Joe Lovano Trio Tapestry At The Wigmore Hall, 12 April 2024

To the Wigmore Hall on a Friday evening to see some jazz. Joe Lovano Trio Tapestry, to be precise. Here is the Wigmore hall stub for the event.

I always have a sense of trepidation when I book jazz, ever since my ill-considered choice of “Free Jazz” in 2007: Cecil Taylor & Anthony Braxton on that occasion convincing me that free jazz should be so-called because no-one in their right mind would pay to hear it – click here to read all about that ill-fated evening.

I’m not entirely sure what motivated me to book Joe Lovano, as I was aware that he had some connections with that school but also with many other schools of jazz. I played a few snippets on YouTube and reckoned that Janie’s love of the saxophone would conquer all.

The first two or three minutes did not go well. In particular, Marilyn Crispell’s first few bars on the piano sounded really free, really free, really-really-really free, to me.

Were I a praying person, I would have been praying for the gig to warm up.

It did warm up.

I was more impressed by Carmen Castaldi on the drums than Janie was. He was assisted at times by Joe Lovano himself, who not only played the saxophone but also the gongs and a shaky-stick thing which defies description other than the term “shaky stick thing”. It might have been a cacho seedpod stick. I think that both of them also used some loose seedpods a few times. It all felt a bit experimental and “do what you like” at that end of the percussion section.

But heck, this trio is old enough and experienced enough to do what they like. I have said many times that Wigmore Hall is one of the few places left where stewards refer to us, without irony, as young man and young woman. But these days we rarely feel, as we did that evening, that we are youngsters next to all of the performers. No matter.

Here’s a little documentary released by ECM in 2019 when this trio started working together:

Here’s a recording of a whole live gig from 2022 in Luxembourg, some of which will sound much like the music we heard:

At the end of the evening we ran into John Thirlwell, one of my real tennis pals from Lord’s. Come to think of it, Lord’s is the only other place left, apart from Wigmore Hall, where we are still addressed by stewards as young man and young woman without irony.

“Nobody calls me alto and gets away with it”

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