Tag: Alex Waldmann

The Mikvah Project by Josh Azouz, Orange Tree Theatre, 29 February 2020

A mikvah (or mikveh) is a Jewish ritual bath (the picture above is a modern example).

It is rather an orthodox thing and mostly a female thing, so, in truth, I’ve not had much truck with mikv’ot (mikvah, plural) personally. I do remember my father saying that he wanted to apply for the job of lifeguard when they opened a mikvah in Streatham, but he was joking and I am digressing.

The closest I’ve got to actually dipping in a mikvah-like manner personally was my visit to the Fukinomori onsen bath in Japan 18 months or so ago:

Japan Day Three: Journey To Tsumago And Fukinomori, 22 October 2018

Now I am digressing even further.

The Mikvah Project is a cute short play which Janie and I enjoyed very much.

Here is a link to The Orange Tree resource on this production.

The Orange Tree team has made an excellent short video explaining the play, embedded below:

It had a short run at the Orange Tree’s Director Festival 2019, which was very well received by the reviewers, but not seen by many people, so the Orange Tree has, wisely, brought the piece back for a full run with a proper set, including a “bad boy of a pseudo-mikvah” on stage.

Janie and I were both really impressed by the writing, the production and the directing. The performances of both Alex Waldmann & Josh Zare were top rate.

At one level it is a slight piece. Just over an hour; a simple and somewhat predictable plot. It made me think of My Beautiful Laundrette, but without the heavy political and inter-racial overtones.

Yet the play works extremely well. It is a charming piece that shows two young men in semi-detached North-West London suburbia who are semi-detached from their roots and from the expectations their community places upon them.

Janie and I like short plays of this kind; entertaining, thought-provoking and well-produced. Another big tick in the box for The Orange Tree.

If you are reading this during March 2020, we recommend that you go and see this piece; it runs at the Orange Tree until 28 March.

The Holy Rosenbergs by Ryan Craig, Cottesloe Theatre, 12 March 2011

We saw this play/production in preview and I clearly remember both of us saying  immediately afterwards how much it reminded us of Arthur Miller’s style. Unsurprisingly, that was also the verdict of the bulk of the critics.

We also thought it was a very good play and an excellent production…the critics were largely still with us on that aspect too.

Here is a search term that should find you all the reviews and other on-line resources you might want for this one.

Here is the trailer and interesting chat about the play/production:

Rope by Patrick Hamilton, Almeida Theatre, 19 December 2009

We weren’t as keen on this one as we had hoped to be, given the synopsis and the fact that the Almeida was going through a purple patch at that time.

I’m not sure that Patrick Hamilton works for us on the stage – indeed we have recently at the time of writing (May 2017) passed up an opportunity to see one of his in the forthcoming Hampstead Theatre run.

We’re becoming an increasingly picky pair these days. We tend to avoid booking much in that pre-Christmas period also, now, given the nightmare journeys that often ensue at that time of year.

Anyway, here is the Almeida on-line resource about the play and production, which includes information, review links, photos and even a vid from the rehearsals.

It was of course an excellent production and very well acted. I think it was the play that didn’t quite do it for us. Janie and I like 1920’s and 1930’s styles generally, but strangely we don’t tend to like plays/the theatrical style of that era.

The reviews – mostly very good but not great – are mostly linked from the Almeida resource – here’s that link again.

For some reason British Theatre Guide doesn’t usually make it to those links – Philip Fisher makes good points in this review, not least that the play is quite long compared with the much vaunted Hitchcock film version.

Skimming the reviews reminds me how very well acted and produced the piece was, it just wasn’t really our type of piece.

Still, we’re both glad we caught this production; I have little doubt that this production is as good as it gets for Rope.