From the ridiculous to the sublime. A delightful concert of early music. Richard Egarr on the harpsichord with English music spanning the late 16th to late 17th century; Byrd, Purcell and Blow.
After our ill-fated Friday evening of avant-garde jazz, from a doyen of the free (or in this case BOGOF – buy one get one free) jazz movement – click here – the Richard Egarr was to be just the ticket.
There was one small problem though; a tube strike. In the interests of practicality and sanity, I put my principled doubts about Uber to one side, down-loaded the app and organised transport through Uber. The transport only cost a little more than the concert tickets that way.
But we got there and I’m so glad we went.
Once we were at the Wigmore Hall, the music transported us to a happy place without any difficulty.
This was the first Radio 3 Lunchtime concert of the year at the Wigmore Hall. Sara Mohr-Pietsch came on the stage to explain how it works to the live audience and started her little spiel by saying, “hello and good afternoon to both of you”, seeming to address the remark to me and Daisy in the front row.
Perhaps she realised what an effort we in particular had made to get from W3 to W1 on a strike day. Seriously, the hall was pretty much full, so I suppose Sara meant to say “all of you”. Her spiel got better after that.
The audience doesn’t get to hear her radio introductions, so I struggled to work out exactly which piece was which and exactly when Richard Egarr’s short breaks were taking place, until I listened again again on iPlayer.
Which reminds me to tell you, if you get to this Ogblog article quickly enough, you don’t have to take our word for it how lovely this concert sounded.
It is to be rebroadcast on BBC Radio 3 on 15 January 2017 at 13:00, or you can catch it on the iPlayer radio thingie – for another three or four weeks – click here or below. At the very least you should be able to get more information about the concert on these links even if you miss the 30 day licence window to listen in.
