Wall by David Hare, Royal Court Theatre, 14 March 2009

Wall is a companion piece for Berlin, which we saw a few days earlier at The Lyttelton.

Wall only ran for a few nights, so we did well to catch it. I thought Via Dolorosa was a fine piece, laced with great drama as well as interesting things to say. This felt comparatively preachy, about the ghastly Israel-Palestine separation barrier.

Perhaps it is so clear to me that the barrier is a bad idea, that being lectured about it by David Hare seemed surplus to requirements.

I saw the links with Berlin of course, but enjoyed the Wall part less and certainly learnt less.

Our friend Michael Billington loved it in the Guardian – click here.

Rafael Behr wrote highly of it too in the Observer – click here.

I’m glad to have the text of both and I’m sure a re-read would be interesting, especially now (as I wrote in May 2017) that walls and barriers are back in fashion.

Berlin by David Hare, Lyttelton Theatre, 9 March 2009

This was a rehearsed reading by David Hare, which was only performed for a few nights at The Lyttelton.

The only day we could go to Berlin was the Monday; it’s 18:00 start time encouraged us to take a day off that Monday in fact.

Berlin is basically a short (less than one hour) highly personal monologue about the city, its history and in particular the Berlin Wall.

Kate Kellaway wrote it up in the Observer thus.

It is a companion piece for the Wall, which we went to see a few days later at the Royal Court. I think I preferred Berlin, finding it more interesting and less preachy.

Writing this up in May 2017, I realise that Trump should be made to sit through both pieces.

Via Dolorosa by David Hare, Royal Court Theatre At The Duke Of York Theatre, 19 September 1998

Janie and I thought this piece and performance was simply superb. In fact, I wrote:

Superb!!

…in my log and I am not normally the double-exclamation-mark type.

This was David Hare’s brave dive into performing a one-man-show on one of the thorniest topics he might possibly choose – the Israeli/Palestinian conflict. Talk about high risk, but we thought Hare pulled off a blinder with this piece/performance.

Nicholas de Jongh in the Standard loved it:

Dolorosa de Jongh StandardDolorosa de Jongh Standard 09 Sep 1998, Wed Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer also gives the piece high regard:

Dolorosa Spencer TelegraphDolorosa Spencer Telegraph 09 Sep 1998, Wed The Daily Telegraph (London, Greater London, England) Newspapers.com

Irving Wardle guesting in The Sunday Telegraph also spoke very highly of the piece:

Dolorosa Sunday Telegraph Wardle Dolorosa Sunday Telegraph Wardle 13 Sep 1998, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

The only slight equivocation came from the Guardian, which chose to have a diplomatic correspondent review the piece rather than a theatre critic:

Dolorosa Black GuardianDolorosa Black Guardian 12 Sep 1998, Sat The Guardian (London, Greater London, England) Newspapers.com