The Firm by Roy Williams, Hampstead Theatre Downstairs, 4 November 2017

We usually really like Roy Williams’s plays – in particular we loved Fallout, Clubland and Sing Yer Heart Out For The Lads, but the last couple of times we haven’t been so impressed.

They are always a bit laddish; this piece especially so.

Janie really didn’t like it at all and let the extent of her uninterest show, in the form of nodding off to sleep a few times.

I simply felt that it was lesser Roy Williams but still enjoyed the piercing wit in some of the bants and the way Williams gets the mood in potentially tense situations to change with great rapidity and skill.

For example, I thought the scene in which Selwyn “loses it” and Trent helps him to calm down was very well done.

But in the end, it did all feel like more of the same from Roy Williams and I’m sure that he is potentially better than this as a playwright. We’ll probably think at least twice before booking his next one. Or I might see it on my own.

A light supper of avocado and prawns when we got home; Daisy’s good mood was easily restored with that and a nice glass of white wine.

Orpheus Descending by Tennessee Williams, Theatre Royal Haymarket, With Jilly, Followed By Annalisa’s Party, 10 December 1988

Obviously I was better from my 48 hours of food poisoning by the Saturday. I’m pretty sure I went in to work on the Friday and then a full weekend of activities.

Now I have had written complaints from Jilly already about my handwriting, so the above page is only for artistic effect. Here is the entry for the Saturday:

Saturday 10 December: Driving lesson & Orpheus Descending With Jilly & Annalisa Party

There – that wasn’t so challenging, now, was it?

I remember really liking this play and production. What a fabulous cast.

The Theatricalia website lists the production thus.

Note that we saw this production three days before the stated first performance, so Jilly and I must have gone to see a preview.

Below is Michael Billington’s Guardian review:

Billington on OrpheusBillington on Orpheus Thu, Dec 15, 1988 – 28 · The Guardian (London, Greater London, England) · Newspapers.com

Below is Kate Kellaway’s Observer review

Kate Kellaway on OrpheusKate Kellaway on Orpheus Sun, Dec 18, 1988 – 40 · The Observer (London, Greater London, England) · Newspapers.com

They made a film based on that Peter Hall production with some (but not all) of the cast we saw in it. Here is the trailer for that movie – far more melodramatic looking than the stage production I remember, but still it should give you some idea:

For that particular evening, I’m sure that the original idea was that Bobbie would join me to see this play/production. But when she had to pull out for some reason, it made a great deal of sense for Jilly to act as sub, especially as we were both invited to Annalisa’s party and were given leave to be fashionably late arrivals.

In truth, I cannot remember specific details of this particular party at Annalisa’s place in Hinde Street, but her parties were always popular, always lavish in hospitality and always late nighters. At that time, just a couple of years after Annalisa had finished at Keele, I suspect it was a very Keeley crowd that night.

As the diary says, on the Sunday, I:

…went to G Jenny with Ma & Pa…

…the next day, quite probably a little tiredly and sore-headedly. But Grandma Jenny no doubt wanted to know all about my new flat and my new job, so I’ll guess that I was centre of attention that Sunday afternoon.