It’s A Little Bit Funny – Three Evenings In Five Days, 11, 14 and 15 February 2019

For someone who is making a conscious effort to cut back on midweek evenings out, this was not a high-achieving week.

11 February 2019, BDO Binder Hamlyn Partners Reunion, Guildhall

It started with a gathering of former BDO Binder Hamlyn partners at the Guildhall. Michael Mainelli asked me to join him and Elisabeth in helping to host that event – the first regathering of those partners since the firm dissolved into Arthur Andersen and other firms in the mid 1990s.

Of course, I wasn’t a partner in that firm, but during my five-to-six years with the firm I did do most of my work for audit clients. I also did a couple of internal consultancy projects – such things were normally considered to be career-blight for consultants, but I was either considered to be sufficiently dispensable or savvy enough to survive such trials – I still haven’t worked out which.

Anyway, point is, I did know most of the characters who turned up at the Guildhall that evening, in the Members’ Dining Room, the very scene of the brawl I started, just a few weeks earlier, at the Z/Yen Christmas lunch.

They are quite a centric bunch, the former Binder Hamlyn partners, in contrast with the quirkier group that descended on the National Liberal Club a few days later. Perhaps that explains why Michael didn’t trial his Gresham Society talk on humour in lectures. Instead, Michael made full use of his gavel and kept the formalities mercifully brief.

Actually it was a really pleasant gathering; just a shame there were none of the consultancy partners there who might have enjoyed the merry tale of my despair at my first assignment…

…or that first musical jaunt to Oxford in 1989…

Anyway, I think the former partnership informally decided that it should regroup socially once every few years – certainly not leave it 20 to 25 years next time!

14 February 2019 – The Gresham Society Dinner – National Liberal Club

In fact we were on the way to the National Liberal Club when I discovered that Michael’s after dinner speech was to be on the subject of humour in Gresham lectures.

Excellent idea; it is always interesting when a professor chooses to speak on a subject about which he knows nothing…

…I said.

Michael laughed and then promptly added that joke to the start of his speech. It would be churlish to suggest that it got the best laugh of the whole speech, as there were lots of jokes in there…

…including, rather dangerously, I thought, one of my favourite intellectual jokes, the one about binary:

There are only 10 types of people in the world: Those who understand binary, and those who don’t.

I say, “dangerously”, because, of course, that is a joke that really only works properly on the printed page. As soon as you say “ten” or “one-zero” you have slightly killed the joke.

Had it been me, I’d have fallen back on my other favourite intellectual joke; the helium joke, which I think works much better orally than on the page, as long as it is delivered with good timing:

Helium walks into a bar.

The bartender says, “I’m sorry, we don’t serve noble gasses here”.

Helium doesn’t react.

Anyway, Michael’s after dinner talk was merely the apex of a very jolly evening. As usual, Tim Connell tried (and failed) to get through all the AGM business in five minutes. This time Tim double-failed; firstly by over-running in the first place, secondly by forgetting to re-elect the committee during the AGM bit which meant he had to hijack the start of the after-dinner revelry with that aspect of procedure.

Unusually this year we were graced with Iain Sutherland’s presence and he brought Bobbie Scully with him as a guest, which was a very pleasant surprise. Coincidentally, I had that very morning been Ogblogging about a visit to the theatre some thirty years ago with Bobbie to see the impenetrable Peter Handke play (or should I say dramatic poem?), The Long Way Round.

At the mention of this coincidence, Bobbie almost started hyper-ventilating as she remembers that particular theatre visit as quite the worst experience she can ever recall having at the theatre. If you click through you can read more.

Mercifully, Bobbie doesn’t seem to think that staying on for the second half was all my doing – she seems to think we both decided to stay out of charity to the performers, as we saw so many people leaving during the interval. So my memory of her begging me to leave during the interval and me insisting on us both staying is one of those false memories.

But back to the Gresham Society event, which no-one left early, even at the thought of an after dinner speech by Michael. It was, as always, a very convivial event with such interesting and friendly people.

Barbera Woodthorpe Browne organised a really charming touch for the evening – which ended up being on Valentine’s night this year due to availability of the venue – by sourcing large quantities of Valentine’s roses and seasonal gift bags enabling all of us to take the roses home to our loved ones.

15 February 2019 – Kim & Micky At Sanzio

The following evening Janie and I had dinner with Kim and Micky at Sanzio.

Picture from our previous visit in July 2018

I realise, looking at the picture from our previous visit, that we not only sat at the same table again but we even sat in the same places again. Here is my account of that previous visit:

This time I was not required to sign any disclaimers in the restaurant, but Kim was very determined to prove that she is “good at logic” by trying to demonstrate some logic puzzles on the table, using glasses, bottles and the like to try to make those “pattern-grid” type puzzles.

Janie and Micky were utterly baffled by it. I kinda got what Kim was on about (for once) but seemed to irk her by suggesting that such logic puzzles are not the be-all and end-all of rationality and indeed formal logic.

Meanwhile Kim’s dinner table logic puzzles started to look and sound like an old duffer demonstrating military maneuvers or cricket field placings by moving the cruet around the table. And the more Janie protested that she doesn’t/cannot engage with such puzzles at all, the more Kim sought to explain, while insisting that Janie can.

Meanwhile, I have a funny feeling that Jean-Paul Sartre was sitting alone at the next table, contemplating existential logic. After dinner, I heard the gentleman say to the waitress, “I’d like a cup of coffee with sugar, but no cream”. The waitress acknowledged his order and Sartre returned to his ponderings. A minute or two later, the waitress returned and said, “I’m sorry, Monsieur Sartre, we don’t have any cream – is it OK without milk?”

The London Mithraeum With The Gresham Society, 15 March 2018

Tim Connell is never one to miss an opportunity to organise a Gresham Society visit to a newly opened historic site; this visit to the London Mithraeum was no exception.

The London Mithraeum is one of the most substantial archaeological finds relating to Roman Britain. It was found on Walbrook soon after the Second World War and was moved away from its original site, bang slap in the middle of the City of London, to allow construction, including a permanent home for the relic more or less where it was originally located.

The building is now the Bloomberg Space, with the London Mithraeum in the basement. It opened to the public in November 2017. Anyone can visit this fascinating site and it is free of charge – but it is wise to book to ensure that you get your chosen time/date.

Click here for a link to the London Mithraeum/Bloomberg Space website – including how to book.

Below is an excellent explanatory vid:

Click here for a Guardian piece by Maev Kennedy from the opening of the London Mithraeum in its new (i.e. old) home.

Enough of all that generic stuff. Here’s what happened on the Gresham Society visit.

About 25 of us gathered, which made for a pleasant gathering of the clan to add to the joys of seeing the relic. When I say “gathering of the clan”, I of course mean The Gresham Society clan and not followers of Mithras. No, no, no…

…although, when we were in the viewing gallery of the temple itself, enjoying the Bloomberg Space multi-sensory experience, I asked a couple of people whether they were starting to believe in the mysteries of Mithras?

Professor Cox answered, “not yet”…

…while Barbara Anderson replied, “not telling”.

So I detect some signs of hope for a Mithras revival.

Professor Connell mused that there must have been music involved in the initiation rites, at which point I offered to go home and get my baroq-ulele, but Tim very kindly implored me to stay, saying that he didn’t want me to miss any of the tour, which was so very thoughtful of him.

But Tim’s thought about the music for the initiation rites did get me thinking.

Anyway, after the tour, most of the party removed to a nearby hostelry for some suitable libations. I must leave it to others to report on that vital aspect of the outing, as I needed to return to Z/Yen Central to finish off some work that day.

But once I had finished work the next day, I started some in depth research into the musical side of the initiation rites of Mithraism.

It seems that the most terrifying initiation rite of them all was a requirement for the initiate to sing the Mithras Initiation Song, without hesitation, repetition, deviation or preparation.

We’re talking “one take” here.

Anyway, I did indeed manage to find some fragments of Mithraic music and text, which enabled me to translate the arcane Latin words of the Mithras Initiation Song into comprehensible English and modulate the rather dull, plain tune from the Hypolydian mode into something a little more familiar to the modern ear.

It is said that this particular initiation rite was actually more terrifying for the observers than it was for the initiate. I’ll let you, dear reader, be the judge of that.

For the Gresham academics, I would like to explain far more about my multifarious sources and the enormous trove of truly wonderful original materials about Mithraism I have uncovered.

Unfortunately, however, I realised, once I had performed the initiation song, that I have inadvertently initiated myself into the cult of Mithras at the very highest level…

…and that only initiates may be privy to the relics of the Mysteries of Mithras that I have uncovered.

Naturally, scholars who are keen enough to know about my sources may apply for initiation by singing the Mithras Initiation Song. The English language lyrics are set out below.

Mithras Initiation Song

 

Look at me,

I’m as cryptic as a Roman Mystery;

As I join in initiation rites,

I can’t understand,

I get Mithras,

And I’m joining that band.

 

Mask my eyes,

And a thousand stars appear to fill the skies,

Or it might be the sound of slaughtering bulls,

That music I hear,

I get Mithras,

My joining is near.

 

Can’t you see that you’re leading me in,

But that’s just what I want you to do;

Don’t you notice how much I need that faith,

That’s why I’m following you…(and you know that it’s true).

 

On my own,

I would wander through Londinium alone;

Never knowing my Persian from my proto Christianity,

I get Mithras, and Mithras has me;

Yes Mithras, is the one god for me.

Gresham Society AGM & Dinner With Gyles Brandreth, London Capital Club, 19 February 2018

For many years I have claimed that there are only two places left on the planet where people still refer to me as “young man”; Lord’s and The Wigmore Hall. I must admit, though, it’s been a while since anyone has addressed me as such in either of those places.

As it happens, ahead of this Gresham Society event, I spent the early part of the afternoon at Lord’s, playing real tennis, as has been my wont since the spring of 2016. Real tennis is a fiendishly difficult game to play. The professionals point out that the 150-200 court hours I have put in so far leave me “barely out of nappies” in real tennis terms. Presumably I will go through a “young man” phase eventually before becoming a senior player.

We have several senior gentlemen who continue to play into their late 80s and even into their 90s.

Sadly, the video from that bout did not get saved – my opponent that day quite possibly asked for all evidence to be destroyed and frankly, given the circumstances, I don’t blame him.

After tennis, a relatively quick visit to the Z/Yen offices to sort out one or two work things before setting off, with Michael Mainelli, to the London Capital Club.

I think Michael was hoping that we’d be about five minutes late, thus missing most of the AGM, which Tim Connell had promised to keep to seven minutes.

In truth, we arrived just as the formalities were starting, so were able to appreciate all 12 minutes of the promised seven minute AGM.

Then some pleasant chat with several friends before descending to the dining area.

There was no seating plan, but I was lucky to sit with the Ayliffes to the right of me and Margaret Hodson to the left. Discussions with the Ayliffes mostly revolved around the political mess our nation (and indeed much of the western world) seems to me making of itself.

I knew about the musical side to the Hodson family, but was unaware of the horsey side, until that evening. The work that Margaret Hodson does with horse riding for disabled people is truly remarkable – click here for an independent view on it about 10 years ago.

The food was pretty good. A chicken salad round thing which was very well presented and tasty. The toast was quite hard – so much so that Margaret Hodson (and several others at our table) gave up on it. When she saw me persevering, Margaret gave a running commentary on my efforts, which could easily have been horse trials commentary, including the slightly disapproving/disappointed voice when one piece of the toast went flying towards the floor – no doubt a four-point penalty.

Then a slow-cooked lamb shank dish – a good idea for a large function and a very full-flavoured. The dessert was a crème brûlée.

Gyles Brandreth - Waffle TV
Afters at Gresham Society – no waffle here
Gyles Brandreth gave an excellent address to the Society. Clearly he was well briefed, so after an amusing potted history of the ups and downs of his career, he spoke highly of the Gresham Society. Gyles placed emphasis on the fact that we are the Friends of Gresham College, waxing lyrical about the benefits of societies that are genuinely friendly.

I totally agree. The Gresham Society is, above all, a very friendly bunch of people. We have a shared pleasure in and purpose through Gresham College, but it is above all a friendly group. For sure that is why I like to attend whenever I can…

…even if Basil teases me almost every time about my aversion to filling in forms and Tim Connell tries to find increasingly convoluted ways to avoid having me play my baroq-ulele…

…but I digress.

Towards the end of his talk, Gyles Brandreth mentioned younger members of the Gresham Society and I thought he might have glanced at me as he said it.

There was a little time left after the address for some more chat with friends before I realised that it really was time for me to head home.

As I was leaving, when I went up to Gyles to congratulate him on his talk and say goodbye, he told me that he was looking at me when he mentioned the younger members. I told him that I thought my days of being addressed as “young man” at Lord’s and The Wigmore Hall were behind me, but perhaps the Gresham Society, now a third outlet for what remains of my perceived youth, will revive my fortunes in that department.

As it happens, Janie and I went to the Wigmore Hall the next evening:

The World Of Byrd: Consorts Hymns Divisions & Dances, Phantasm, Wigmore Hall, 20 February 2018

I’m sorry to report, no joy in the “being addressed as young man” department that night.

But for sure I’ll keep trying; at Lord’s, at the Wigmore Hall and most certainly with my friends at the Gresham Society.

The Gresham Society AGM and Dinner had been a truly delightful evening.

Gresham Society Soirée, Barnard’s Inn Hall, 14 December 2017

Robin Wilson Leads Us In A Latin Canticle, Tinniat Tintinnabulum

Back in March, when Janie and I went to see The Tallis Scholars perform works by Heinrich Isaac:

The Tallis Scholars: Isaac and Mouton, Wigmore Hall, 9 March 2017

…I had no idea where it would lead. But I was much taken by their encore song, Innsbruck, Ich Muss Dich Lassen. I found a simple chord version of the song and started strumming it out on my baroq-ulele.

Once I learnt that the piece probably had a strong temporal connection with Sir Richard Gresham’s birth year and the start of the Tudor period, I resolved to prepare that song for the next Gresham Society soirée by learning how to play it “properly”.

Ironically, I found my source of serious early music learning through a comedic spoof shared on the Early Music Facebook Group on the 1st of April:

The song Shakespeare stole from: a discovery from the 16th century

I tracked down Early Music Muse, who is a delightful musician, music teacher and expert on early music named Ian Pittaway, based in Stourbridge in the West Midlands.

I have now had several fascinating Skype-based lessons with Ian, a couple of face-to-face lessons and lots of practice in-between. Ian also transcribed the Innsbruck song for me into Renaissance-style tablature.

Roll the clock forward some months to the day of the soirée. Despite several explanatory exchanges of e-mails, Professor Tim Connell remained convinced that I am dead-panning a joke rather than REALLY preparing to play something serious. Fortunately he was at our offices that afternoon, so, on the way to Gresham College from Z/Yen, I had the opportunity to persevere with him and get him to amend his introduction.

In fact I bundled out of the cab before Gresham, to pop in and see John White, to drop off some gifts from Thailand and from the Chelsea Physic Garden in the summer, all of which I keep forgetting to take with me when I see John. He and his work team were finishing their Christmas lunch in Vivat Bacchus. The team, who are a very jolly and friendly bunch, asked me to play my Renaissance song for them. I attempted to play it, but frankly the place was far too loud for anyone to hear me…

…which was just as well, as I soon realised, once I got to Gresham to warm up, that my baroq-ulele was monstrously out of tune. Something to do with tube train vibrations that doesn’t seem to happen in the car. I spent most of my warming up time desperately trying to tune my instrument. In desperation, I even got the screwdriver out at one stage – really.

Meanwhile Michael Mainelli was also in the green room warming up his bagpipes and trying to “sooth my nerves” by challenging my pronunciation of every German word. As Elisabeth (Michael’s wife, who hails from Germany) put it, rather sharply, when I asked her, after the performance, about this pronunciation point, “what would Michael know about German pronunciation?”

In truth I was already feeling a little sensitive about my pronunciation, as Micky, the night before at the Chelsea Physic Garden, had declared my accent, “more like Yiddish than German”.  Elisabeth thought Micky’s concerns were just funny.

The soirée was scheduled differently this year, with the buffet served before the show, then the first half of the soirée was professional musicians showing us how it should be done.

Sian Millett Sings A Very Flirty Habanera, With David Jones On Keyboard

David I/we knew well from previous soirées – he was my “partner in crime” at the event a few years ago in my rap version of Any Old Iron (to be Ogblogged in the fulness of time).

But don’t be deceived by the limitations of David’s bit-part roles in my slapstick comedy performances; David is actually a fine pianist and has an excellent baritone voice in his own right. His rendition of Tom Lehrer’s The Elements is always a bit of a highlight of soirées, but this year he did also sing some charming songs, such as Copeland’s Long Time Ago and Novello’s My Dearest Dear.

Sian Millett charmed us with arias spanning the centuries, from Ombre Mai Fu  (Handel) to Secret Love (from Calamity Jane) via the Habanera from Bizet’s Carmen.

After a short break, the amateurs took over the programme, including my rendition of Innsbruck, which I billed as the Sir Richard Gresham Nativity Song.

I don’t have a recording of the performance but I do have a rather rudimentary vlog of my dress rehearsal at home on the day of the performance:

I probably spent as much time preambling the song as I spent singing it – so if you want to know more about the song you can find my preamble notes (including some additional notes I didn’t use on the night) in full by clicking here.

After my little performance, the highlight for me was Anthony Hodson’s bassoon performance (with David on “harpsichord”), Telemann’s F minor sonata. Those two also performed The Teddy Bears Picnic (which looked equally challenging for bassoon) – I could have joined in and even sung my Coppers Are Dressed As Hippies version of the tune had I known in advance…probably for the best that I didn’t.

There was also a comedic poetic tribute to Dawn who was sitting in front of me, looking amused and embarrassed in equal measure. Finally, of course, the traditional Professors’ Song as the closing number, captured this year on vid by Georgina – shared through this link, with thanks to Georgina.

I got very kind and pleasant feedback on my piece from lots of people over drinks after the show. But the icing on that particular post show cake was feedback from Frieda, one of the Gresham Society regulars, who explained to me that her mother is from Innsbruck and used to sing that song to Frieda when she was a little girl. Frieda seemed almost overcome with emotion telling me about it.

I asked Frieda if the song had sounded alright to her in my attempted German voice and in the early music style; she said it had. I told her that she had really made my evening with her feedback, but she insisted that hearing the song at Gresham had made her evening.

As always with Gresham Society, there were lots of interesting people to chat with before and after the show. I suggested to several people that I would revert to silly stuff next time, but detected a groundswell of enthusiasm for a more serious piece. We’ll see.

Innsbruck, Ich Muss Dich Lassen, My Preamble For The Gresham Society Soirée, Barnards Inn Hall, 14 December 2017

There follows the preamble to my Innsbruck performance, explained in more detail in the piece linked below:

Gresham Society Soirée, Barnards Inn Hall, 14 December 2017

Did anyone by any chance come to this soiree primarily to hear me sing a silly song? Good, because on this occasion I’m going to perform a serious piece, for the first time since I was at school.

  • Heinrich Isaac was a Netherlandish (Flemish) Renaissance composer who died 500 years ago this year;
  • Prolific composer of beautiful sacred music, but by far his best-known work is a secular song, Innsbruck Ich Muss Dich Lassen – Innsbruck I must leave you.
  • If there had been Euro pop charts back in the Renaissance and Baroque periods, Innsbruck would probably have been number one in the charts for decades. Greensleeves probably originated more than 50 years later, but in mainland Europe, Innsbruck was probably still number one for decades even after Greensleeves turned up.  Many hymns, cantatas and songs are based on the Innsbruck tune, not least several Bach works;
  • the first document mentioning Isaac’s name dates back to September 1484, placing him in Innsbruck as a singer for Duke Sigismund of Austria;
  • documents show that by July 1485 Isaac had relocated to Florence, employed as a singer at the church Santa Maria del Fiore…
  • so it is likely that Isaac wrote his Innsbruck song c1485;
  • c1485 is an interesting year. Not least, c1485 is the exact circa year of Sir Richard Gresham’s birth;
  • 1485 is also the year when Richard III failed to trade his kingdom for a horse, ending up interred in a Leicester car park, marking the start of Tudor England;
  • so it seems right to perform Innsbruck for The Gresham Society in this lovely Tudor Hall;
  • To try and give the song an authentic early Tudor sound, I found a delightful expert on early music Ian Pittaway, who wrote the tablature arrangement I’m going to play you and has coached me to play my instrument better, not least the Tudor-stylee I shall try today;
  • The difference between messing about with comedy music (my usual thing) and having a genuine go at performing in a Renaissance style, in German, is enormous. I have learnt a lot about early music and also about myself by attempting this;
  • You’ll hear three verses. The first laments having to leave Innsbruck. The second laments having to leave a true love behind.  The third verse professes faithfulness and virtue ahead of an intended return to Innsbruck;
  • It is a beautiful song and I hope I can do it justice for you tonight.

 

Additional Notes

  • Much of his working life in Florence; a close associate of Lorenzo de’ Medici. A contemporary of Josquin des Prez – agent’s letter to the court of Este comparing Josquin with Isaac – “[Isaac] is of a better disposition among his companions, and he will compose new works more often. It is true that Josquin composes better, but he composes when he wants to and not when one wants him to.” Isaac got the job;
  • Lutheran chorale, “O Welt, ich muß dich lassen”, the 17th century hymn “In allen meinen Taten” by Paul Fleming and later still Bach’s chorale cantata In allen meinen Taten, BWV 97 and also elements of the St Matthew’s Passion.

I DID Want To Go To Chelsea, Gresham Society Visit To Chelsea Physic Garden, then The Other Side Of Hope, Curzon Chelsea, 30 May 2017

When Tim Connell sent round a circular announcing a visit to the Chelsea Physic Garden, I knew immediately that the visit would be a special treat for Janie and guessed that Linda Cook would also be very interested. I was less sure about Michael and Elisabeth; as it turned out Michael was keen.

Janie was very keen and had not yet booked in any patients for that day, so we basically decided to make it a date and took the day off.

A hot date in the Chelsea Physic Garden

There were 25 to 30 of us in the Gresham Society party, I believe. The weather was very kind to us; occasionally the clouds looked a bit iffy, but there was also some sun and certainly no rain.

The Original Sloane Ranger In His Garden

We got split into two groups; our guide was Anne, who seemed very well informed and proved to be good company.

To my mind, the best plant in the garden was Catharanthus roseus (Madagascan or Rosy periwinkle), which yields natural remedies for childhood leukaemia, increasing survival rates by orders of magnitude. Yet the most popular plant amongst our cynical, Gresham Society group seemed to be Veratrum viride (Indian Poke), which induces profuse vomiting and which some native American tribes use to choose their leader; on a “last candidate to throw up” basis. Going back to traditional, natural methods is sometimes a very good idea.

Janie asked Anne zillions of questions, many of which seemed to me to be more about the poisonous, nasty plants, rather than the medicinal, nice ones. Even more worryingly, I thought I heard Janie ask a few of times, “would you be able to taste this if you added it to food?” Perhaps I am mistaken about that. But when we visited the bookshop before leaving, Janie bought a small book on medicinal plants and a larger book on the poisonous ones. I think I’ll eat out for a while.

We enjoyed a spot of lunch/high tea at the Tangerine Dream cafe within the garden, which made for a very convivial conclusion to the outing. We always enjoy spending time with the Gresham Society crowd.

By the time Janie had concluded her book shopping, I thought we might be running a bit late for the movies, but I had sort-of forgotten that the car journey from the Chelsea Physic Garden to the Curzon Chelsea was a very short one.

So we had time to book Janie’s birthday treat (a preview of the new V&A wing) before stepping in to The Other Side Of Hope. We thought this was a great movie – very interesting, at times amusing, at times shocking. It is about a Syrian refugee who lands-up seeking asylum and then working as an illegal in Helsinki.

Here’s a trailer:

Highly recommended.

Then we went back to the flat to round off our very enjoyable day with a dinner of delicious leftovers from the weekend and salad. I prepared it all, not allowing Janie anywhere near the kitchen today, she had done her bit over the weekend.  Continue reading “I DID Want To Go To Chelsea, Gresham Society Visit To Chelsea Physic Garden, then The Other Side Of Hope, Curzon Chelsea, 30 May 2017”

A Gresham Society Visit To See The Gresham Music Collection And Other Treasures, The Guildhall Library, 29 November 2016

Henry Purcell: The Gresham Autograph. Source: http://www.omifacsimiles.com/brochures/images/purcell_1.jpg 

Awesome.

I don’t use that word in the youthful, throw-away sense that I have been known to lampoon elsewhere – click here for an example.

I mean that some of the items I saw this evening really did inspire awe. That rare, tingling feeling at the back of my neck when seeing an especially stunning drama unfolding in an unexpected way, or hearing a wonderful piece of music, or seeing a rare, thought-provoking and/or beautiful artefact.

This was a very interesting Gresham Society outing, albeit so close to Gresham home turf that the word “outing” seems barely appropriate. The Guildhall is just off Gresham Street and around the corner from the old Gresham College; perhaps an “innings” rather than an outing for the Gresham Society.

Anyway, Dr Peter Ross provided a fascinating introduction, explaining the story of the Guildhall Library and its historical collections, of which the Gresham Music Collection is but one. Here is a link to Dr Ross’s Gresham lecture on the subject; more generally detailed but less oriented towards the Gresham Collection than the talk he gave us. Irene, one of our Gresham Society members, was a librarian at the Guildhall Library as a youngster, so she could fill in some details too.

I hadn’t realised the diversity of subject matter contained in the collection. I knew to expect music books and I knew that the Guildhall Collection generally had a massive collection of books about London; my cousin Sidney would have been in his element for those. But also many books on food in the Gresham Collection and fascinating books about travel, inventions and mechanical devices.

After the illustrated talk, Peter then showed us around the many artefacts he had lovingly laid out around the library for us to glance at and (in the case of more robust/less rare items) examine.

Among the most interesting to me, a rare manuscript of Spem In Alium by Thomas Tallis, a favourite piece of mine. The rarity of this manuscript is two-fold. Firstly, it is documented as a “grandchild” of an original autograph – those are extremely rare for words of such antiquity and especially so for this work. Secondly, it contains a forty-first part for this forty-part piece.

Several of us wondered how the extra Spem part might have come about. I imagined a much simplified part, to allow a keen but profoundly untalented enthusiast like me to join in the singing. But that is mere conjecture for our “post-factual” era. Perhaps a truthful answer lies in the learned notes (mentioning the Gresham) contained in the version of the score shown in this link – click here.

One very beautiful travel book, Victorian era I should imagine, included a description and illustration of musicians in Aleppo. My slightly cack-handed smart phone image below does not do justice to the picture.

img_0294

Coincidentally, Janie and I are going to see Basel Rajoub (a musician from Aleppo) together with his Soriana Project and Wu Man, this Friday at the Wigmore Hall – (Ogblog item on that concert to follow shortly), so this exhibit seemed especially poignant to me that day.

(Janie and I think about Aleppo a lot at the moment. Not many people we know had, like us, the good fortune to visit that beautiful city some years ago – we look at our photos from Aleppo often these days – click here.)

But the highlight of the artefacts was the Purcell Autograph from the Gresham Music Collection. That was the item that really made the hairs on the back of my neck stand up.

Source: http://www.omifacsimiles.com/brochures/images/purcell_1.jpg
Source: http://www.omifacsimiles.com/brochures/images/purcell_1.jpg

In order to ensure we were in the right mood for the Purcell Autograph, Peter Ross put on some suitable Purcell Music. I didn’t realise until later that he really was playing the music from the autograph we were observing; the contents of the autograph were recorded some years ago and the recording is still available as a CD or download. I have downloaded the album and am listening to it with great pleasure as I write. It can be obtained through Amazon – click here...and other places too no doubt.

Libations and nibbles were available in the lecture room, at a safe distance from the precious books. The Gresham Society people are always delightful company. I believe that the merriment continued afterwards in a nearby watering hole; I needed to retreat quite early having irritatingly accepted an early morning speaking engagement in Southampton the next day. Still, this evening at the Guildhall Library will live long and happily in my memory.

Gresham Society AGM and Dinner, National Liberal Club, 4 February 2016

A convivial evening at the National Liberal Club; the Gresham Society AGM and dinner. Michael Mainelli said he was going to miss not only the pre-AGM drinks but even the AGM, so suggested that I leave the office ahead of him.  But by the time I had got there and made his excuses to everyone, he arrived; a good 5-10 minutes before the AGM started.

In the hands of Tim Connell, an AGM is neither painful nor lengthy. So there was time for more chat between the AGM and dinner. Several people were complimentary about my maiden baritone ukulele performance at December’s Gresham Society soiree, which certainly made me feel good at the end of a long day.

I sat next to Elisabeth Mainelli on one side and Noel-Ann Bradshaw from the University of Greenwich on the other side, which made very pleasant company; indeed at Gresham Society functions, pleasant company is more or less guaranteed.

The speaker was Michael Binyon, whose tales of derring-do as foreign correspondent for the times didn’t quite match Boot of The Beast (Scoop is one of my favourite novels) but raised several laughs none-the-less. A memorable tale about Messrs Foot and Healey meeting Brezhnev sticks in my mind, as does the problem of dictation down the phone line which led to the reporting of “dead sea squirrels”. What a by-gone era story that makes, although it occurred within living memory).

No doubt Michael Binyon had to dodge a bullet or two as a correspondent, but he struggled to dodge a “question-bullet” about the Times pay-wall, claiming that the iPad version of the Times is making money now.  As the economists, accountants and operational researchers on our table might put it; that depends on how you count.

I imagine that the merriment continued in the bar long after I sloped away, but at the end of a long day I decided to quit while I was still feeling very much on top.  A most enjoyable evening.

 

 

 

 

Thomas Gresham Nativity Song, Gresham Society Soiree, 9 December 2015

To Gresham College at Barnard’s Inn Hall, for the biennial Gresham Society soiree.  Those of a musical or light entertainment persuasion put on a short variety show, as the scene-setter for a jolly social. The usual assortment of super people gathered; a mixture of professors, former professors/lecturers and Gresham College enthusiasts.

I wrote a version of “I’m Henery The Eighth I Am”, to describe the events that might have led to Thomas Gresham’s birth and eventual financial heroics. I decided to give my recently-acquired baritone ukulele skills an outing this time, not least because I have recently imported a Roosebeck Baritone Baroq-ulele which certainly looked the part for this “piece”.

This was quite a daunting performance for me – I only took up the baritone ukulele 18 months ago, having eschewed all instruments since the disaster that was my attempt at the violin as a small boy. So this was to be my first performance in front of an audience.

Further, the song I chose did not have any simple chord versions to be found on the web; the chorus of course (a big hit for Herman’s Hermits and Joe Brown before them) but not the verse.

So I needed to work out the chords for myself – see attachment with my hand-written notes.  I wrote “capo 1” all over it, as I chorded it in G but it was originally written (and indeed Herman’s Hermits sang it) in A minor. In the end, though, I sang and played it without the capo, i.e. in G major, as the baroq-ulele was a little quiet for the Barnard’s Inn Hall and my voice copes a little better the deeper I go.

The audience participation elements worked well and I am told the performance was well received. In any case, as the compere Professor Tim Connell put it at the start of one of the other acts that evening, “it’s not all about music tonight”. That was certainly the case for my little rendition.

The text that follows has the original verse and chorus, by Fred Murray and R P Weston, followed by two verses of my own. Shown in the text below the music notes and then further below as viewable JPEGs and also a downloadable PDF.But, as Michael Mainelli said, there’s probably only one music hall in the world that will really appreciate my Thomas Gresham verses for the song; Barnard’s Inn Hall.

♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬ ♬

THE THOMAS GRESHAM NATIVITY SONG

(Song to the Tune of “I’m Henery The Eighth, I Am”)

FIRST VERSE

You don’t know who you’re looking at, now have a look at me,

I’m a bit of a nob I am, belong to Royaltee;

I’ll tell you how it came about, I married widow Burch,

And I was King of England, when I toddled out of church.

Outside the people started shouting, “Hip hooray”;

Said I, “Get down upon your knees its Coronation Day.”

CHORUS 

I’m Henery the eighth I am, Henery the eighth I am, I am

I got married to the widow next door

She’s been married seven times before

Everyone was a Henery (AUDIENCE: Henery)

She wouldn’t have a Willie or a Sam (AUDIENCE: or a Sam) 

I’m her eighth old man named Henery,

I’m Henery the eighth I am.

SECOND VERSE (different from the first; different from the original too)

I’m not so good with money if I’m left upon me own,

So I called my mate, Dick Gresham, who could organize a loan;

I said, “I need the wonga, but I can’t afford the fleece,

Get terms I can afford or else we’ll end up just like Greece”;

Dick planned long finance, so he said, “thy will be done,

Your brood will still need Greshams’ help, I’d better pop a son.”

CHORUS 

I’m Henery the eighth I am, Henery the eighth I am,

I am I got married to the widow next door

She’s been married seven times before

Everyone was a Henery (AUDIENCE: Henery)

She wouldn’t have a Willie or a Sam (AUDIENCE: or a Sam) 

I’m her eighth old man named Henery, I’m Henery the eighth I am.

THIRD VERSE (different again!)

So Dick, he had a son named Tom, as smart as smart could be,

And when my Ted went brassic, Tommy saved the currency;

My Mary fared no better, Tommy had to bail her out,

And Liz retained his services, though she was more adroit.

All raise a glass to Tom, without him we’d be poor,

Bad money drives out good, I say, and call it Gresham’s Law.

CHORUS AND OUTRO 

I’m Henery the eighth I am,

Henery the eighth I am,

I am I got married to the widow next door

She’s been married seven times before

Everyone was a Henery (AUDIENCE: Henery)

She wouldn’t have a Willie or a Sam (AUDIENCE: or a Sam) 

I’m her eighth old man named Henery, I’m Henery the eighth I am. 

H-E-NRY, ‘Enery, (AUDIENCE: ‘Enery) 

‘Enery the Eighth I am, I am, Henery the Eighth I am! 

 

Gresham Song Page One of TwoGresham Song Page Two of Two

The Thomas Gresham Nativity Song With My Chords and Hand Written chords.

Click here or below for a link to see Harry Champion’s original version of this song.

 

Any Old Iron With Vocal Cadenza, Performed At The Gresham Society Soirée, 14 December 2011

Professor Tim Connell had no idea what he was unleashing when he asked me to produce a party piece for the nascent Gresham Society Soirée.

I had no idea what sort of audience we might have, although Tim suggested that he was encouraging Gresham Society members to bring youngsters with them to give the event an age-diverse, party feel. That year, there were a few youngsters in the end.

Unaccustomed as I was to putting on party pieces at that time…a dozen or more years later I am far more seasoned at it…I fell back on material I had prepared or used in the past.

As a youngster myself, I had often used Any Old Iron as a party piece for entertaining old folk, as the old folk at the time that I was a young person were steeped in music hall material.

I had prepared a version of Any Old Iron with a rap break a couple of years earlier…for the life of me I cannot remember quite why…I think I had intended to use it at a Long Finance conference, as Brian Eno had been recommending that we break up the serious s*** with some musical audience participation. Hilariously predictable results ensued, not least a roasting in the Evening Standard…

…but I digress, other than to clarify that my Any Old Iron with a rap break (aka a vocal cadenza) remained on the e-jotter unused in 2009, until the Gresham Society Soirée of 2011. Here’s the very piece:

I decided to dress up in my most spivy outfit (see headline picture from the Lingfield races a few months earlier), including a Rolex-like watch and chain which I had given to my father in the 1990s and then re-inherited on his passing.

I also took a clutch of old pennies from my childhood old pennies collection, as I figured that the youngsters present wouldn’t appreciate what a weighty and princely-looking sum “tuppence” might seem unless they received some coin of the appropriate era.

I also decided, with the benefit of hindsight, unwisely, to involve the pianist, David Jones, not only in playing the piece for me (which of course he was able to do with ease and aplomb). Unbeknown to me at the time, David is a master of the party piece in which you sing faster and faster – in his case the far more difficult Elements Song by Tom Lehrer…

…I am digressing again…

…anyway, I asked David also to join in some business, which occurred to me as we practiced ahead of the show, where I would approach the piano and say:

Hit me!

…in the time honoured fashion to encourage a musician to play. The joke was that David was to feign misunderstanding the entreaty and pretend to throw a punch at me.

We practiced the manoeuvre a couple of times. My final note to David was that he would need to put more effort into the fake-punch and I would have to put more motion into the fake receipt of the punch to make the device look realistic.

But in the heat of show, as it were, David possibly over-enthused…or I under-dodged…such that I really did receive a punch from David, which made me stop for a moment and say:

Ow, that really did hurt

…before carrying on. I think the audience thought it was all part of the show, so they laughed just as we had wanted them to. The song went down well. The bruise wasn’t too bad. David is still talking to me…just about…but perhaps not so open to my last minute bright ideas for performance tweaks any more.

Just try that again, piano dude.