In the first half, Michele Rabbia, Gianluca Petrella and Eivind Aarset played their unusual style of electronically-enhanced ambient music, mostly pieces from the album Lost River.
Here’s an example piece – Nimbus
One lady in our row, clearly not keen on electronically enhanced jazz, decided not to stick around for the second half. That’s a shame, because it was very different and not electronically enhanced at all.
Avishai Cohen and Yonathan Avishai have been friends since they were kids and the camaraderie really showed. Their set mostly came form the album “Playing The Room”.
Here’s a sample from that:
Here is a live video of them playing a lullaby, which i think they used as their encore:
Not a concert to set your pulse racing, but two very interesting acts and a good way to start concert-going in 2024.
…Moroccan and North African sounds, folk and classical traditions, Israeli harmonies and Mediterranean rhythms to create a musical melting pot…
How right I was.
I hadn’t worked out, from that promotional material, that “Avital Meets Avital” is a relatively new combo, nor did it cross my mind that the two Avitals might not be connected to each other by blood. They just happen to be two musical guys who share the same surname who discovered that they make great music together and formed a fine musical friendship and combo.
The hall was pretty crowded, considering that the combo is fairly new and the Friday late slot does not always do well unless the act is well-known/a local favourite.
The group’s love of music and music-making together came across very nicely. In particular, Omer Avital (right of picture) came across as a real fun-loving showman – but in a good way. Janie is often put off by flamboyant musicians, but this was just the right balance of joyous music making, sharing that joy with the audience, yet relentlessly high-quality, professional musicianship.
Indeed all four of them are superb musicians.
Avi Avital must be one of the leading virtuosi of the mandolin – some of the intricate work he was doing, especially on the smaller of the two mandolins he played, was spellbinding.
The pianist, Yonathan Avishai, was mostly playing (in effect) continuo, but when he got the opportunity to extemporise with a solo, his ability as a musician became very clear.
The drummer, Itamar Doari, looked as mad as a box of frogs (or at least on a different cerebral planet) when he played – it was a wonder he didn’t spontaneously combust Spinal Tap style during his solos. Strangely though, in the bar afterwards, he looked surprisingly sane and normal.
There was a good vibe in the bar after the show, with a jazz pianist playing. It was good to see all four performers (as well as a reasonable chunk of the audience) joining in the post concert fun – that doesn’t always happen after these Wigmore Lates concerts.
I downloaded the Avital Meets Avital album as soon as we got home and we have listened to it several times over the past few days. I would recommend the album highly, but would also suggest that you get to see this combo live if you can – the recordings cannot quite do justice to the uplifting sense you get from seeing this combo perform live.
