Smoke Gets In Your Isles, NewsRevue Lyric, 29 September 1997

Terrible forest fires in South East Asia is not really a funny subject and slow numbers don’t usually work in NewsRevue, but somehow this one did work and I recall it went down very well in the show.

SMOKE GETS IN YOUR ISLES
(To the Tune of “Smoke Gets In Your Eyes”)

VERSE 1

They asked me if I knew,
Why Sumatra’s stewed;
I of course replied,
Once a forest’s died,
It cannot be deep fried. (oh no).

VERSE 2

In archipelagos,
Each must hold their nose;
Through the forest fires,
Indonesia riles,
Smoke gets in your isles.

MIDDLE EIGHT

Those Malays,
All want to go away,
As none of them can breath now;
In the main,
Don’t take Garuda planes,
Because they cannot fly now.

VERSE 3

Those clouds will drift and go,
To Northern Borneo;
Through the darkened sky,
How that smog will fly,
Smoke gets in Brunei.

VERSE 4

This smog will run amok,
Soon to reach Bangkok;
Thailand, you’ve surmised,
Punchline’s no surprise,
Smoke gets in your Thais.

Below is a video with The Platters singing Smoke Gets In Your Eyes, with the lyrics on the screen:

Monserrat, NewsRevue Lyric, 23 September 1997

I remember that this one was used and I remember that it amused several of the regular NewsRevue writers (as well as, hopefully, the audience). It’s an “aftermath of volcano eruption” story, basically.

MONSERRAT
(To the Tune of “Monster Mash”)

 

VERSE 1

I was walking down the street in a Leeward Isle,
When I saw a huge eruption in New Labour’s style;
Something hot was smouldering in southern ports,
Robin Cook was rowing with his muse, Claire Short.

CHORUS 1

She is a bat,
(Down in Monserrat);
In Monserrat,
(It’s a New Labour spat),
In Monserrat,
(Down in Monserrat)
In Monserrat
(It was in Monserrat)

VERSE 2

Ancient rocks descended on the Albert Hall,
Elton, Sting, Phil Collins, Ringo, George and Paul;
Many paid a hundred, others paid yet more,
Tho’ no-one left on Monserrat is faintly poor.

CHORUS 2

They passed the hat,
(Round for Monserrat);
For Monserrat,
(Now that the ground’s less flat);
Volcano’s shat,
(All over Monserrat),
It’s Monserrat,
(Oh Fuck Monserrat!!)

 

Below is a video of Bobby “Boris” Pickett singing The Monster Mash:

Click here for the lyrics to The Monster Mash.

Submission To Mark Brailsford Re NewsRevue, 23 September 1997

Mark Brailsford
News Revue
23 September 1997
By Fax

Dear Mark

Welcome back!! Sorry it has taken me so long to submit, but inspiration comes when it comes. I sent you my archive last time, which was not so long ago; I therefore attach only my latest songs.

If you want any older ones rewritten let me know. Also, if you need recordings of any of these, please call and leave a message today – I could drop them crack of dawn tomorrow if you need them.

Good luck and I look forward to seeing you soon.

Ian

The following songs are attached

Song Title
Original Title/
Artist Approx.. No. of weeks performed
7+ 4-6 1-3 New
bruce grobbelar’s hat young, gifted and black / bob & marcia N
monserrat monster mash / bruce “boris” pickett N

Bruce Grobbelaar’s Hat, NewsRevue Lyric, 23 September 1997

Let’s be honest about this – corruption in football and/or complex legal cases involving footballers is not really my sort of story. I didn’t even know how to spell Bruce Grobbelaar‘s name, nor which team(s) he played for, until I looked it all up just now (May 2019).

No, I must have been persuaded to write this lyric during a NewsRevue writers meeting, by concocting the opening line there and then. 

What little evidence I have suggests that this lyric was never used. The specific cases against Bruce Grobbelaar remain somewhat moot, apparently, while the general public opinion charge of dishonesty stuck.

BRUCE GROBBELAR’S HAT
(To the Tune of “Young, Gifted and Black”)

 

VERSE 1

Bruce Grobbelar’s hat,
Oh what a con pulled off by him;
Inside Bruce Grobbelar’s hat,
It’s filled with dung up to the rim;
If you’re digging real low,
There is one bet you should know;
Under Bruce Grobbelar’s hat,
Is a fat cat.

VERSE 2

Bruce Grobbelar’s hat,
That’s what they mean by a hat trick;
Talking Bruce Grobbelar’s hat,
It has more beaver than his chick;
When it’s hiding his bung,
There’s a stink like cows’ dung;
But in Bruce Grobbelar’s hat,
You’ve such a pratt’.

Below is Young Gifted And Black, performed by Bob & Marcia, with lyrics on the screen:

An Enemy of the People by Henrik Ibsen, Olivier Theatre, 20 September 1997

Very good.

That was my vote…or should I say our vote?…on this excellent production of this oft-revived play.

I had seen it “back in the day” with Bobbie and Ashley Michaels…:

The National production in 1997 was more “classic” Christopher Hampton adaptation with an exceptional cast including Sir Ian, Penny Downie, Stephen Moore, Lucy Whybrow and many others, directed by Trevor Nunn. The Theatricalia entry lists them all.

Nicholas de Jongh seemed quite taken with it…just “quite”:

Enemy de Jongh StandardEnemy de Jongh Standard 22 Sep 1997, Mon Evening Standard (London, Greater London, England) Newspapers.com

Our friend Michael Billington found it a bit too “classic” for his taste:

Enemy Billington GuardianEnemy Billington Guardian 22 Sep 1997, Mon The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer, like the others, made much of the fact that this was Trevor Nunn’s inaugural piece for the RNT. While not damning it, he does use the word “flash”:

Enemy Spencer TelegraphEnemy Spencer Telegraph 22 Sep 1997, Mon The Daily Telegraph (London, Greater London, England) Newspapers.com

Vulture In The Wind, NewsRevue Lyric, 17 September 1997

Princess Diana’s untimely death was not good news for topical satire. My classic lyric, She Ain’t Heavy She’s Bulimic, which had run in the show for much of the preceding four years, died along with Di and Dodi.

It was nigh on impossible to write anything that even touched on the topic which could get into the show…the following lyric being no exception. I felt at the time that Elton John’s Diana version of Candle in the Wind was a bit of a cash in on the tragedy, but it was not an idea ripe for the show at that time. Reads interesting now, 20+ years later.

VULTURE IN THE WIND
(To the Tune of “Candle in the Wind”)

VERSE 1

Goodbye Elton John,
Tho’ you ought to be long gone,
Or even near forgotten, like Kajagoogoo or The Darts;
You crawled out of the woodwork,
You made your comeback just at the time,
That your career was flagging,
Like a eunuch’s poor spare part.

CHORUS 1

But it seems to me, you live your life,
Like a vulture in the wind;
Writing clichés at the death scene,
With Bernie Taupin;
Can’t escape your tinkled ivories across England’s verdant hills,
You sound like Richard Clayderman,
Or even Mrs Mills.

(Piano flourish and BLACKOUT)

Below is a video of Elton John singing Candle In The Wind with the lyrics on the screen.

The Maids by Jean Genet, Richmond Theatre, 13 September 1997

Had its moments.

That was my sole comment on the quality of this one in the log – I don’t think we were overly impressed despite the excellent cast. Niamh Cusack, Kerry Fox & Josette Simon, directed by John Crowley, initially at the Donmar Warehouse and then touring – we saw it at Richmond.

Previewed in the Standard thusly…

Maids Stringer Preview StandardMaids Stringer Preview Standard 11 Jun 1997, Wed Evening Standard (London, Greater London, England) Newspapers.com

I don’t think Nicholas de Jongh liked it much once it opened:

Maids de Jongh StandardMaids de Jongh Standard 26 Jun 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

David Benedict in The Independent liked it:

Maids Benedict IndyMaids Benedict Indy 27 Jun 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Kate Bassett in The Telegraph was less sure.

Maids Bassett TelegraphMaids Bassett Telegraph 27 Jun 1997, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

I suspect we ate at Don Fernando’s again after this one. I also wrote:

No interval

…which might mean that we would have walked out had there been one.

Heartbreak House by George Bernard Shaw, Almeida Theatre, 6 September 1997

I’ve never been sure about Shaw, but we thought we’d give this a try because it was The Almeida and because top flight Shaw productions were few and far between at that time.

Great cast and crew – see Theatricalia entry – including Emma Fielding, Richard Griffiths, Patricia Hodge, Penelope Wilton, Malcolm Sinclair and Peter McEnery, with David Hare in the director’s chair.

Despite all those good people, this one added to my/our sense of interminability, which had already been piqued by Suzanna Andler the previous week, which was soon followed by wall-to-wall coverage of Princess Diana’s tragic demise, which took ceaselessness to new levels.

Anyway, my contemporaneous words on Heartbreak House, speaking for both me and Janie:

Seemed interminable in the second half. Had “moments”, but all too few.

Nicholas de Jongh in The Standard liked it a lot:

Heartbreak de Jongh StandardHeartbreak de Jongh Standard 04 Sep 1997, Thu Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in the Indy also loved it:

Heartbreak Taylor IndyHeartbreak Taylor Indy 05 Sep 1997, Fri The Independent (London, Greater London, England) Newspapers.com

Kirsty Milne in The Sunday Telegraph at least nodded to the idea of Shaw being wordy.

Heartbreak Milne TelegraphHeartbreak Milne Telegraph 07 Sep 1997, Sun Sunday Telegraph (London, Greater London, England) Newspapers.com

Like Milne, Michael Billington did a compare and contrast between Shaw and Wesker:

Heartbreak Billington GuardianHeartbreak Billington Guardian 06 Sep 1997, Sat The Guardian (London, Greater London, England) Newspapers.com

So maybe it was us, not them. Or maybe Shaw is/was simply too wordy for our modern eyes and ears.