Month: May 2022

Fanny Mendelssohn Hensel

When Janie trained with and then joined The Samaritans via Zoom during lockdown, neither of us expected one of the consequences to be a real life visit to the Wigmore Hall Green Room (now known to the cognoscenti as the Jessye Norman Room).

But it turned out that one of Janie’s cohort, Sini Simonen, is not only a good Samaritan but also a virtuoso violinist. When Sini let it slip that she and her quartet, The Castalian String Quartet, were due to appear at the Wigmore Hall in a few month’s time, Janie and I agreed that, if we were available that day, we would go.

As it turned out, “that day” was a coffee morning Mendelssohn concert on a Bank Holiday Sunday – click here for the Wigmore Hall rubric on the concert.

Of course we could go…of course we would go…of course we did go.

The day was 1 May 2022, which which also happened to be the 100th anniversary of my mum’s birth.

Mum would have loved the idea of us going to a concert on her birthday to see Janie’s musician friend/colleague perform. Especially as Sini’s instrument is the violin; the primary family instrument of Mum’s very musical family, explained to some extent in this recent Ogblog piece about the family origins.

Turn It Up To Max & Spit: The Baltic Origins Of My Mother’s (Marcus) Family Revealed

The links in the above piece to the exploits of my mother’s cousin Sid, not least his virtuoso playing of both violin and hand saw, are worth the price of admission alone. OK, there is no price of admission, but the stories are priceless.

I was also reminded of the very last time I went to the concert hall with mum, which was a lunchtime concert at St John’s Smith Square in 2011 – a groupie circumstance of mum’s making, to see mum’s unlikely young friend, the pianist Karim Said:

Charlotte Bonneton & Karim Said, St John’s Smith Square, 29 September 2011

I hadn’t done “the Green Room thing” since then.

Anyway…

…the Wigmore Hall concert on 1 May 2022 was an all Mendelssohn string quartet affair, but with a twist: we first heard Fanny Mendelssohn’s sole String Quartet, followed by Felix Mendelssohn’s 6th String Quartet.

Both were a very enjoyable listen – Fanny’s piece much lighter and easier on the Sunday morning ear than Felix’s. Felix was in sombre mood when he wrote his 6th, dedicated to his recently deceased and beloved sister Fanny – possibly also anticipating his own impending doom – he died soon after completing the work.

The concert was very well patronised – if not a complete sell out then surely the place was near to full. The performances were, deservedly, extremely well received by the Sunday morning audience.

Janie and I asked the elderly gentleman sitting next to us if he had enjoyed the concert.

Yes indeed. I prefer Fanny.

On balance, so did Janie and I.

Sini had said to Janie several times that we simply must show our faces in the Green Room after the concert, so it would have been rude to partake of the traditional Wigmore Hall sherry rather than visit the artistes in that hallowed room.

There were plenty of other groupies around in The Jessye Norman Room, but Sini greeted us warmly and we chatted for a while.

Before setting off for The Wig, I had discovered that the Castalian String Quartet had released an album this week, Between Two Worlds On Delphian…

…which was already picking up rave reviews, such as this one in The Scotsman – click here.

I also couldn’t help but notice that the album includes a couple of arrangements of Renaissance pieces – one by Orlande de Lassus and one by John Dowland, as well as a Beethoven late Quartet and a modern quartet by Thomas Adès.

Sini, with characteristic modesty, mentioned in passing that she has arranged the Renaissance pieces as an experiment. She also kindly pressed a copy of the Between Two Worlds CD into my hand as we said goodbye to her.

Following an enjoyable stroll around Fitzrovia and Marylebone, Janie and I listened to the album as soon as we got home. We can both thoroughly recommend it; in particular the beautiful sound of the Renaissance piece arrangements. Choral works of that era were often arranged for consorts of viols, of course; the string quartet being the direct progeny of the viol quartet.

It was an enjoyable day and such a fitting way to remember my mum’s 100th anniversary.

But there was one more coincidence to come – as I read the programme notes to the Between two Worlds album. The viola player on the album was not Ruth Gibson (whom we saw at Wigmore Hall) but Charlotte Bonneton. Wasn’t Charlotte Bonneton the young musician mum and I saw along with Karim Said that very last time mum went to a concert?

Yes indeed – it turns out Charlotte was The Castalian String Quartet’s viola player until quite recently – for some 10 years – perhaps already with the group when we saw her perform with Karim Said in September 2011. Perhaps Sini and/or some of the other Castalians were even there to support Charlotte that day.

I know the classical music world isn’t big – but it isn’t that small either.

Here’s to the Castalian String Quartet. You can read more about them through the link here and below.

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