Category: Theatre

Haunted Child by Joe Penhall, Royal Court Theatre, 3 December 2011

We thought this was an excellent play and production.

We booked it on the back of Joe Penhall’s superb play Blue/Orange. We also got a fantastic cast, not least Ben Daniels and Sophie Okonedo.

Here is the Royal Court resource for this play/production.

The Ben Daniels character, the father, is basically being sucked in by a cult. On reflection at the time of writing (January 2018) it has a fair bit in common with My Mum’s A Twat – click here, which we saw recently, except the cult-ista in the more recent case is the mum and the storyteller is the affected child later in life.

Anyway, Haunted Child mostly got very good reviews – click here for a link term that should find them.

Below is the trailer:

The Westbridge by Rachel De-lahay, Royal Court Theatre Upstairs, 26 November 2011

We thought very highly of this play and of this production.

Here is a link to the Royal Court resource on this play/production.

As soon as we entered the Royal Court Upstairs, we felt a bit un-nerved by the arrangement – we seemed to be sitting higgledly-piggledly on top of the action.

This production had started its life in a Peckham outreach location – a former cricket bat factory it transpired, which probably explains the unusual layout of the room.  The working title of the play had been SW11, so I think  Rachel De-lahay originally had a Battersea Estate in mind rather than a Peckham one – little matter.

The action was full of ethnic and inter-generational tensions. Very well written – where is Rachel De-lahay now (he asks, writing in 2018)?

Here is a link to a search term for the (mostly excellent) reviews.

Here’s the trailer…or rather playwright/director interviews…for the production, which was shot at that Peckham site:

The Veil by Conor McPherson, Lyttelton Theatre, 19 November 2011

Gosh I remember how disappointed we were by this one.

We had loved Conor McPherson’s previous work whenever we had seen it – especially but not only The Weir.

But this play, set in the early 19th century, just left both of us feeling cold.

Super cast, with several of the “usual suspects” for Irish plays, not least Bríd Brennan. Plus an early sighting of Caoilfhionn Dunne.

But for us, nothing could quite save this play.

I remember saying afterwards that it was like “Chekhov had written a ghost story” and I remember smiling when I subsequently saw one of the reviews saying just that.

Here is a link to a term that finds the (mixed/indifferent) reviews.

I think we stuck it out on the strength of the performances and the hope that it would liven up in the second half.

Below is an interview with Conor McPherson about the play…

…and below this is the NT trailer for the production:

Oh well.

Next Time I’ll Sing To You by James Saunders, Orange Tree Theatre, 12 November 2011

This is the sort of play/production that we like so much more in theory than we do in practice.

Here is a link to the Orange Tree’s excellent on-line resource for this production.

The idea of it is wonderful. It is an innovative 1960’s play exploring the meaning of life through the story of a successful man who decides to become a hermit.

Also, James Saunders had a long association with Sam Walters and the Orange Tree, which was being celebrated by this revival.

The play does have flashes of brilliance, humour and insight to it, but in truth we found it fairly hard going as an evening in the theatre. There is one heck of a lot of existential angst involved.

Here is a link to a search term that finds the reviews.

I remember being quite excited by the coincidence of the koi carp on the cover of the programme…

…The Price Of Fish (still available at all good book outlets, including the one you can click through here and below) was first released that very same weekend, resplendent with its dollar koi imagery:

Inadmissible Evidence by John Osborne, Donmar Warehouse, 29 October 2011

I recall looking forward to this play/production a great deal, but not enjoying it as much as we had hoped.

Douglas Hodge was terrific in the lead; indeed all of the supporting cast did well too.

I think it is just a bit of a mess of a play. John Osborne works best for me when his angry, ranting lead has more context than their own small world. The Entertainer and this play lack that context for me, becoming almost lengthy monologue rants.

This production got rave reviews – click here for a search term that finds them – so our disappointment was a minority view.

I also recall us finding the audience a bit irritating the night we went. I think Douglas Hodge and Karen Gillan had attracted a bit of a TV-star-sycophant crowd, which has a tendency to deflate our mood at the theatre.

In truth we were reaching the end of our road with the Donmar by then. For a long while it felt like a slice of fringe in the heart of Covent Garden, but it was starting to feel more like an exclusive, corporate club for West End theatre in a small house.

Here is a link to the excellent “Study Guide” pack which the Donmar has now made downloadable.

They made a movie of this play back in the 1960s, soon after it was first seen on the stage – below is a vid with a clip of that. Nicol Williamson – there is an abbreviated first name to conjure with – John Osborne considered him to be “the greatest actor since Marlon Brando”, apparently…a tough act for even Douglas Hodge to follow, I guess:

Jumpy by April de Angelis, Royal Court Theatre, 22 October 2011

We really enjoyed this play/production. It was witty, enjoyable and made us think too.

Here is a link to the Royal Court resource on this production.

Tamsin Greig was terrific, as was Bel Powley as the daughter. Actually the whole cast was terrific.

Here is a search term that finds the (mostly excellent) reviews.

It got a deserved West End transfer to the Duke Of York’s – here is the trailer for that:

I’m not sure the trailer does the piece justice, but there you go.

The Last Of The Duchess, Nicholas Wright, Hampstead Theatre, 21 October 2011

We quite liked this play. I recall it was an excellent production, very well acted and directed, but it had a slightly old-fashioned feel to it…

…perhaps that was the effect Nicholas Wright and Richard Eyre were after.

In truth, not really our sort of play. But it covered an interesting, almost comical, moment in history and we had the benefit of a superb cast to depict it.

So we were glad to have seen it, despite it not really being our type of play.

The reviews were pretty much universally good. Here is a link to term that should find all of them.

My City by Stephen Poliakoff, Almeida Theatre, 24 September 2011

Janie and I are partial to a bit of Poliakoff on the stage, which is all too rare these days, so we were had been very much looking forward to this one.

Super cast too – and at the Almeida.

Here is a link to the Almeida resource on this production.

Tracey Ullman has tremendous stage presence. The conceit of the play – an old primary schoolteacher wandering around London telling stories about the place – sounds great.

Yet, in truth, this play was not quite top drawer Poliakoff in our eyes. It was revisiting many of his themes and styles, but perhaps without hitting the heights that earlier works hit. Perhaps it is the familiarity that detracts from the sense of excitement.

We had a very enjoyable evening at the theatre, but concluded that Poliakoff is probably, now, doing his best work for TV rather than for stage.

I think the reviews pretty much concurred with our views. Here is a link to a search term that should find most if not all of those reviews.

 

 

Three Nights In Buxton & The Importance Of Being Frank, 11 To 14 July 2011

Janie and I were struggling to remember all the details of this short break in Buxton with Chris and Hilary, in part to take in the Buxton Festival Fringe. Strangely, no photos.

I think we intended to walk but I don’t think we walked much, if at all. Perhaps the weather failed to smile on us.

Janie remembers speaking quite a lot with Todd at Nat’s Kitchen, before we stayed and also while we were there – he was helpful and full of advice. Perhaps I’ll be able to expand this entry when we do some archaeology on Janie’s diary.

I’m pretty sure there were one or two things that Hil and Chris were interested in seeing that we really didn’t want to do.

I have a feeling Janie and I went to see a folky-fusiony outfit in a basement bar type place one evening while Hil and Chris went to see a naff-sounding show which even they admitted afterwards had not been worth the candle.

The Importance Of Being Frank was a bit of a compromise choice which I’m pretty sure we all went to see and found funny in parts.

Here is a link to the relevant fringe preview.

That link is scraped to here, if the above link no longer works.

Quirky place but we liked it. Nat’s Kitchen reviewed – click here…

…or if that link has gone, scraped to here.

We also dined at the Old Hall Hotel one time – I think Hil and Chris were staying there and I think that was the first night…but our memories on this one are not great.

The only other thing I remember is the backdrop of the trip supposedly being an opportunity for the workmen to finish off snagging Noddyland (Janie had moved in a few weeks previously).

We returned to find only a couple of items from the list done; the rest of the time they had no doubt spent, as they had spent most of the preceding weeks, giving priority to the next big job. It took tears to invoke enough shame and sympathy to get them back in to finish off in the following few days.

The Village Bike by Penelope Skinner, Royal Court Theatre Upstairs, 25 June 2011

We really enjoyed this play and production upstairs at the Royal Court.

Here is the Royal Court resource on this play/production.

This was a really entertaining and thought-provoking play by the very promising playwright Penelope Skinner. I think this was our first sight of one of hers; Linda at the Royal Court a few years later – click here or below – confirmed our suspicions that she is a special talent.

Linda by Penelope Skinner, Royal Court Theatre, 28 November 2015

The Village Bike had a very fine cast for an upstairs production, not least Dominic Rowan and Romola Garai, both excellent. Indeed the whole cast was excellent, as was the set, directing, the lot.

Most but not all of the reviews rated it excellent – here is a search term that finds reviews and the other resources you might want.