The Female Of The Species by Joanna Murray-Smith, Vaudeville Theatre, 12 July 2008

We don’t much go for West End productions, but this one does read like a Cottesloe, Royal Court or Hampstead type production, despite landing in the West End straight from its original Australian production.

The play is a comedy, loosely based on a real incident in which Germaine Greer was breifly kidnapped by a deranged “fan”.

Thank you, Official London Theatre, for all the details about the production – click here.

Janie and I saw this on the Saturday of the Lord’s test, with Lord’s tickets in our hand for the Sunday and with me having been at Lord’s on the Friday, enjoying a long weekend…

…Eileen Atkins, Anna Maxwell Martin, directed by Roger Michell…what could possibly go wrong?

Not a lot, really. It was funny, yet also quite forgettable. Only by skimming the above OLT synopsis and the reviews that follow does it start to come back to me. A bit like the test match really, seems like I was having that sort of weekend:

Still, it was worth seeing and for sure a notch or three above the usual West End comedies.

The Last Days of Judas Iscariot by Stephen Adly Guirgis, Almeida Theatre, 29 March 2008

We had such high hopes for this one. We love the Almeida. We loved Jesus Hopped The ‘A’ Train by the same author at the Donmar a few years ago…

…but this one didn’t really work for either of us. The acting was good, but the play left us cold and disappointed. Perhaps we were expecting too much.

The Almeida provides a superb stub that explains the conceit of the play and sets out the cast and creatives – here.

There’s a good Wikipedia entry for this play and production too. It states that the original off-Broadway production was reasonably well received, whereas the Almeida production was almost universally well received. I’m not so sure about more-or-less universal:

Land of the Dead and Helter Skelter by Neil LaBute, Bush Theatre, 18 January 2008

Neil LaBute is good at short, punchy plays. These two, Land of the Dead and Helter Skelter – see Bush Theatre stub here,  are companion pieces.

It was a Friday evening, so it was stronger meat than we would normally choose for the end of the working week. Still, we were really taken by these plays and this production of them. The reviews we can still find tend to agree with us:

 

The Dysfunckshonalz by Mike Packer, Bush Theatre, 16 November 2007

This play was good fun. It is basically a comedy about a punk band that fell out in unusual circumstances reforming many years later as Mammon comes calling. It sounds a bot “so what?” and it some ways it was, but it was an entertaining evening at one of our favourite venues.

The Bush has a good stub for this production, as the best theatres now do – see here. The reviews bit doesn’t seem to be working, but there are several reviews still to be found:

It didn’t get a west end transfer, but perhaps that idea was b*llocks, never mind. The Bush was still a room above the pub in those days, which seemed a fitting venue for this piece.