Utility by Emily Schwend, Orange Tree Theatre, 2 June 2018

We thought this was a fabulous piece, beautifully portrayed.

The synopsis sounds like a great many plays; a domestic drama about a woman trapped in an unsatisfactory marriage, struggling to keep the household together domestically and financially.

This is kitchen sink drama to such an extent that there is even a kitchen sink with a somewhat intrusive window as part of the set. I think the theatre had accidentally withheld two decent seats (our usual favourites) and sold the two that were restricted by the set; so we made a late seat swap to return to “our” regular seats. Minor stuff for previewistas like us – I’m sure the Orange Tree will resolve/have resolved for post preview audiences.

In short, the play is extremely well written and the performances are all excellent, making this an exceptional production well worth seeing.

Here is a link to the Orange tree resource for this play.

All of the performances were excellent, but Robyn Addison as the lead role, Amber, was a standout performance in this piece.

Formal reviews have just started to come in at the time of writing, but they seem to be coming through as deservedly good ones – click here for a link to find them.

Did Janie and I go to Don Fernando to chew over the issues and some Spanish food afterwards?  By heck we did.

If you get a chance to see this production of Utility, we suggest you take it.

Plaques and Tangles by Nicola Wilson, Royal Court Theatre Upstairs, 14 November 2015

This was a very interesting play at the Royal Court Upstairs. As usual these days, there is an information-packed stub on the Royal Court website – here, saving me much of the trouble to write about the basics.

I had been avoiding the subject of dementia for a while, but I guess we booked this some six months after mum died so I was starting to feel able to handle the subject again.

In many ways, this play was about a different type of dementia, as the protagonist has a rare genetic form of the disease that takes over the person’s life much younger and therefore far more invasively.

This difficult subject and the dilemmas that spring from it were handled with skill, dignity and humour in this play. Well acted and produced too.

Lots of rave reviews are linked through the reviews tab in the Royal Court stub – click here specifically for that tab.

Michael Billington was not so sure in Guardian – here...even less sure was Matt Trueman in WhatsOnStage – here.

Janie found the non-linear nature of the piece (moving backwards and forwards in time on several occasions in short scenes) more than a bit confusing. I think we were supposed to feel somewhat disoriented, to enable us to empathise with the protagonist.

Still, we were both glad to have seen this one.