This was the second Reverb: Roundhouse concert we went to over a long weekend in January – we took that Monday off work.
This one didn’t wow us quite as much as the Joanna MacGregor one on the Saturday, but still we really enjoyed it.
In many ways this one was more star-studded, with Charles Hazlewood, Adrian Utley from Portishead, Charlie Jones from Goldfrapp and both of the Unthank sisters to thank.
It was an interesting idea to set The Beggar’s Opera with folk tunes and baroque music from Purcell and Handel. It succeeded in its own way, but perhaps, to my mind, Brecht/Weill have taken that work as far as it can go down the fusion line.
We were thirsty for more of this sort of thing at the Roundhouse, but have not since (writing in 2017) seen quite such inspired-looking programmes at that venue. Which is a shame, as we really like the place.
Still, this evening rounded off a long weekend well, at the Roundhouse
We went to two classical concerts with early music leanings at the Roundhouse in the space of three days as part of the Reverb series; we loved both.
This was the first of the two, on the Saturday.
We hadn’t seen Joanna MacGregor before, although we had heard of her. I was aware that she had been a Gresham professor of music.
There was real flare and excitement to this concert; a really interesting blend of early music, south american music and contemporary and jazz themes.
In the moment, I bought a couple of Joanna MacGregor albums on the night:
We’ve listened to these albums a lot and had a lot of enjoyment from them, although they bear little resemblance to the music we heard that night.
Subsequently I bought another one, Play, which reflected at least a couple of the items we heard in the concert.
Here is an interesting video interview with MacGregor on the Telegraph website, made just before this concert.
Anyway, the concert was lovely and left us very excited ahead of the next one, a mere two days away.