White Guy On The Bus by Bruce Graham, Finborough Theatre, 6 April 2018

We’ve mostly been very impressed by the stuff we’ve seen at the Finborough Theatre. We started trying the Finborough less than a year ago and this piece, White Guy On The Bus, was our tenth visit in that short time. Again we were most impressed.

We thought we must have seen US playwright Bruce Graham’s work before, until we realised that we were both probably making an amalgam of Bruce Norris and James Graham. The best of those two would make a pretty formidable amalgam as it happens and Bruce Graham’s piece, while perhaps lacking some of the flair of either of his semi-namesakes, was an excellent piece of writing.

Add to that Finborough’s ability to assemble a quality team of actors and creatives to pull together a low budget production that punches well above its weight…

…this was a very good evening of fringe theatre.

The themes of racial tensions, social inequality and political correctness seemed absolutely pertinent for our times. In truth the play is a bit of a slow starter, but by the interval we found ourselves hooked on a thriller with lots of issues and by the end we felt thoroughly entertained and thought-provoked. Two hours well spent.

Click here for a link to the Finborough on-line resource for this play/production. It includes some press quotes from the original production(s) of this piece in the USA – the Finborough production is a European premier.

Below is a trailer from one of the US productions – Curious Theatre Company:

Below is an extract from another of the US productions – Northlight Theatre – which gives a better feel for how the play comes across on a small stage:

Click here for a link to reviews and other stuff connected with the Finborough production, which has mostly been very well received so far.

Other memorable moments from the evening:

  • as Janie and I we were walking up the stairs to the theatre, the man in front of me turned around and said “hello Ian” – it was Kim Ridge. I wondered out loud whether Kim and Catherine were regulars at the Finborough, but it turned out that they were there quite by happenstance having decided to give the place a try for the first time;
  • after the show, “The Ridges” disappeared rapidly, but Janie and I stuck around and chatted briefly with a very nice Canadian lady who had been sitting next to us. It turns out she goes to many of the fringe places we go to – I didn’t recognise her face but suspect we’ll run into her again. Next to her was a really pleasant young woman who also chatted with us about the play. It was that sort of theatre experience for us – we wanted to talk about the issues afterwards;
  • a yummy meal in Noddyland taken away from Mohsen’s – Janie and I continued to mull the issues over dinner.

A really good evening.

Footprints on the Moon by Maureen Hunter, Finborough Theatre, 4 June 2017

Janie and I have been meaning to try the Finborough Theatre for ages. Eventually we got round to booking a couple of productions this June – Footprints on the Moon being the first of them.

What a friendly place.

We went on a Sunday evening for this one and it was lovely to have a drink in a quiet local pub before strolling upstairs to take our seats in the theatre. Perhaps when we go on a Friday or Saturday night, the pub will heave a bit like the The Bridge beneath The Canal Cafe Theatre or The Prince Albert beneath The Gate Theatre.

But I digress.

Footprints On the Moon is set in a remote town in the Canadian prairies, the town being loosely based on Indian Head, Saskatchewan, from whence the playwright hails.

Being a tiny theatre club operating on a minuscule budget, naturally the Finborough has an excellent on-line resource with information about the production and quotes from reviews – click here. It simply wouldn’t be possible for a big beast like The National theatre to do this, would it?

But I digress again.

Footprints On the Moon is a very well-written chamber play centring around a feisty female character, Joanie, who has rich thoughts but is trapped in her small town world. We learn at the end of the play that she has never been beyond her immediate prairie environment, not by train, not by plane. She doesn’t want her daughter to move to Toronto, where Joanie’s estranged husband now lives.

It was written and is set in the 1980s, so there are no cell phones or internet connections either. Janie and I discussed afterwards whether that particular type of parochialism has gone for ever in the internet age.

Anne Adams as Joanie was excellent, as was Derek Hagen as the love interest and Samantha Coughlan as Joanie’s loyal friend. Sally Cheng did a decent job as the sultry teenage daughter, although looked a little too senior to be quite such an immature broody teen.

This is a claustrophobic (in a good way) chamber play – we never leave Joanie’s stoop/dining room – such plays work especially well in small theatres like the Finborough.  The second half of the play worked better than the first half for me, although I enjoyed the whole thing – Janie if anything preferred the first half.

We were both quite tired on Sunday evening yet came away delighted with our evening of theatre and looking forward to our next visit.

We shall be signing up as friends of the place next time we go.

The White House Murder Case by Jules Feiffer, Orange Tree Theatre, 20 October 2012

My weekend pages are a blank at this time, but by a process of elimination Janie and I must have seen this play on 13 October or 20 October 2012. Janie’s diaries (currently in the attic) might help solve that tiny element of the case.

At the time, in 2012, this cartoon-like 1970s play about some bizarre future White House regime, set about 40 years hence…i.e. about now…seemed crazy beyond belief.

Writing in 2018, I realise that the playwright, Jules Feiffer, merely lacked the imagination to envisage a Trump-like character in all his grotesqueness.

Here is a link to the Orange Tree resource on this play/production.

I don’t think Janie and I were overly smitten with this piece. It had its moments and some good acting – Bruce Alexander as the President I recall was a bit of a standout – but on the whole it seemed a bit silly and superficial to us.

I think the critics quite liked it on the whole – here is a link to a search on the reviews.