Visiting The Slipped Disc in Clapham Junction With Paul Deacon, 10 August 1977

I have happy memories of visiting The Slipped Disc in Clapham Junction with Paul Deacon. I was reminded of those record hunts the other day, when circumstances took me to 28 Pembridge Road, which was Record and Tape Exchange in years gone by. I wrote up those 1978 record hunts here.

The Slipped Disc days were earlier. My trawl of my diary yields two diary references to visiting the Slipped Disc with Paul Deacon:

Wednesday 10 August 1977 – went to Slipped Disc with Paul. Bought 72 records for 72p

Then a couple of months later:

Saturday 8 October 1977 – went down to Slipped Disc with Paul. Bridge in evening

I probably need to provide some context to the mention of 72p. Back in 1977, my parents would give me 10p a week pocket money. Grandma Anne would give me 50p in a week when I saw her, but that was expected to be “saving money” for big things. (I’m still not sure what such big things are, which probably explains why I remain reluctant to buy things. Just in case they aren’t big enough.)

I could supplement my 10p a week “frittering money” by:

  • saving a bit from my school fare by walking some of the way;
  • winning at Kalooki against mum and Grandma Anne on a Sunday. On average, I tended to be up a few pence when we played, but of course I’d lose sometimes too;
  • in the summer I could occasionally earn a penny per weed to relieve dad of that particular arduous task.

In short, 72p back then was real money to me. But 72 discs was a real haul too.

Singles wasn’t really my thing, to be honest (more albums, me), but my goodness singles was Paul Deacon’s thing. I’m not sure how formative these Slipped Disc trips were in his astonishing career as a collector, archivist and DJ – Paul might choose to explain that for himself.

I mentioned in my discussion with Paul on the Record and Tape Exchange business, that I planned to write about The Slipped Disc this weekend and Paul said:

I look forward to revisiting the ‘Disc. Here’s a comment online that resonates. He mentions Melodisc. We picked loads between us didn’t we?

Click here for that Disc Deletion/Slipped Disc comment Paul mentions.

Sadly, not all of my Slipped Disc purchases seem to have made it to my log and/or collection. Only 34 Slipped Disc ones are catalogued and that must cover several visits.

I might just have a box of uncatalogued singles somewhere or they might not have made it from the house. I’ll have a look in the flat, but I don’t hold much hope. For example, what became of my copy of Bulgarian Betrothal by…whoever on earth did Bulgarian Betrothal? Most of those that didn’t make it were probably truly awful. Some of those that did make it are a bit embarrassing to be honest, although Hard Work by John Handy had me grooving and syncopating in my chair just now.

The extract linked here as an aside shows the first 40 singles in my collection, numbers 7 to 40 being my Slipped Disc purchases.

The first six deserve a mention, though, not least because the first five will also be Slipped Disc purchases, but those made by my dad some years earlier, when in search of music to use as backing tracks for films. The Wailers record is quite rare, I think. They probably all are. Goodness knows what dad would have paid for those in old money. Probably 1d each. Maybe a ha’penny each.

Record 6 in the collection was the very first record I owned. Simon Smith and the Amazing Dancing Bear by the Alan Price Set. Bless.

I’m really hoping that Paul will chime in with some more memories of these visits. I’m also going to send a link to the Clapham Junction nostalgics who hang out together on Facebook to see if we can generate some additional chat about the amazing record shop that was The Slipped Disc.

London St Johns Hill at Clapham Junction geograph-3072833-by-Ben-Brooksbank

Stop For The Music by The Nutrons, An Aside To The Aside To The Slipped Disc Posting Of 10 August 1977

The above image “borrowed” from Discogs but if you click here you can read more about this record and even try to buy a copy, so I’m sure Discogs won’t mind

This posting is an aside to my listing of the first forty singles in my collection, which itself is an aside to my posting about my visit with Paul Deacon to The Slipped Disc in Clapham Junction in August 1977, which is where/when I bought most of those singles.

Paul is now (writing in December 2020), amongst other things, a DJ in Ontario, Canada. Paul is the braver sort of DJ; he likes to push his listeners’ boundaries. But I thought he pushed those boundaries beyond the limits on one occasion a few years ago – soon after I published the piece about The Slipped Disc, when he played, as a “request” for me on his show, Stop For The Music by the Nutrons.

Foolishly, I had imagined that Paul would not be able to source such a thing in Canada and even if he could he wouldn’t broadcast it.

Wrong and wrong again.

What does Stop For The Music by The Nutrons sound like?…

…I hear you all cry.

Here is the digitised copy of my single, which has languished in a rather unloved box of singles for more than 40 years.

Dare I say, enjoy!?

The First 40 Singles in My Collection, An Aside To Slipped Disc Posting, 10 August 1977

Set out neatly in a pdf from my iTunes here…First Forty Singles Landscape

…or quoted as a simple listing from my old Access database below.

001,Genie With The Light Brown,Shadows

001,Little Princess,Shadows

002,Shindig,Shadows

002,It’s Been a Blue Day,Shadows

003,Zero-G,Barry Gray

003,Fireball,Barry Gray

004,Playboy,Wailers

004,Your Love,Wailers

005,Funny,Ken Lazrus

005,Walk Like a Dragon,Byron Lee Orchestra

006,Simon Smith And The Amazing,Alan Price Set

006,Tickle Me,Alan Price Set

007,Our Love,Scrounger

007,So Here I Stay,Scrounger

008,Legalise It,Peter Tosh

008,Brand New, Second Hand,Peter Tosh

009,Stop It I Like It,Patti Boulaye

009,Kiss and Make Up Time,Patti Boulaye

010,Hard Work,John Handy

010,Young Enough To Dream,John Handy

011,Red Alert,Patti Boulaye

011,Without My Man Inside,Patti Boulaye

012,Juicy Fruit (Disco Freak) Pt I,Isaac Hayes

012,Juicy Fruit (Disco Freak) Pt I,Isaac Hayes

013,I Want More,Can

013,More,Can

014,All I Wanna Do In Life,Marianne Faithful

014,Wrong Road Again,Marianne Faithful

015,Do My Thing Myself,Glass Menagerie

015,Watching The World Pass By,Glass Menagerie

016,Jolie La Ville Curepipe,Alain Permal Mauritius Police Band

016,Danse Dans Mo Les Bras,Alain Permal Mauritius Police Band

017,Wonderful Dream,Anne-Marie David

017,Tu Te Reconnaitras,Anne-Marie David

018,C’est Ma Fete,Richard Anthony

018,Les Beaux Jours,Richard Anthony

018,Le Ciel Est Si Beau Ce Soir,Richard Anthony

018,Son Meilleur Copain,Richard Anthony

019,Le Roi D’Angleterre,Nino Ferrer

019,Il Me Faudra – Natacha,Nino Ferrer

019,Les Petites Jeunes Filles De Bonne Famille,Nino Ferrer

019,Monsieur Machin,Nino Ferrer

020,Slip And Slide,Medicine Head

020,Cajun Kick,Medicine Head

021,Desperate Dan,Lieutenant Pigeon

021,Opus 300,Lieutenant Pigeon

022,Casatschok,Dimitri Dourakine

022,Toi Toi Toi,Dimitri Dourakine

023,The Trouble,Silvers

023,Almost In Love,Silvers

024,What Do You Say About That,Phase 4

024,I’m Gonna Sit Down And Cry,Phase 4

025,Beautiful Sunday,Daniel Boone

025,Truly Julie,Daniel Boone

026,Ding-A-Dong,Teach-In

026,Let Me In,Teach-In

027,Any Dream Will Do,Max Bygraves

027,Close Every Door To Me,Max Bygraves

028,Back Home,England World Cup Squad 1970

028,Cinnamon Stick,England World Cup Squad 1970

029,I Fall To Pieces,Pat Dusky and the Marines

029,This Can Be The Night,Pat Dusky and the Marines

030,Turn On the Sun,Sandra Christy

030,How Can We Doubt,Sandra Christy

031,Agbogun G’Boro,Tunde Nightingale and his HighLife Boys

031,Kole Si Se,Tunde Nightingale and his HighLife Boys

032,Stop For The Music,Nutrons

032,The Very Best Things,Nutrons

033,Spinning Wheel,King Koss

033,Louisiana,King Koss

034,Blacksmith Blues,Birds of a Feather

034,Sing My Song And Pray,Birds of a Feather

035,It’s All Happening,Leapy Lee

035,It’s Great,Leapy Lee

036,Gonna Give Up Smoking And Take,Pipkins

036,Hole In The Middle,Pipkins

037,Wang Dang Doodle,Dr John

037,Big Chief,Dr John

038,Sacramento,Middle of the Road

038,Love Sweet Love,Middle of the Road

039,Goodnight Sweet Prince,Mister Acker Bilk

039,East Coast Trot,Mister Acker Bilk

040,Lucky Five,Russ Conway

040,The Birthday Cakewalk,Russ Conway

Strictly For The Unsquare, Paul Deacon aka Geoffrey Withers, 14 April 1977

Geoffrey Withers – he is strictly for the unsquare

I’m not entirely sure when Paul Deacon and I came up with the character “Geoffrey Withers”, but it was a long long time ago when we were very small.

For sure it was at my house, because the nonsense started when I played this track to Paul and we started riffing on the idea that an uber-old-fashioned DJ might consider the piece to be “strictly for the unsquare” and use it as his signature tune:

I’m pretty sure that Paul himself “christened” the character “Geoffrey Withers” and gave him his pompous voice. Paul has used this character on his radio shows, sporadically, for at least four decades.

I should get a few bob each time Paul uses the character but heck, life is too short and anyway it’s probably best to save up that potential law suit material for a big one downstream.

With apologies to those who believe in Santa and who believe that there really is a piece of music named “Strictly For The Unsquare”, but this piece is actually named “Pop Sequence” and is from an album named “Cine Mood Music”. How cool is that?

Well, it’s unsquare, anyway.

I’m not sure that Geoffrey was really born on 14 April 1977, but the diary says…

…Paul in afternoon…

…so it might well have been that day. I’ll guess it was around about then, anyhow.

Who’d have thought that such a mucking around session aged 14/15 would have led to a character who still (writing in 2018) pops up from time to time on Paul’s radio shows?

Weird. Warped. Awesome. Unsquare.

Execution Scenes, Coin Tossers And Miscellaneous Silliness Recorded With Paul Deacon, 12 April 1977

On this day in 1977, Paul Deacon and I recorded ourselves larking around, including, for some unknown reason, several takes of a scene emulating an execution at the time of the French Revolution.

I’ve no idea whether anyone other than me and Paul will find this four minute clip funny, but I laughed out loud many times on hearing it again.

I think my favourite bit is on take 4, when you hear my pseudo-Robespierre voice, once again, ask

“do you ‘ave anything to say?”

and you can hear my mother holler from the next room…

“yeh – shut up!”

…at which point Paul collapses in gales of laughter.

Some of the bits in several of the takes where Paul gets tongue-tied around his lines are pretty funny too.

I also laughed out loud at my third announcement of “take 5” – to announce two “take 5s” might be described as unfortunate, to announce three sounds like carelessness.  The juvenilia of a numbers man.

Suffice it to say that the unintended humour works better than the rather mawkish intended humour.

The guillotine sound comes from an actual guillotine…

…no, really…

…a paper one, which looked more or less exactly like this picture, which I have borrowed from an ebay sale long since closed – I’m sure the anonymous photographer/seller won’t mind – fair use for educational purposes blah blah:

Madame la Guillotine

The sound of the drum roll was made on a genuine Southern African bongo drum, a gift from my mother’s dear school friend, “Auntie” Elsie Betts who lived (I believe still lives) in South Africa. For reasons unknown, I took a superb photograph of that majestic drum:

Monsieur Le Bongodrum

The sound of the aristocrat’s head landing was, if I recall correctly, achieved with a white cabbage being dropped into a wastepaper basket. My mother used to make her own coleslaw to my father’s specification – with a light vinaigrette sauce, no mayonnaise nonsense for my dad’s slaw – it was a sort-of cross between sauerkraut and coleslaw really.

But I digress.

Point is, there would always have been a white cabbage conveniently on hand whenever the need arose for a head removal sound effect. The cabbage will have looked like one of these:

White cabbages at Asian supermarket in New Jersey

Paul and I made quite a few silly recordings over the years, but I believe only the one tape survives. Most of our recordings were recorded on the trusty Sony TC377, which looked like this…

…the tape for which was expensive and in demand in the Harris household (mostly by me to be honest), so much of the silly stuff will have been wiped over with other silly stuff or, eventually, something someone wanted to keep.

I meticulously digitised all the reel to reel tapes that survived (a few batches of tape were deteriorating before digitisation, so those tapes couldn’t be saved) but, as far as I can tell, none of the survivors had larking about material on them. Sorry.

So how or why did the 12 April 1977 material survive?

The answer is straightforward and signalled in the following diary page.

The relevant passage is 2 January 1977 – Bank Holiday Monday:

Went to Comet cassette deck. Great.

On that day, our reel-to-reel family bowed to the inevitable and procured a cheap (this is the January sales, isn’t it?) “solid state” cassette deck. It was not a special one. I think it was one of the following or similar –  I have borrowed the picture from an ebay sale long since closed – I’m sure the anonymous photographer/seller won’t mind – fair use for educational purposes blah blah:

While I think Paul and I probably recorded the coin tossers/execution scenes on the reel-to-reel (the clicks sound reel-to-reelish to me – Paul might know better), I at least made a copy or copies onto cassette following that 1977 reording session:

Below I have also embedded the 20 minutes or so of general larking around stuff that preceded the main takes. It’s not a particularly interesting listen; I think we must both have been in an especially silly mood that day. Paul might go through it and extract a few small snippets of value from it. I think there is a Cyril Vaughan impersonation on there somewhere and one or two other impersonations to boot.

The main “conceit” of the following preliminary piece is a spoof sports commentary on the world coin tossing competition. This appears to be a throw-back to an earlier, seminal event, in December 1974:

Breaking The World Record For Coin Catching With Paul Deacon, Woodfield Avenue, 30 December 1974

Anyway, here is twenty minutes of coin tossing, infantile giggling, some impersonations and some early attempts at the execution scenes. This recording is on the other side of the Execution Scenes cassette.

I have written all of this up in September 2018 at Paul Deacon’s request, as he is giving some sort of talk about careers to a women’s group in Canada, the country in which Paul and his family now reside.

Paul wondered if I had any relevant photos of us from that time, which I don’t really – sorry again. The only picture I can lay my hands on with both of us in it is the following, which Paul himself uploaded in our Alleyn’s alum group:

Paul on the right doing the bumping; me the recipient of the bumps. This might take some explaining to a genteel women’s group…

…but if they are instead a group of Canadian Women’s Ice Hockey players/supporters, the picture will look like childishly amateur violence, which it assuredly was.

While I denied all memory of this event when Paul first upped that picture, I have a vague recollection now of how those autumnal-looking bumps came about. I’ll Ogblog about that separately some other time.

This piece is about recordings of execution scenes and stuff. You haven’t yet listened to the four minute execution scenes clip? Here it is again for your convenience. Listen out for my mum as “best supporting actress” in take four.

One Sir – Humanoid Or Similar, But When Was Some Enchanted Evening?, 19 February 1975

Following the 30 December 1974 seminal reference to Paul Deacon in my diary:

Breaking The World Record For Coin Catching With Paul Deacon, Woodfield Avenue, 30 December 1974

…I have a few more references to Paul Deacon in my early 1975 diary, at least one of which for sure was a recording session.

The relevant passage reads:

19 February 1975: went to Paul Deacon’s house. Played all day. “One sir, humanoid or similar”.

I do remember making that recording. The phrase came from Star Trek and for some reason we latched on to it. I even remember the second section of the phrase: “low level of activity”.

We derived a little tune from these phrases and made silly recordings, long since lost. I can even remember the tune, but I feel loathe to attempt a retrospective recording.

Paul might remember it all himself or use various methods of bribery, intoxication or both to get me to give a rendition.

Postscript/Update: Overnight, after sending Paul this piece, not only did Paul submit a comment (below), he also sent me an audio file. Clearly this rendition is an octave or two lower than the pre-teen original, but needless to say, the tune is note perfect. The recording is, it is, in its own way, authentic:

Thank you, Paul. Of course, that 2018 rendition will have been recorded, with ease, using whatever simple recording gadgetary comes as an essential, basic component in Paul’s computer.

Back then, in February 1975, I think Paul was using a cassette deck for his recordings, but perhaps he was already using reel-to-reel – he was certainly well into the latter eventually.

But, by then, we the Harris family had no ordinary reel-to-reel – we had a brand new Sony TC377…

…which looked like the above image and had, amongst its many features, a wonderful feedback/echo chamber facility. With that facility, Paul and I recorded a sort-of psychedelic version of Some Enchanted Evening on one occasion. It might have been the occasion registered in the following diary entry:

Wednesday 9 April 1975. Paul Deacon came for day. Nice time.

The details are lost in the mists of time, but for sure I was enjoying those school holiday muck around with tape recorders days.

Such a shame the tapes seem to have been lost forever.

With thanks to Paul for his comment below, I’m guessing his book look like this image – which you can click through to a well-known on-line store

Breaking The World Record For Coin Catching With Paul Deacon, Woodfield Avenue, 30 December 1974

In 2004 I was honoured to have formed part of a team, as a NewsRevue writer, that really did win a Guinness World Record – explained and illustrated in the piece linked here and below:

Ultimate Love and Happy Tories, Ivan Shakespeare Memorial Dinner, Café Rouge Holborn, 3 March 2017

But I had clearly forgotten that, 30 years previously, I was involved in another world record feat. The reference in the diary dated 30 December 1974 clearly reads:

Paul Deacon came for day – we broke world coin catching record.

Ok, so perhaps that record was not independently authenticated and certified. Perhaps the world coin catching record is not quite so prestigious as longest running live comedy show.

But a world record IS a world record and we broke it.

We went on to spoof the event in a rather childishly silly (even by our standards) recording we made in April 1977, by which time coin catching had become known as coin tossing, it seems:

Execution Scenes, Coin Tossers And Miscellaneous Silliness Recorded With Paul Deacon, 12 April 1977

I have no recollection of the rules of coin catching and how the world record was established. The 1977 recording might contain some clues, but only to the extent that “rules” and “establishment” probably played a very small part indeed. I’ll guess that the coin was tossed in a conventional “start of a match” stylee and then caught (or not),

More importantly, this diary entry is the first mention of Paul Deacon in my diaries and I actually think that day might well have been the very first time that the two of us got together during the school holidays to lark about.

In which case it was genuinely a milestone or seminal event, even if not genuinely a world record.

Postscript One

Paul Deacon has chimed in with some essential additional details:

Haha. I seem to recall I was good at stacking coins on the back of my elbow then catching them with a flick of the arm downwards. Also spinning a coin one handed. What a sad lad

Postscript Two

A link to this posting kicked off quite a controversy on the Alleyn’s 1970s Alumni Facebook Group. A veritable Coincatchgate.

For those readers who are members of that group, here is a link to that controversy.

Back When I Didn’t Know My Asif From My Sarfraz, Cricket On Tooting Bec Common, Summer 1974

Although I started keeping a diary at the beginning of 1974, after just four months of that daily routine I then took a sabbatical for nearly seven months. I must have been exhausted from all that scribbling.

So May to November 1974 is a bit of an unrecorded blur, which is a shame.

But my memory tells me that much of that blur revolved around cricket. Further, my chance encounter with a charming chap named Michael at Lord’s on the second day of the Pakistan Test in May 2018…

Three Days On The Trot At Lord’s For England v Pakistan, 24 to 26 May 2018

…triggered a flurry of memories.

Michael, like me, had grown up around Tooting Bec Common. Lord’s might be our field of dreams now, but back then, the only cricket pitch we were likely in any way to experience live once school was out for the summer, could be found on that common:

Open-air exercise class, Tooting Bec Common - geograph.org.uk - 1316311
Tooting Bec Common – our field of dreams back then

1974 was the second summer of my proper cricket awareness – avidly following the major games on the TV and/or radio, wanting to catch a bit of the Sunday League match on telly if I could…

…but probably was the first summer that I and my entourage summoned the courage and sufficient equipment to venture onto the common to play.

If some of the bigger, older teenagers wanted the pitch, at that age it meant game over for us little-uns. I recall us challenging this pecking order once and returning home with bruises for our trouble. So our lot was sometimes reduced to trying to play on a relatively flat, well-shaved but ordinary patch of grass on the playground side of the common.

Tooting Bec Common (1) - geograph.org.uk - 285916
Just beyond the right hand side of this photo. I fancy a bowl on that.
I don’t suppose the pitch (or lack thereof) made much difference to our games back then, when we were 11 on 12. We weren’t yet physically equipped to use the full length of a pitch properly, nor were we playing with a proper cricket ball. I seem to recall using a rubber ball – heavier than a lawn tennis ball but nowhere near the weight and hardness of a cricket ball…mercifully.

I have a very clear memory of trying to emulate the players who had captured our imagination that summer; the players of England and Pakistan in 1974. The commentators had made much of Sarfraz Nawaz and the prodigious swing he was able to achieve with his bowling. We wanted to do that. Here’s a clip of possibly his finest hour, a few years later, against the Aussies:

My strongest memory, though, does not involve using any technique that the cricket coaches might deem helpful in making the ball swing…or for that matter in bowling with any form of accuracy or purpose.

No.

My strongest memory involves doing a little sideways jig at the start of the run up and then lolloping towards the crease to bowl. False memory had combined this unusual approach with Sarfraz Nawaz. His was a most memorable name; by the early 1980s expert marketeers were naming pop groups in similar rhyming style because such couplets are so memorable.

But I digress.

My research for this piece reveals that it was another Pakistan bowler whose run up had us “class of 1974” kids jigging hither and yon before bowling: Asif Masood. Here’s a clip of him bowling that year (at 2’56” and possibly other places) – dig the jig:

I would like to analyse Asif Masood’s run up a bit more. Wikipedia describes it thus:

a backward step before a loping approach to the wicket which John Arlott likened to “Groucho Marx chasing a pretty waitress”.

Whereas his Cricinfo entry describes it differently:

a bizarre start to his run-up in which he turned sideways to the wickets and leaned backwards before starting his approach.

You can judge for yourselves, dear readers, by watching the above clip. I am reminded of a Lancashire expression, which Asif Masood himself would no doubt understand now, as he married and settled in Bury after his cricket career:

‘Ere’s mi yed, mi arse is cummin.

The premature arrival of my upper torso and limbs does nothing but harm to my performance at ball sports – I’m pretty sure that the same applied to my friends on the common – but that didn’t stop us from becoming convinced that the secret of success was to emulate that run up. I’m here to tell you that we were mistaken.

Of course we didn’t want to BE these Pakistan stars; we wanted to BE the England stars. Geoff Arnold, for example, with his furtive look of teeth-gritted concentration as he ran up – we emulated that too. I cannot find a clip of Geoff Arnold bowling, but he is still hanging around at Surrey, would you believe, so you can find recent interviews and all sorts by clicking here.

Chris Old was my England bowling hero at that time. Not least because he was part of the Yorkshire team that I met five years earlier

A Short Holiday In Brighton, During Which I Met Geoffrey Boycott & The Yorkshire Cricket Team, 3 September 1969

Chris Old’s days of glory against Pakistan came four years later – this was the only fairly relevant clip of him bowling I could find – don’t blink or you’ll miss it:

Quite lollopy too, Chris Old’s run up. Not as lollopy as Asif’s, obviously, but enough lollop to enable the 11 year old impersonator to switch from being Asif to Old by the simple expedient of eliminating the sideways jig.

So who were the heroes of that summer of 1974? I’m not talking about the actual test match and ODI heroes – you can look them up through the above links for pity’s sake – no, I mean the Tooting Bec Common heroes. The 11/12 year olds who were performing far more exciting feats of glory. No “three test matches – all drawn” for us.

I’m struggling to remember, so will simply brain dump what little remains in my brain in the hope that it triggers some memories in others. Apologies to those forgotten or misrepresented through inclusion.

Andrew (now Andy) Levinson lived in our street and was a perennial companion in those games. Stuart Harris (no relation; one of the “Naff Harris’s” from the posh end of the road) would sometimes join us, for sure.

I recall getting into a scrape with David Pavesi, Andy and others, when some bigger boys thought we were on their patch, but I think that might have been Clapham Common nearer to the Pavesi house, as I recall Mrs Pavesi nursing our bruises and egos after the incident. I don’t recall David venturing to join us at Tooting Bec but he might have done.

Alan Cooke would often come around to my place and I suspect that some of those games involved him.

Other Alleyn’s folk, such as Paul Deacon and Jonathan Barnett, were certainly cricket lovers with whom I watched and talked cricket, but I don’t recall playing cricket with them in the holidays. I also remember talking cricket a lot with Richard Hollingshead that summer term (another story for another day), but I don’t recall playing with him.

Lloyd Green might have joined us occasionally, as might Stuart and Jeremy Starkin, Richard and Graham Laikin…although I remember those lads for football on the common, not cricket.

I don’t ever remember playing cricket with girls, not since Mandy Goldberg got hit accidentally by Richard Dennis in the primary school playground the previous year, which led to cricket being banned at Rosemead for the rest of the school year.  Click here to see the scene of the crime – that former Rosemead site now n. Family Club Balham.

What better way to get a kid like me enthused about a sport than to give it a sense of danger and prohibition. Thank you, Miss Plumridge.

To summarise, in the summer of 1974 we wanted to play cricket and we wanted to look the part. Roll the clock forward several decades and I think the following photo proves that I did indeed acquire a fair chunk of that “look the part” skill, without acquiring much, if anything, else that could be described as skill.

With thanks to Charles Bartlett for this deceptive picture of me circa 2004

But a love for a game like cricket is also a gift. I might not have been born with talent, nor could I acquire very much skill through graft or imitation, but the love of the game is certainly also a gift. And part of that love for cricket was formed as a kid, playing those silly games, emulating our heroes, on Tooting Bec Common.