guessing at the time that Michael Billington would like it; he did – click here.

This search term – click here – will find you the other main reviews, most of which were luke warm.

We went for our traditional dinner at Don Fernando afterwards; I have a feeling we even skived the second half of this one.

The Reporter by Nicholas Wright, Cottesloe Theatre, 17 March 2007

I remember us both finding this piece about low-level BBC shenanigans interesting and enjoyable – despite a suicide forming the denouement (that is not a spoiler). I suspect, given subsequent events at the BBC, it would seem tame and much beside the point today.

I think I picked up the terms “cruel spectacles” and “waning powers”, both of which I use a fair bit, from this particular show.

Great cast, with Ben Chaplin, Paul Ritter, Bruce Alexander, Angela Thorne and Leo Bill really standing out.

Well directed by Richard Eyre and produced of course to RNT standards.

Reasonably well received by the critics – click here for a search term to find reviews.

It was worth seeing at the time for sure.

The Fire Raisers by Max Frisch, Riverside Studios, 10 June 1995

We were having a veritable Max Frisch fest that spring, having seen Biography at The Questors just a few weeks earlier:

In those days, The Riverside Studios were doing some quite large theatre productions. This was part of a season, I believe, hence the generic season programme cover above.

I rated this very good and I’m sure Frances de la Tour and Malcolm Tierney were excellent, but I’m not sure this is the best Fire Raisers production we have seen. We returned to the piece some years later to see Benedict Cumberbatch in this play (translated as The Arsonists) at the Royal Court, which I think was a more dynamic production.

Still, very good is very good. Michael Billington said these faint praise things about it:

Billington on Fire RaisersBillington on Fire Raisers Thu, Jun 1, 1995 – 30 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney was also unsure about it:

Coveney on Fire RaisersCoveney on Fire Raisers Sun, Jun 4, 1995 – 78 · The Observer (London, Greater London, England) · Newspapers.com