Tag: Wigmore Hall

Nash Ensemble: Ravel, Falla and Martín, Wigmore Hall, 14 March 2015

This was a very relaxing Sunday evening concert.

We hadn’t been to one of these before, but it seems there is a mini tradition of the Nash Ensemble doing concerts jointly with the flamenco guitarist Juan Martín.

I vaguely recall that we had been due to see Juan Martín on a previous occasion, but the  concert had to be cancelled for some reason.

Anyway, this concert was an unusual mix of Ravel, Falla and Martín’s own guitar works.

Perhaps foolishly, I had assumed when I booked it that we’d see Juan Martín perform with the orchestra in the Ravel and Falla, but that’s not the deal with these gigs. The Nash Ensemble and the other soloist, Bernarda Fink performed the first half of the concert (the Ravel and the Falla), then Juan Martín played the second half solo.

Click here for the Wigmore Hall listing for the concert, which tells you everything else you need to know.

Lovely concert it was, lovely.

Miloš Karadaglić, Wigmore Hall, 22 February 2015

We’d heard great things about guitarist, Miloš Karadaglić, so were really looking forward to this Wigmore Hall concert for some time.

We were not disappointed. He is a wonderful guitarist and the music was simply beautiful.

The concert was broadcast live on BBC Radio 3, so we were treated to Petroc Telawny’s introduction pre broadcast, although we couldn’t hear his explanations between pieces at the time.

Still, were able to listen again (and again) afterwards, but sadly the BBC thing is to take the sound links down after a month, so you can’t hear it unless they put the recording up again – click here for BBC details of the concert.

Here is a link to the Wigmore Hall stub, which includes a full play list including the encore – there’s geeky for you.

Anyway it was all simply delicious music. Miloš came across very nicely as well as being a supreme talent.

I went on-line more or less straight way (after we got home, none of that smart phone during the concert nonsense) to buy/download a couple of Miloš CDs/downloads – Amazon links below (other vendors are available):

Much cheaper now than they were when I bought them.

Darn…but I don’t care. Wonderful albums both – we listen to them a lot.

We booked to see Miloš again last year, but he had to cancel the concert due to injury – apparently he has been grounded for some while. Hopefully just a temporary glitch in his performing career.

A really memorable and wonderful evening of music.

Akademie für Alte Musik Berlin, Jean-Guihen Queyras, Xenia Löffler, Wigmore Hall, 6 February 2015

Akademie für Alte Musik Berlin…but in Berlin!

We have been keen on the Akademie für Alte Musik Berlin for many years now after first seeing them at the Wigmore Hall yonks ago – March 2001 – and then several times since. We even went to see them when we were in Berlin – see above and click here for the Ogblog piece.

As for Jean-Guihen Queyras, I shall forever associate him with our trip to Burgundy in 2008, in particular the day we visited the Bresse services to taste their coveted Poulet-de-Bresse (possibly the best service station dish in the world) and then on to Bourg-en-Bresse where by chance I bought, amongst other music, Queyras’s recording of the Bach Cello Suites – click here for Ogblog of that trip… 

…or here to a link for that wonderful Bach Cello Suites recording, which I still listen to quite often, indeed I am listening to it as I type…

…but I digress…

Click here for a link to the stub for the delightful Wigmore Hall concert we went to see on 6 February 2015.

These work wonderfully for us on a Friday evening, as long as we are sufficiently disciplined to stop working early enough and get to The Wig without a rush; on this occasion we were.

The concert was mostly Vivaldi, with one religious Caldara work thrown in for good measure. Not only were the Akademie für Alte Musik Berlin and Jean-Guihen Queyras superb (we were expecting plenty), but also Xenia Löffler – principal oboe for the Akademie – was also excellent.

Janie and I both loved this concert too.

Igor Levit, Wigmore Hall, 27 December 2014

Igor Levit in 2019 – Bundestagsfraktion Bündnis 90/Die Grünen, CC BY 2.0

I got more out of this one than Janie did.

I’d heard so much about Igor Levit as this emerging talent which The Wig was promoting, so when this concert came up in the Twixtmas period, I thought it would be a good one for us.

Here is a link to the programme of the concert we heard.

I thought he was very good, but Janie thought he was showy and our friend Eric Rhode voted with his feet at half time, telling me afterwards that he found Levit’s playing very heavy handed.

He’s certainly getting rave reviews now; perhaps he was still a bit raw in 2014.

Here is a little snatch of Levit playing one of the Bach Partitas a few months earlier than our concert – it’ll give you an idea of his style and you can judge for yourselves:

Sarod Legacy: The 7th Generation, Wigmore Hall, 25 July 2014

Mercifully Janie didn’t go off on one of her, “isn’t that basically an Indian theorbo thing” at the sight of a sarod…

…which is a bit odd, really, because I suspect that the sarod is a much closer relative to the theorbo than Janie’s mystery punter outburst about the “basically Chinese theorbo thing” aka the pipa:

William Carter, Theorbist Extraordinaire’s Mystery Punter Outed, 24 September 2010

So how early an instrument is the sarod?

Well, if you accept that it is basically a rubab, very old indeed. And very lute-like.

Amjad Ali Khan believes that the modern form of the instrument was developed by his family in the late 18th or 19th century, seven generations ago. Amjad Ali Khan was our man of the evening (along with his kin) so who are we to argue with that.

Here is a link to the Wigmore Hall stub for this concert.

Below is a vid of a similar concert recorded a few months later, including Amjad Ali Khan with both sons who played that night in July, but I think a different tabla player. This is a truly lovely vid/recording:

We find this type of music incredibly relaxing…

…and assume it is meant to be relaxing…

…so it was not a bad thing to both nod off at times in a late night (22:00 start) gig at The Wig.

We loved this concert. revived, we also stuck around for a while to see the jazz in the bar: Dave O’Higgins Quartet – click here for listing – post bop, apparently, which was cool.

Music for a While, L’ Arpeggiata, Wigmore Hall, 10 July 2014

I could quickly and easily run out of adjectives to describe this concert…it was that good.

Our reluctance to go to Thursday evening concerts at that time (we were both still working full pelt) was mitigated by the promise of baroque music with a jazzy feel.

Also, we were both keen to see Philippe Jaroussky; he had impressed us so much on previous sightings/hearings.

Here is a link to the concert programme for the night.

It was mostly Purcell music from L’Arpeggiata’s then latest album Music For A While.

We ran into Eric Rhode that night, who (like some of the critics,, it turned out) wasn’t so keen on Music For A While. But Eric told us that L’Arpeggiata’s album Los Pajaros Perdidos was exceptional, so I procured both albums…

…and was so pleased with them that I ended up pretty much buying L’Arpeggiata’s back catalogue, all of which sounds delightful and we still listen to those albums a lot – especially Los Pajaros Perdidos, which, unlike the album Music For A While, is all about Philippe Jaroussky, who was on top form for that album.

Here is a short teaser vid which gives you a reasonable idea of the Music For A While album:

As for that concert in July 2014, it truly was a special evening at the Wigmore Hall for me and Janie.

No Wu Man No Cry, The Journey Of The Chinese Pipa, Wigmore Lates, 6 June 2014

OK, the concert wasn’t really entitled No Wu Man No Cry, perhaps it should have been.

Wu Man is a fine exponent of the pipa…

…aka “that Chinese theorbo thing” to Janie, as she learnt to describe it after accosting a William Carter the theorbist at The Wig a few years earlier:

William Carter, Theorbist Extraordinaire’s Mystery Punter Outed, 24 September 2010

This concert was a fascinating mixture of Chinese early music and modern pieces in a traditional style.

It was one of those Wigmore late jobs, so we struggled to find the energy to go to the hall and then had a terrific time.

Here is a link to the Wigmore Hall resource on that Wu Man concert.

Below is a super vid which shows Wu Man’s virtuosity playing a piece much like some of those we heard that evening:

We retired to the bar afterwards and enjoyed the Tom Green Septet…described here through this link.

Another very pleasurable late evening of music at The Wig.

Treasures Of The Renaissance – Masterpieces From The Golden Age Of Choral Music, Stile Antico, 11 May 2014

Just gorgeous, this concert was.

Here is a link to the helpful Wigmore Hall calendar note that tells you exactly what we saw.

This was Renaissance choral music at its best.

Barry Millington in the Evening Standard gave the gig this rave review – click here.

Below is a vid of Stile Antico, singing Ego flos campi by Jacobus Clemens non papa, which was the second piece they sang to us and which gives a very good sense of their glorious sound:

Coincidentally, the above recording was made at the Old Royal Naval College which I shall be visiting in a few day’s time (as I write in January 2018), although not for music purposes.

For those who are not blessed with Latin scholarship, “Ego flos campi” means, “I maintain my oral hygiene when I go camping”…

…although those words are occasionally mistranslated by so-called experts as, “I am the flower of the field”.

Anyway, enough of scholarship. Janie and I had enjoyed an early music oriented weekend from start (Joanna MacGregor tinkling the Goldberg on the Friday) to finish – we had no complaints about that.

Play that vid again, go on…gorgeous it is.

Goldberg Variations, Joanna MacGregor, Followed By Jazz, Wigmore Lates, 9 May 2014

We rather like these Wigmore Lates concerts, although we do sometimes find it hard to drag ourselves from the comfort of my lovingly prepared dinner at the flat to the concert hall, albeit a mere couple of miles up the road.

We’d been very keen on the idea of this one when we booked it, but I do recall that fatigue factor coming into play as we set off for the Wigmore Hall.

But by gosh this one was worth it.

Here is a link to the Wigmore Hall diary page for this concert.

We’d enjoyed Joanna MacGregor playing interesting fusion music some years earlier, at the Roundhouse – click here or below… 

Joanna MacGregor and Britten Sinfonia, Reverb: Roundhouse, 23 January 2010

…but had never seen her perform solo before.

Her interpretation of the Goldberg Variations was a fine one. Not overly flash or unusual; perhaps the odd flourish that nodded to her breadth of influences. Very relaxing.

Did either Janie or I nod off during the performance, I hear you ask? That is between us and our consciences, but in any case, with the Goldberg, it almost feels compulsory to do so, at least for a short while, in honour of the great composer’s original purpose.

We certainly didn’t nod off in the bar afterwards where we heard the Julian Bliss Quintet play some swinging jazz. We both like that style, as does Joanna MacGregor, it seems, as she joined a fairly sizeable late night swing contingent in the bar for quite a while.

I think Janie and I slipped away just before midnight – we normally do – don’t want anyone to see our carriage turning into a pumpkin or anything like that.

A very enjoyable late evening at the Wig.

Aspects Of Darkness And Light, Joshua Redman And Friends, Wigmore Hall, 24 April 2014

We were excited about Joshua Redman taking up residency at the Wigmore hall and thought this concert might be right up our street.

In truth, I don’t think the Patrick Zimmerli music on show that night was quite to our taste.

It was an interesting idea blending a string quartet with a jazz trio, but it didn’t quite work for us with this music.

We liked bits of it and were glad we’d been to the concert.

Here is a link to the Wigmore hall stub for this concert.