A Human Being Died That Night by Nicholas Wright, Hampstead Theatre Downstairs, 10 May 2013

Occasionally an evening of theatre is so different and electrifying it sticks permanently in your memory as one of our very best theatre experiences. Janie and I both feel that way about A Human Being Died That Night.

The play is based on a book by Pumla Gobodo-Madikiezla, describing her work as a member of South Africa’s Truth and Reconciliation Commission interviewing Eugene de Kock, who had been jailed for his murderous role in the apartheid regime.

Here is a link to the Hampstead resource on this play/production.

We attended the first ever performance of this play, at the Hampstead Theatre Downstairs.

The downstairs lobby area is actually part of the performance space. We were told to sit around and wait, then the character of Pumla Gobodo-Madikiezla, played by Noma Dumezweni does a sort of presentation for us, explaining the background to her involvement and the effect that her interactions with de Kock had on her…

…then she invites us to join her to witness her experiences and leads us into the main downstairs studio space, which is an interview space in the prison where de Kock (played by Matthew Marsh) is incarcerated.

Below is a vid of an interview with the two main actors when the production was revived at the Hampstead the following year:

Below is a short, sharp vid of an interview with Noma when the play transferred to New York:

The version we saw was not reviewed, but basically the same production did the rounds and was reviewed elsewhere – click here for a search term link to those reviews.

Di And Viv And Rose by Amelia Bullmore, Hampstead Theatre, 18 January 2013

Janie and I really enjoyed this play/production.

We missed it when it was first performed downstairs; not sure why as the subject matter will have appealed. Perhaps it coincided with one of our holidays and/or a heavily booked period.

Anyway, the Hampstead knew a hit when it saw one and transferred the piece upstairs (and subsequently beyond).

Here is a link to the Hampstead resource for the version we saw.

All three performers, Anna Maxwell Martin, Gina McKee & Tamzin Outhwaite, were truly excellent. Extremely well directed and produced too.

Excellent reviews, deservedly so, can be found through this search term – click here.

Only Tamzin Outhwaite from the cast transferred to the West End with it. Here is the trailer for the transfer:

Well done Hampstead – this was a real goodie.

The Acid Test by Anya Reiss, Royal Court Upstairs, 28 May 2011

We’d really enjoyed Spur Of The Moment by the ridiculously young and talented Anya Reiss the year before:

Spur Of The Moment by Anya Reiss, Royal Court Theatre Upstairs, 3 August 2010

…so were keen to give her another try.

I don’t think this one worked quite as well for us. Yes, there was still sparkling wit to the dialogue. But basically this play was yet another drunken gathering descending into chaos comedy.

Excellent production qualities with top notch cast and creatives, as we expect from the Royal Court, but not top drawer Royal Court to our taste.

Here is a link to the Royal Court resource on this play/production.

This search term should find you reviews and other resources on this play/production.

We’re still hoping to see Anya Reiss progress to greater things on the stage. Plenty of time; she was still only 18 for this one.

The Stock Da’Wa by David Eldridge, Hampstead Theatre Downstairs, 22 April 2011

David Eldridge plays are like buses – you wait ages then two come along at more or less the same time – this was two David Eldridges in a row for us.

I think this was the first production we ever saw at the Hampstead Theatre Downstairs, quite early in the era of Ed Hall using that downstairs space for experimental works.

It was the evening of Good Friday; an unusual night for a theatre visit.

No formal reviews down there of course, but a few informal ones and other resources through the search term linked here…

…e.g. There Ought To Be Clowns Blogspot – click here.

I remember we thought this was a very good production and made a mental note to seek out subsequently the Hampstead Downstairs, which, by jingo, we have done.

The Man Who Had All the Luck by Arthur Miller, Donmar Warehouse, 1 March 2008

We are both very keen on Arthur Miller and thought we would probably enjoy one of his rarely performed early works.

We went to the second preview of this production, so possibly didn’t get it at its absolute best.

While we enjoyed the play and production, with some of its parable qualities reminding us of great Miller plays, I would suggest that the play is not a great Miller play and the production was not one of the Donmar’s greatest productions. The acting was superb, as we pretty much expect at the Donmar, the cast mostly unfamiliar folk to us.

Here is a link to the excellent Donmar downloadable “Study Guide” resource for this production.

The critics were somewhat divided in their opinions, even individually in some cases:

There’s a good Wikipedia piece about the play – here – which mentions the Donmar revival and others besides. It also provides a bit more analysis about the play.

We’re very fussy when it comes to the Donmar these days, as we find that Covent Garden location so awkward, but on balance we certainly felt that this was a worthwhile trip.