Tag: Christian McBride

Christian McBride and Chick Corea, Wigmore Hall, 8 July 2016

An early concert (19:00) at the Wigmore Hall, as there is to be a late concert tonight as well. Hence we needed to head straight from the Tate to the Wig late afternoon after our gallery afternoon.

We enjoyed a drink and some nibbles while keeping an eye on the Murray v Berdych score, the latter activity being quite prevalent in the bar. Kindly, Murray finished off Berdych just before the bell for the concert.

Now I had been looking forward to this concert for yonks. Chick Corea would have been on my bucket list if bucket lists had been invented back in the day when I first came across him.

I enjoyed the sound (piano and double bass), although Christian McBride, as with his previous gig with Edgar Meyer, does too much of the “mutual admiration society” body language for my liking.

Chick Corea is clearly an old campaigner who just turns up and does his thing. Christian McBride is clearly in awe. None of this aspect pleased Janie at all. Nor did the jazz style.

“This is corny old rubbish”, whispered Janie to me after Chick Corea’s solo effort. A little unfair, I thought. You don’t win 60+ Grammy nominations for corny old rubbish.

In short, the concert pleased me more than it did Janie. It’ll be interesting to hunt for reviews over the next few days. Meanwhile, the Wigmore Hall stub will need to suffice.

Christian McBride and Edgar Meyer, Wigmore Hall, 18 March 2016

Janie and I are huge fans of solo and small ensemble jazz at the Wigmore Hall; it sounds great in that place. We have encouraged “The Wiggy” to put on more of the stuff over the years and we were delighted when they came up with the idea of curated jazz series.

Wigmore Hall 18 March 2016

Double bass virtuoso Christian McBride is the latest jazz series curator. Based (or should I say bass-ed) on this concert, his first appearance as curator, he seems like a superb choice.

Neither of us had heard two double basses as an ensemble before. Should I call that ensemble a duet or quadruple bass? Anyway, the second bass player, Edgar Meyer, was also quite brilliant.

Both Christian and Edgar (you soon feel on first name terms) are composers as well as musicians, so we heard some of their own pieces as well as their take on some good bassy jazz standards. Occasionally one of them would take to the piano, but most of the pieces were double bass duets.

Between pieces, taking the copious applause, they looked like a bit of a mutual admiration society, each denying that the applause was for him and insisting that it was mainly for the other bloke. But that was the only slight irritation for us the whole evening. They are clearly good friends and have a wonderful understanding of each other when they play together, which is the important thing.

This concert was cool. Seriously cool. Elvis Costello was sitting in the audience about half way to the back of the hall and to the side – that’s how hot a ticket this cool concert was. I hoped to say hello to my old pal Elvis as we left the hall, but unfortunately his entourage appeared and grabbed his attention just before I got my chance.