Inadmissible Evidence by John Osborne, Donmar Warehouse, 29 October 2011

I recall looking forward to this play/production a great deal, but not enjoying it as much as we had hoped.

Douglas Hodge was terrific in the lead; indeed all of the supporting cast did well too.

I think it is just a bit of a mess of a play. John Osborne works best for me when his angry, ranting lead has more context than their own small world. The Entertainer and this play lack that context for me, becoming almost lengthy monologue rants.

This production got rave reviews – click here for a search term that finds them – so our disappointment was a minority view.

I also recall us finding the audience a bit irritating the night we went. I think Douglas Hodge and Karen Gillan had attracted a bit of a TV-star-sycophant crowd, which has a tendency to deflate our mood at the theatre.

In truth we were reaching the end of our road with the Donmar by then. For a long while it felt like a slice of fringe in the heart of Covent Garden, but it was starting to feel more like an exclusive, corporate club for West End theatre in a small house.

Here is a link to the excellent “Study Guide” pack which the Donmar has now made downloadable.

They made a movie of this play back in the 1960s, soon after it was first seen on the stage – below is a vid with a clip of that. Nicol Williamson – there is an abbreviated first name to conjure with – John Osborne considered him to be “the greatest actor since Marlon Brando”, apparently…a tough act for even Douglas Hodge to follow, I guess:

The Recruiting Officer by George Farquhar, Olivier Theatre, 27 June 1992

I have carried a fondness for this play with me for as long as I can remember, despite it not really being my type of play.

Revisiting my first encounter with it for Ogblog, some 25 years later (August 2017) I can understand why. This was one heck of a good production.

The Theatricalia website has recorded all the cast and crew details, mercifully, so I don’t have to – click here – then gasp in awe and wonderment. What a cast, what a production team.

Photostage has some photos, which you can peruse if you wish – here.

All my notes say is that I went with Bobbie Scully and that we thought it was very good.

I remember thinking Ken Stott was superb – I don’t think I had seen him before. It might have been my first encounter with the excellent Alex Jennings. Des Barrit was also a standout performer, as usual. But in truth the whole cast was good and you can see many names on the list who went on to do bigger and bolder things.

There are no on-line reviews to be found – until now – my one right here – yay!

I’m not sure what Bobbie and I did about eating afterwards, but in those days we would sometimes eat at the RNT itself – we might well have done that – or sometimes we’d go to The Archduke or somewhere of that ilk nearby.

 

Below is Michael Coveney’s Observer review:

Coveney on RecruitingCoveney on Recruiting Sun, Mar 15, 1992 – 60 · The Observer (London, Greater London, England) · Newspapers.com

Below is Michael Billington’s review:

Billington on RecruitingBillington on Recruiting Sat, Mar 14, 1992 – 30 · The Guardian (London, Greater London, England) · Newspapers.com