Letter To Ben Murphy, 29 January 1996

Goodness knows what I sent Ben in this batch, but he would have been planning the album “How Bonkers Is That” at that time.

Ben Murphy                                29 January 1996

(Wells address redacted)

Dear Ben

MORE STUFF!!!!!

I have been remiss and have not sent you any gear for ages. I actually haven’t been writing much but had a brainstorm this weekend, so here’s the stuff.
Give us a bell to let me know what you think. Look forward to hearing from you soon.

Cheers.

Yours sincerely

Ian Harris (Z/Ian)

Encs.

The Newbury Bypass, NewsRevue Lyric, 29 January 1996

Protesters tried to prevent the building of the Newbury Bypass by intervening in the process. I merely wrote this lyric, which i don’t think even made it into NewsRevue.

THE NEWBURY BYPASS
(To the Tune of “Winchester Cathedral”)

 

VERSE 1

The Newbury bypass,
Will go round the town;
You stood and you watched as,
Our treehouse came down.

You could have done something,
But you didn’t try,
Now our bivouac will,
Become a lay-by.

MIDDLE EIGHT

Now everyone knows just how much we hated that road,
It wouldn’t have gone through that quick if it wasn’t for that Mawhinney toad.

VERSE 2

The Newbury bypass,
Who knows what it’s for?
It’s circumlocating,
The A34.

The Newbury bypass,
We’re blocking it hard,
Don’t knock down our shelter,
Not in our back yard.

MIDDLE EIGHT 2

Then the local fuzz dragged us out of the snow and hail;
We’re one of the few groups around to be better off in a British gaol.

VERSE 3

The Newbury bypass,
Now you’re a done deal;
Once we’re out of prison,
We’ll go and stop veal.

Below is a video with The New Vaudeville Band singing Winchester Cathedral:

Click here for the lyrics of Winchester Cathedral.

My Turk, NewsRevue Lyric, 29 January 1996

The news story was that a thirteen year old named Sarah Cook from Braintree in Essex had married an eighteen year old Turkish waiter from Kahramanmaras. The gutter press went wild and I wrote the following lyric for NewsRevue, which I think went down rather well for a few weeks.  

MY TURK
(To the Tune of “My Guy”)

VERSE 1

Nothing you could say will tear me away from my Turk (her Turk),
Nothing you could glean though I’m not even fourteen with my Turk (her Turk);
I’m sticking to my Turk cos I’m not a pariah,
He’s taught me the sheriah in an abaya;
I’m telling it to the Sun and making twenty tons,
For my Turk.
(SUN REPORTERS: Whatcha say??)

VERSE 2

Nothing you can do will make stick with you in Essex (Essex),
Nothing there is dainty so I’m well ‘acked off with Braintree Essex (Essex);
I gave my Turk my word of honour,
To be faithful and eat Donor;
You’d best be believing I don’t regret me leaving,
Essex.
(SUN REPORTERS: Tell us more)

MIDDLE EIGHT

As a matter of opinion I think he’s tops,
I just regret that he’s been dragged off by the cops;
The row in Britain was in excess,
Now he’s bunged in jail like Midnight Express.

VERSE 3

Some muscle bound man has lead me by the hand from my Turk (her Turk);
The Sun wants its cash back cos I won’t take off me yashmak – piss off you berk!!
We may not look like movie stars,
But we looked OK in Kahra – manmaras;
I wish my man today could take me away from Essex. (SUN: Whatchasay??)
I’m now a ward of court for the stuff the papers bought on my Turk (SUN: Tell us more!!)
I’ve pissed off the Brits cos I prefer Islamisists and my Turk!!

Below is Mary Wells singing My Guy with the lyrics on the screen:

Stakeholder Economy, NewsRevue Lyric, 29 January 1996

I had written several versions of “Don’t Fuck Up The Economy” a few years earlier, not least the version included in this one:

As Time Goes By or They Flew From Tuscany, NewsRevue Sketch and Medley, 10 October 1992

Anyway, when Tony Blair decided that an idea referred to as The Stakeholder Economy was going to be the election winning idea, I got to work on that lyrical idea again:

STAKEHOLDER ECONOMY
(To the Tune of “Don’t Sit Under The Apple Tree”)

 

VERSE 1 – JOHN MAJOR

Don’t fuck up the economy with anyone else but me,
Anyone else but me, anyone else but me (no, no, no);
Don’t fuck up the economy with anyone else but me,
We’re screwed financially.

MIDDLE EIGHT – FEMALE CHORUS

You’ve heard the word from the Tory nerd,
With a pre-election curse;
So hear the tune from the God Squad goon,
Now the Labour party’s worse.

VERSE 2 – TONY BLAIRE

Don’t stakeholder economy with anyone else but me,
Anyone else but me, anyone else but me (no, no, no);
Don’t stakeholder economy with anyone else but me,
We’ll screw you equally.

Below is Glenn Miller & His Orchestra performing Don’t Sit Under The Apple Tree with the lyrics on the screen:

Violin Time by Ken Campbell, Cottesloe Theatre, 16 January 1996

This evening – a rare visit to The Cottesloe on a Tuesday evening – was the first time I saw Ken Campbell perform.

I was really smitten with this piece – I found it very funny. I think I got more out of it than Janie did, but she was fascinated enough to want to see more of his work after that.

One of the things that attracted us to the piece, apart from the weirdness of the blurb, which promised us – I paraphrase from various book blurbs available:

“Cathar heretics, a mysterious female French book thief and a Vietnamese violinist who does pig impressions”.

It would be difficult to say no to that, especially as we had booked to go to Vietnam a couple of months later.

Janie and I saw an early preview of the show; it didn’t get reviewed until October but we saw a preview in January.

There is a somewhat tepid Independent review of the piece by Robert Hanks available on-line – here.

Michael Coveney in the Observer liked it, perhaps because he got a name drop:

Coveney on Violin TimeCoveney on Violin Time Sun, Oct 6, 1996 – 76 · The Observer (London, Greater London, England) · Newspapers.com

Unusually, it doesn’t look as though The Guardian reviewed it.

Goatee, NewsRevue Lyric, 8 January 1996

One of my most successful songs of all time. There was a sort of goatee beard thing at that time. I exploited it.

GOATEE
(To the Tune of “Swanee”)
INTRO

I’ve been bare-faced for such a long time,
I never thought I’d grow a beard;
Somehow I feel, so juveneel,
Bristly I long to be.

There’s nothing growing on my neck line,
There’s nothing growing on my lip;
But there’s some thin, hairs on my chin,
Goatee’s, the style for me-ee.

VERSE 1

Goatee, how I love you how I love you,
My dear old Goatee.
It makes me look obscene,
Just like those blokes in,
That crap band East 17.
My rabbit has a shaved patch on his back,
That’s shaped like my goatee.
The folks up north think we are all weird,
Cos they prefer their ZZ Top beards.

MIDDLE EIGHT

Fanny, fanny
My beard looks like a fanny;
Bum fluff, bum fluff,
Or a smear on George Michael’s chin.

VERSE 2

Goatee, I look grown up, I look grown up,
Now I’ve a goatee.
My balls have not yet dropped,
But there’s this small patch,
On my chin that I’ve not cropped.
My gerbil has an unrequited crush,
On my dear old goatee.
It might be gone once I learn to shave,
But now I’m off to join my rave.

The above lyrics contain a minor revision and were published 29 January 1996. The original version assigned the intro & verses to men, but the middle eight to women. The first couplet of the original middle eight read:

Goatee, Goatee,
Don’t tell me that’s a goatee;

Anyway, it ran and ran in the show. I remember Gerry Goddin in particular saying it was his favourite of mine.

Here is Al Jolson singing Swanee:

 

Submission To Paul McCarthy Re NewsRevue, 8 January 1996

Paul McCarthy
News Revue

LIST OF SONGS SUBMITTED AND TAPE TRACK LISTING
JANUARY-FEBRUARY 1996 RUN

Dear Paul

This starter pack consists of brand new / previously unperformed songs. If you want me to work on a rewrite of an old chestnut of mine that you might have uncovered in the archive, just let me know.

Call me and let me know if you are short of any subjects or styles and I shall try to oblige. Also, if any of these need a bit of rewrite then I am happy to change them on request.

Good luck and I look forward to seeing you soon.

Song Title Original Title/
Artist on Tape Aprox. No. of weeks performed
7+ 4-6 1-3 New
side 1
michael winner eats it all the winner takes it all / abba N
don’t you want me voters? don’t you want me? / human league N
goatee swanee / al jolson N
hooray for bollywood hooray for hollywood / hollywood hotel N
my name is jacques my name is jack / manfred mann N
rip it off roll with it / oasis N

Hooray For Bollywood, NewsRevue Lyric, 8 January 1996

I think this one could have done very well in the show, but no-one other than me believed…

HOORAY FOR BOLLYWOOD
(To the Tune of “Hooray For Bollywood”)
(The more Indian paraphernalia the better for this one)

CHORUS 1

Hooray for Bollywood, Bombay’s equivalent of Hollywood;
Where any actress name of Shah or Patel, can be like cattle,
A holy cow who can’t act;
A punkawallah can leave his squalor,
To join a crowd scene that is at least as packed.
Hooray for Bollywood, we’re making movies, they’re no bloody good;
Where any caste may have Sudras and Brahmans to sing like Carmen,
And dance around their manhood,
They’re worse than Bombay duck but no-one gives a fuck;
Hooray for Bollywood; Hooray for Bollywood!!

INTERMISSION

And now for a commercial break.
“You don’t have to go to England to try genuine English cuisine. Merely three minutes walk from this Bombay cinema and you are in the Buckingham Palace Fish and Chip Restaurant. Peter Parker and his friendly staff serve you fish and chips in typical Northern English style. Batter flavours include Madras and Vindaloo. Peter Parker’s Pukka Palace Place”.

CHORUS 2

Hooray for Bollywood, where women sing and dance more than they should;
They howl and shriek in Tamil and in Urdu, they sound like nerds who,
Have just got their privates nailed;
They sound more arty in Gujarati,
Cos then the wailing sounds like they’ve been impaled.
Hooray for Bollywood,
Get it on cable in your neighbourhood;
Now Rupert Murdoch can broadcast a channel, That’s so much flannel,
It makes Sky One appear good;
Subscribe your weekly pay,
And watch these films all day;
Hooray for Bollywood,
That cow’s half naked,
Hooray for Bollywood,
Is nothing sacred?
Hooray for Bollywood!!

Here is Benny Goodman and his Orchestra with Johnny ‘Scat’ Davis & Frances Langford, performing Hooray For Hollywood:

…and here is a link to lyrics for Hooray For Hollywood.

Oasis, NewsRevue Lyric, 8 January 1996

I don’t recall this one being used – perhaps it was. The Britpop rivalry between Oasis and Blur was all the rage back then – Ben Murphy did loads on that – but not this lyric.

RIP IT OFF
(To the Tune of “Roll With It”)

VERSE 1

You gotta rip it off,
You gotta plagiarise,
You gotta sound like the Beatles back in 1965;
With a lyric telling kids just what to do.

You gotta rake it in,
You gotta make a pile,
You gotta sing that you’re young in a very aged style;
I think its gotta be Oasis’ hair (pronounced scouse style – “hur”)
It’s either them or Pulp or maybe Blur,
These new bands are such novel deja vu.

MIDDLE EIGHT

They all know what it takes to get along (yeh, yeh yeh),
Just pull the chords from someone else’s song (yeh yeh yeh)
And don’t sing ding-a-ding or bang-a-gong (no no no)
And you’re agent plugs away with all this tripe but it’s gotta be a Grade A hype.

OUTRO

You gotta fool the kids,
You gotta top the charts,
You gotta promise Oasis but sell them a mirage;
I think we’re gonna make a lot this year (still scouse style – “yur”),
Our single aim’s to earn more dosh than Blur,
And some of you might think that aim’s unfair (scouse – “unfur”),
Cos half our fans migrate from Rupert Bear (you’ve got it – “Rupert Bur”),
But even if you think this song sounds square (goes without saying “squur”),
I think there’s still one point where we concur,
The more cash that we earn, the more you’re screwed.

Here’s Oasis singing Roll With It, including lyrics:

 

My Name Is Jacques, NewsRevue Lyric, 8 January 1996

Writing in June 2017, just after Emmanuel Macron has shaken up the French political system and we wait to see if he can deliver, it is good to read this reminder of the way French politics is/was.

I’m not sure if this one was used; quite possibly not, or if so, only briefly.

There are some good lines in it, though.

 MY NAME IS JACQUES  MY NAME IS JACQUES (To the Tune of “My Name is Jack”)

VERSE 1
My first name’s Jacques and my surname’s Chirac from the Lysee Palace Home;

When I use the Paris Subway they call me Metro Gnome.

CHORUS 1

JACQUES: Yes my name’s Jacques and my surname’s Chirac, From the European school of wayward right wing trends;

CHORUS: We all hate Jacques, he’s a pain in the jack- -sy, He’s almost ghastly as that bastard bloke Le Pen. (Whistle refrain)

VERSE 2

Here comes Kohl with his opinion poll which he thinks means he’ll survive;

And here comes Mitterand who’s only just alive.

It’s lots of fun so I’d love to run my full fourteen years;

Those plebs on strike can take a hike, we’re nursing our careers.

CHORUS 2

JACQUES: Yes my name’s Jacques and my surname’s Chirac, From the European race to get Maastricht criteria;

CHORUS: We all hate Jacques cos he stabs in the back, And is disappearing quickly up his own posterior. (Whistles refrain)

VERSE 3

Here’s Juppe with a lobby who say, that I shouldn’t test the bomb;

And here comes Jacques Santer, who’s Euro must get on;

There’s this silliest bloke who we love to joke who is known as Major the Creep,

Our blokes on strike can take a hike but still blockade his sheep,

Go back to sleep.

CHORUS 3

JACQUES: Yes my name’s Jacques and I’m known for my tact-, -ics, I never listen as my own thing’s what I do;

CHORUS: We all hate Jacques and his right wing brat pack, So the French republic all recherche les temps perdue.

We all hate Jacques!!!!

Here is a video of Manfred Mann singing My Friend Is Jack – you need to click through the link for the lyrics set out underneath the vid: