This concert was the evening before Uncle Michael’s funeral, for which I was scheduled to be the soloist – i.e. eulogist.
Angela and John are patrons of the London Philharmonic Orchestra (LPO). They suggested that I might join them for this concert. An element of bonding exercise and an element (I suspect) of last minute stage management. John had stuck his neck out a little with his Rabbi by suggesting that a member of the family undertake the eulogy and they didn’t want any mistakes.
We discussed matters over drinks and nibbles with the patrons and benefactors before the show.
“Rabbi Rosenfeld is absolutely clear that you should keep the eulogy brief”, said John – who is a graduate of the Arsène Wenger school of management.
“I got the message – I’ve timed the speech; eighty-nine minutes…”
“…EIGHT OR NINE MINUTES…if it goes past ten minutes I’ll shut you up myself…”
…I think John knew I was joking.
Meanwhile, unlike our family funeral, the concert was not going to proceed as planned. The Canadian conductor Yannick Nézet-Séguin had gone down with “severe gastric flu” (as described in the apologetic programme note.
So we had a late substitute from one of the other dominions, Australia, in the form of Matthew Coorey.
The result was a game of two halves in some ways.
Supersub Coorey was spared the first half of of the concert, as Georgian violinist Lisa Batiashvili, wisely, chose to lead the orchestra herself in the Mozart Violin Concerto No 3.
I say the first half…of course the Mozart is quite a short work whereas the second half, Mahler Symphony No 9, is a 90 minute marathon. So it was more like an 80:20 thing than a game of two halves…
…I’m digressing. Point is, while the first piece I suspect included all the nuance and personality that had been planned for this concert. I have an affection for that simple but charming piece and it was delivered very well that night.
By cointrast, the Mahler seemed, while very professionally performed, a somewhat retreated, standard performance of the great work. Hats off to Coorey for taking on such a monumental work at such short notice. But “letting the orchestra just do its thing” is probably as good as it gets in those circumstances.
Here is a short video of Lisa Batiashvili playing at home, Tbilisi. I couldn’t find a legitimate vid of her playing Mozart so I thought this gorgeous piece of Bach would do nicely.
While here is a short vid of Matthew Coorey conducting. It isn’t Mahler…instead it is Kodaly, so there is still rather a lot of early 20th century noise and some unusual percussion – it was the closest I could find:
