The MCC Real Tennis Club Weekend & Related Potty Adventures, 31 January To 2 February 2025

Scrubbed up for the Friday evening bash – photo by Jonathan Ellis-Miller

This year’s Ogblog report on this wonderful MCC event is authored by a special correspondent, “Two Loos” Le Trek, who chooses to write up my experience in the first person. My noms de plume are getting out of hand.

Build Up & Day One: Friday 31 January 2025

I received a somewhat excited WhatsApp from Giles Stogdon just over two weeks before the event. He’d learned that we’d been drawn to partner each other. We agreed that we were both pleased with that idea and found an opportunity to partner for an hour of doubles before the weekend, as we have recently spent more time opposing one another than partnering.

We both found ourselves in Group B again this year. I wrote about my sense of imposter syndrome when finding myself in the B group last year…

…this year I had no trouble banishing the negative thoughts, other than my slight concern that my mobility issues resulting from my cartilage-free hip might hamper me in battle with the high-achievers that populate Group B.

Anyway, I threw myself into practice and match play in the run up to the 2025 tournament:

On arrival – quite late in the morning Friday as our two matches spanned lunchtime – I plonked myself in the pavilion home dressing room, as the tennis dressing room was heaving by then.

The Captain’s place remained available for me…again!

My Ged Ladd persona has written about this phenomenon elsewhere:

But let us return to the club weekend tennis.

Unlike regular matches and tournaments, the club weekend comprises vignette matches, played on the clock for 25 minutes including changeover and warm-up. When the alarm goes, only completed games count.

On Day One, Giles & I got off to a slow yet solid start. We drew our first round robin match, against Iain Harvey & Roger Davis, but managed to prevail in our second match against Nick Davidson & Paul Wickman.

I have scraped my matches (along with some highlights of the whole tournament for the “official” match report) onto YouTube.

If you are sufficiently potty, you might choose to watch some or all of the play in these YouTube films.

A Sufficiently Potty Subplot: A Tale Of Two Shitties

Peter Luck-Hille, a doyen of real tennis if ever there was one, has, in the last year, been through the hip replacement process. He has provided me with lots of helpful advice over the past few months.

Peter kindly offered to lend me his raised toilet seats, which are an absolute must, at least for the first few days or weeks at home, until the recovering leg is comfortably mobile enough for a normal-height toilet seat.

“No point you buying them – you’ll not need them for long”, said Peter.

Peter was due to play in the tournament, so we planned to shift the bulky goods from car boot to car boot on the Friday of the tournament.

But plans sometimes go awry. Unbeknown to me, Peter was poorly in the run up to the tournament and withdrew. Despite his indisposition, he kindly transported the seats to Lord’s earlier in the week, where they adorned the pros office in the run up to the tournament.

Chris Bray accosted me as soon as he saw me and asked, as politely as only he is able, to get those hideous things out of the pros office as soon as possible. He said they were lowering the tone of the place.

“Don’t you mean raising the tone?”, I said, “they are certainly in the business of raising something”.

We agreed that I would shift the items into my car after I had played my Friday afternoon matches.

I didn’t particularly want to be seen struggling through reception and into Car Park No 6 with those items, so I picked what I thought was a tactically smart time to do the deed – towards the end of the rubber after mine, when most of the players who were still around would be watching.

Yet somehow, despite my seemingly cunning timing, I was of course destined to bump into friends while I did the deed. Piers Vacher, for example, and Rob Stain, the latter bringing some nominative determinism to this comedy of embarrassment.

“If only I had my camera with me”…

…said, Rob, kindly.

I changed and stopped over at the flat Friday night into Saturday morning. The loo seats remained in the back of my car, covered with tarpaulin, until I returned to the house on Saturday evening. For some inexplicable reason, I chose not to schlep two loo seats up into the flat on Friday afternoon and then back down again on Saturday.

On arrival at the house, where Janie sanitised them. If she could have fitted them in her autoclave, she’d have autoclaved them.

Not their final resting place, obviously, but where Pu & Pi (as they are now named) await action.

The Friday Evening Bash – Concluding With A Differently Potty Tale

Me with Clive Picton, photo by Jonathan Ellis-Miller

On Friday evening, dinner in the Committee Dining Room was great. I sat next to Clive Picton on one side and Tony Joyce on the other – both people I have played with and chatted with over the years but had not caught up with for a while.

The food was very good, as usual. A smoked salmon fillet thing with interesting garnish as a starter, a chicken supreme with mushroom sauce and trimmings as the main and a crumble of some description for afters…

…can you tell that I forgot to grab one of the menus as I left?

The after dinner speech was by realist Lindsay MacDuff, aka The Culture Colonel, then cheese, port, coffee, chocolates and all that. I was quite abstemious by the standards of most, but not THAT abstemious given the special occasion.

I was among the last few to leave, yet knew nothing that night about the curious…some might say potty…incident that occurred at the end of the evening. I learnt about it the next day from Jonathan Ellis-Miller.

Set in the Lord’s pavilion…

The Mouse Cricket Caper is a lovely book, authored by MCC member and realist Mark Trenowden, set in the Lord’s pavilion. The climax of the story depends on an unfortunate incident on the night after the traditional MCC v Melbourne match in July 2013, in which a comedic MCC member named McCrackers gets locked in a pavilion toilet and then, after breaking out of the loo and into the pavilion proper, witnesses the pivotal match between the Lord’s pavilion mice and a team of chancer rats.

In truth, I found it hard to suspend belief at the bit where McCrackers gets locked in the toilet, as I have always imagined the stewarding to be especially sharp about making certain that the pavilion has been vacated.

Yet, somehow, at our event, Nigel Smith and Piers Vacher conspired inadvertently to get themselves locked outside on the Committee Dining Room balcony at the end of the evening. Apparently they were enjoying one last crafty cigarette and admiring the beauty of the ground while doing so.

This picture by Janie from two floors further down, February 2023

Fortunately the story has a happy, albeit comedic ending, as Nigel & Piers were able to alert staff who were still clearing up inside and escape relatively unfrozen. It would have been a long cold night stuck out there, that’s for sure.

I haven’t asked either Nigel or Piers if they saw any rats or mice during their lock-in adventure. In any case, they might not be reliable witnesses to their own perception of murine match play (or lack thereof) at that late stage of the evening’s libations.

Day Two: Sweet Success, But With Cats Set Amongst Pigeons, Will It Be Enough?

Never mind fictional rats and mice, metaphorical cats started to scurry around metaphorical pigeons very early in Day Two – long before Group B combatants started to do battle that day.

In elite Group A, two pairs Rufus Parkes & George Dickson, plus Tony Joyce & Foreman Wickes had shown very strongly on Day One, with Ben Martin & Kate Evers also showing well. On the Friday evening, I suggested that the matches between those three pairs, plus the match in which Ben Martin’s pair would do battle with his dad’s pair, Simon Martin & Ronald Paterson, were to be “the popcorn matches” of the round robin stage.

Unfortunately, as I settled down with my metaphorical popcorn at the flat to watch the stream on Saturday morning…it was more like cornflakes than popcorn in truth…Foreman Wickes sustained a horrible-looking forearm injury during warm up. Foreman bravely laboured through the bout and Paul Cattermull kindly stepped in to take his place in the subsequent matches, but that incident really opened up Group A.

Group D was relatively cat and pigeon free, with two pairs, Adrian Fox & Anton Eisdell, plus Sebastian Maurin & Brian Woodbridge, showing strongly on Day One and continuing to shine on Day Two. There were plenty of close matches though, not least a third pairing, Douglas Brewster and David Shannon, who stayed close to the top two throughout the tournament and pulled off more draws than…[insert your own, potentially politically incorrect, metaphor here].

It was the first Group B match of Day Two that sent my group into a “cats among pigeons” maelstrom, when Davidson & Wickman defeated Lay and Wise in an exciting and well fought round robin match, opening up the group to all manner of possibilities, not least that those two teams might now be the ones to progress.

Similarly, in Group C, two pairs – Piers Vacher & Peter Brunner plus Ben Havey & Sam Walker had shown strongly on Day One, with fancied pair Matt Glyn & Andrew Hinds narrowly defeated by the latter of those pairs late on Friday. But the first Group C game on Saturday, between reigning champions Brunner & Vacher v Glyn & Hinds, was another thriller which ended in defeat for reigning pair.

Is it possible that the near miss on the Committee Dining Room balcony affected Messrs Vacher and Smith the next day? Neither of them recorded a win with their respective partners on the Saturday.

In truth, Nigel Smith might look to his partner, Jonathan Ellis-Miller and wonder what might have been against me and Giles Stogdon that afternoon, had Jonathan tried a less forceful style. Giles and I had agreed that, if we lost the toss, Giles would take Nigel’s serve (which often requires twisting to the backhand side) and I would take Jonathan’s, not least because Jonathan was bound to try and hit my serve to kingdom come. After the event, word is, Jonathan had promised Nigel that he intended to do just that. What could possibly go wrong?

It was actually a very close match, but the percentages were, I’d suggest, in our favour, given the predictable attacking approach. Ellis-Miller hit three grilles in the above short match. I managed one grille but also achieved a chase off when chasing better than half-a-yard. I think it is only the second time I have ever landed on better than half-a-yard to win or neutralise a chase. The other occasion, which won the chase, got me a bottle of champagne in my first ever Lowenthal Trophy appearance in 2019. #justsayin.

Returning to Lord’s in February 2025, Giles Stogdon and I knew that our match against Giles Pemberton & George Richards, towards the end of Day Two, would be a “more or less must win” rubber.

It was a nail-biter of a match which we did, narrowly, win:

Thus, we went home at the end of Day Two with three wins and a draw, but still we knew that we would probably need one or two points off Lay and Wise the next day to qualify.

Day Three: Dénouements Aplenty

I must have been in a state of great excitement first thing that morning. I wanted to watch the stream for a while, not least the first match of the day. Had Pemberton & Richards overcome Davidson & Wickman, it would have resulted in my pair being guaranteed a semi-final place. But it wasn’t to be. We would need a draw or a win.

Janie left for her Samaritans shift while that first match was in progress, suggesting that she might get more sense out of her callers than she was getting out of me that morning. Fair point.

I continued pottering at home and watching the stream, even catching the excellent “father against son” popcorn match…more like a fistful of kikones in my case to be honest… that was S Martin & Paterson v Evers and B Martin…

…which was a very good match. There were strange clattering noises off, coming from the side gallery, as the players left the court (see the end of the above film). Both Simon & Ben Martin deny that it was argy-bargy between them. They have clearly paid off the witnesses, as Andrew Hinds claims, unconvincingly, that the noise arose when he sent a few water bottles flying while trying to do that “pass people in the side gallery” thing. Hard to imagine, that.

As I had done on both the other days, I went to Lord’s via BodyWorksWest, my health club, to do some stretching and warm up ahead of battle. By so doing, I was spared the sight of the second “father against son” match of the morning, S Glyn & Boys-Stones v M Glyn & Hinds, which very unfortunately resulted in the latter pair needing to withdraw, despite having qualified for the semis, when Matt incurred a nasty injury on court. Hopefully Matt’s young body will heal fast. Alex Gibson & Rob Stain qualified in their place and did well to reach the C/D final.

Our last round robin match was, to all intents and purposes, a quarter-final for an A/B semi-final place, from which a draw would have been good enough for us, whereas it was a must win game for Lay and Wise.

It was a really good game. We stayed close, getting to 3-3 and at one stage were a couple of points away from pulling off a win, but it was not to be for me and Giles Stogdon. Still, an honourable third in Group B and getting to within two points of topping our group and a semi-final place, is a pretty decent result.

After a break for some lunch, shower and change, we were ready to watch for the rest of the afternoon. We caught both of the A/B semi-finals, the C/D final and the A/B final.

Did you say you want to see those matches? OK then. All are good, but I would say that the first of the four films below – Lay & Wise v Parkes & Dickson, is the most watchable of the tournament, followed closely by the Evers & Martin v Davidson & Wickman semi-final:

Neither of the finals were quite so tight, but the spirit in the dedans gallery was terrific, with lots of people sticking around to watch, cheer and clap.

So that’s it, for now, for me. No more matches and tournaments until I am all better with my hip – hopefully just a few months.

It was a wonderful weekend – such good fun tennis, plus social time with the wonderful friends I have made through this extraordinary game.

No doubt I shall dream of all that while I sit on one or other of my elevated on-loan-thrones over the next few weeks.

And perhaps, before all the anaesthetics and sedatives have fully worn off, I might envisage teams of rats and mice playing rodent-realers against each other.

This image from DeepAI.

An Interrogation by Jamie Armitage, Hampstead Theatre Downstairs, 25 January 2025

Janie and I love the Hampstead Theatre Downstairs. Have I made that point on Ogblog before? [About 40 times – ed].

Here is yet another example of excellent theatre work down there.

In truth, police procedurals don’t tend to float our boats. They tend to be somewhat formulaic and usually more than a little predictable. Perhaps the term “procedurals” is a bit of a giveaway in that regard.

This piece worked well and kept us rapt with attention, through the quality of the writing, directing and acting.

Elements of the conceit of the play required a little too much suspension of belief for me. The play opens with the statement that the average missing person/abductee is killed 72 hours after the abduction, which is supposed to keep us in suspense as the clock ticks down to the 72 hour mark while the central interrogation takes place. But of course such averages are meaningless averages, as almost all cases result in murder very quickly or the death of hostages after an extended period of time. Almost none would reach resolution at the 72 hour mark.

Yet in suspense and rapt with attention we still were, on the back of the quality of the writing, directing and acting. Have I mentioned that aspect before? [Yes, but keep going. ed].

Here is a link to the Hampstead Theatre rubric on this play/production. It is running until 22 February 2025 and only has limited seating availability left, on the back of excellent reviews.

Jamie Ballard, Colm Gormley and Rosie Sheehy all act their parts extremely well. The twists and turns in the story seem credible and natural in their hands. Jamie Armitage wrote and directed this piece. I usually think that writers directing their own work is a bit of a mistake, as a good director can often dredge depths in a piece that the writer cannot find. But in this instance I think the combined role works well. The use of cameras/video, for example, is clearly an integral part of both the writing and the way the story is depicted on stage.

Don’t take our word for it. This link provides links to reviews of both the Hampstead production and the 2023 Edinburgh Fringe first showing of this piece.

Janie and I love the Hampstead Theatre Downstairs. [Surely you’ve got more important things to do than repeat yourself on Ogblog – ed].

Having Used It Up & Worn It Out (My Right Hip, I Mean)…Two Real Tennis Matches At Lord’s In Quick Succession: MCC v Old Harrovians & MCC v Dedanists, 22 & 25 January 2025

Johnny Saunders claps my lunge winner as my hip twinges in appreciation

One of my favourite comedy sketches of all time is a Peter Cook & Dudley Moore sketch named “One Leg Too Few”. It wouldn’t pass some people’s 2025 political correctness tests, but it still passes mine. The conceit of it is a one-legged Dudley Moore auditioning for the role of Tarzan, with casting director Peter Cook dispensing a mixture of common sense discouragement and surreal encouragement to the job applicant, in a style that only Peter Cook could deliver. I recommend that you watch it on the link below.

MCC v Old Harrovians, 22 January 2025

I was reminded of this sketch when I got an unexpected call from Harsha Boralessa, who organises the traditional MCC v Old Harrovians match, less than 10 days before the 2025 fixture. I had sent Harsha a note back in August or September 2024 volunteering to represent the MCC in this fixture but had assumed that “no news means not selected” and had more or less forgotten about it.

By the time Harsha called to see if I could play, I was in the process of scheduling my right hip replacement, having ascertained that there is nothing left in my right hip that might be described as cartilage, which might explain why I am now hobbling around the court, rather than leaping around the place like a gazelle.

Your left hip is fine, Mr Harris. I’ve nothing against the cartilage in your left hip. The problem is, (by way of right hip cartilage), neither have you…

I explained my impediment to Harsha, while making it clear that, as an addict, I would like to play because I ALWAYS like the idea of playing tennis rather than not playing tennis.

Seemingly oblivious to the impediment aspect, Harsha simply said:

…but can you be there for a prompt four o’clock start?

Hence, in the absence of a two-legged applicant for the role, I got the gig.

Old Harrovians have historically been well subscribed with fine players of the hard ball games – cricket, rackets, fives and tennis.

William Hart Dyke – rackets, cricket, tennis (real and lawn)…

Modern times seems to be no exception, with the vast majority of the players in this match being both Old Harrovians and MCC members. Only two or three of us who represented the MCC were from other schools.

I had always imagined that this fixture was designed for players “above my pay grade” – i.e. with much better handicaps than mine. For sure, several of the players and some of the rubbers were far more high falutin’ affairs than I could ever manage, fit or not. Indeed, Ed Turner, who partnered me for the MCC, despite being way above my pay grade, went on to play a second rubber for the Old Harrovians against the MCC. The fellow couldn’t lose…or couldn’t fail to lose, depending on how you look on it.

But that, it seems to me, is the central premise of this fixture. A really interesting and friendly bunch of people enjoying a convivial match with the bonus of a traditional MCC curry supper to round off the evening. The fact that the quality of tennis spanned athletes with handicaps in the 20s to hobbling wrecks like me with handicaps in the 50s or 60s didn’t seem to matter a jot.

Would Edward Chandos Leigh, another Old Harrovian and MCC Chairman from that bygone era, have approved of such convivial amateur sportsmanship?

Edward Chandos Leigh, Copyright I Zingari, used under CC 3.0

You can bet your infeasibly slick hair and shiny top hat that he would have done.

MCC v Dedanists, 25 January 2025

Carl Snitcher, that match guvnor, at this very fixture five years ago

The Dedanists’ Society, like the Old Harrovians, is a peripatetic team. And much like the Old Harrovians fixture I have just described, when MCC play The Dedanists, most of the participants are eligible to play for both sides.

I first played this fixture before I was a Dedanist, in 2018. On that occasion I partnered Carl Snitcher for the MCC:

The second time I played this fixture, in 2020, I was by then a Dedanist but was expecting to represent the MCC again. Tipped off by a friendly professional, I put both shirts into my bag just in case, which was just as well, as I found myself being a late switch onto the Dedanists’ team. My first game partnering Martin Village and my last representative match before the pandemic.

No amount of “but Carl, I’m a hobbling wreck” talk was going to put Carl off from selecting me to play for The Dedanists in this match in 2025. In truth, I fancied a competitive hit ahead of the club weekend and also quite wanted Janie to see my hobble at this stage of my hip degeneration so she might help gauge my post operative progress.

I requested a late in the day match, so Janie and I might get other necessities (including an hour of “lawn”) done before Lord’s. The traffic between W3 and NW8 was ridiculous that afternoon; I allowed an extra half hour over the normal journey time of 30 minutes and we used 29-and-a-half of my 30 minute leeway.

No matter – the stress of the journey allowed me to hang up my hang-ups before the game and play pretty well by my own ordinary standards. It helped that I was partnering Johnny Saunders, who is a great competitor who nevertheless plays with a smile on his face, or “for fun” as I put it at one point in our match.

We were a set and 3-2 down as one stage, but managed to turn things around in the end, mostly by dint of Johnny getting better and better. My hobble was possibly more distracting to my opponents than it was to me. Looking at this video of the last 20 minutes of the game, I must admit that I look quite incapable of getting to the ball a lot of the time and yet somehow get just enough onto the ball, awkwardly to keep the point going.

While I’m rehabbing, if I ever have doubts about why I am replacing that hip, I should look at this video to assure myself that I couldn’t possibly go on like that for the rest of my life.

I think Janie enjoyed her afternoon at Lord’s – the Dedanists and the MCC folk who play/watch this fixture are a very friendly crowd.

Our day was rounded off by a most enjoyable evening at the Hampstead Theatre, which included a mystery post match / pre show interview.

Royal Courts And Good Houses In Renaissance Italy & Sloane Square, Not Least: A Good House by Amy Jephta, Royal Court Theatre, 11 January 2025

The worlds of tennis and theatre were intertwined for several centuries from the Renaissance onwards. I describe these connections in some detail, in the context of late Renaissance England, in the performance piece I wrote for The Gresham Society event at Hampton Court in the summer of 2023:

And there is surely no-one in the world who knows more about late medieval tennis and theatre than Cees de Bondt, who wrote THE book about tennis in Renaissance Italy, including a whole chapter entitled Tennis Courts Used As Theatres.

So, when Chris Bray, the senior real tennis professional at Lord’s, told me in early December that Cees de Bondt would be visiting in early January, that Chris thought we’d have a lot of shared interest in Renaissance tennis to discuss, and asked whether I would like to join them for lunch, I said:

yes please.

Then I got one of my attacks of imposter syndrome. I thought, I’d better mug up on the subject of tennis in Renaissance Italy, so I ordered a copy of Cees’s book, and, ahead of its arrival, arranged an appointment with the MCC library copy of said book.

My copy arrived during Twixtmas. I was just over half way through the book come the appointed day for the lunch, 9 January. I brought my copy with me for Cees to sign. I even remembered to bring a pen with me for the signing, which is more than can be said for my own first ever book signing:

But I digress.

A Good Lunch, Lord’s Tavern, 9 January 2025

Cees and Chris Bray go back several decades, to 1986 to be precise, when Cees and the Dutch Real Tennis Association had their first real encounter with real tennis. It was very kind of Chris to invite me to join them for lunch. Also at lunch was Cees’s charming travelling companion, Lenne Van Leusden, who is studying English and Theatre at University.

I told Cees that I had quite a few questions for him about Renaissance tennis in Italy.

That’s OK, I have a few questions for you too,

said Cees, before answering my questions very thoughtfully and engaging in lots of interesting discussion about real tennis, past present and future.

Some of Cees (and Leene’s) questions, to me, were about theatre, not least because they were keen to find some good serious, perhaps fringe, theatre to see that weekend.

Rather short notice, I thought, but I skimmed through the listings with them pointing out one or two possibilities, before mentioning A Good House at the Royal Court, as Janie and I would be going to that one on Saturday evening.

As luck would have it, there was a pair of good seats available for that evening (returns I should imagine given the dearth of seats left for that night), which Chris Bray helped them to snap up after our lunch and the mini-tour of Lord’s upon which I hastily took the visitors.

Lord’s Pavilion (top) & Villa D’Este (bottom) – A Good House brings good fortune, eh?

Janie and I arranged to meet Cees and Lenne for a drink before the play at The Royal Court, which was a lovely opportunity to continue our conversations, a little more in the modern theatre context than the medieval tennis context this time, and for Janie to meet these good people.

A Good House, Royal Court Theatre, 11 January 2025

We loved this play/production. By we, I am sure I can add Cees and Leene to the votes of me and Janie. We saw the first preview and/but the production was very slick and the play seemed to work extremely well, so we imagine we saw the production pretty much as it will run.

Amy Jephta is a South African playwright and this piece is very much a modern South African play. It is a co-production with the Bristol Old Vic and The Market Theatre Johannesburg, the piece having been commissioned jointly by The Royal Court and The Fugard Theatre.

Here is a link to the Royal Court rubric for the play/production.

While the piece is firmly rooted in a South African style middle-class suburban community, the issues with which the piece grapples: community, identity, race, class and the fear of invasion from the outside…

…all seemed to be very relevant and topical issues to Western societies, indeed the whole world today.

The play was funny (mostly but not only “comedy of embarrassment”), dramatic, sad and thought-provoking. The acting throughout was excellent. Stand out performances, for me, were Sifiso Mazibuko and Mimî M Khayisa, who played Sihle and Bonolo respectively, but all four other performers, Kai Luke Brummer, Olivia Darnley, Robyn Rainsford & Scott Sparrow performed their parts very well.

Nancy Medina is proving to be a very reliable director – Janie and I saw her production of Strange Fruit at The Bush before the pandemic and were similarly impressed.

This production runs only until 8 February, so I would suggest that interested readers book early to avoid disappointment, as we’ll be most surprised if the formal reviews after press night on 17 January don’t lead to a rush to snap up the remaining seats.

Once reviews are out, click here to see them.

Anyway, that’s what Janie and I call a good start to the “going out year”.

Arvo Pärt, John Bull, François Couperin And More: Kit Armstrong, Wigmore Hall, 22 December 2024

It’s difficult to come up with appropriate adjectives for someone like Kit Armstrong. He studied composition and started playing the piano at the age of five, enrolled on undergraduate courses in biology, physics, mathematics and music at the age of nine, graduated in music at age 16 and completed an MSc in mathematics age 20. Words like “prodigy” and “genius” seem insufficient.

Anyway – I first came across Kit Armstrong when I was researching my performance piece for Gresham Society at Hampton Court Palace in September 2023

…as I was keen to include some Byrd and Bull in the performance, which led me to Kim Armstrong’s magnificent album William Byrd & John Bull from 2021.

I was keen to see him live, so couldn’t resist the opportunity at The Wigmore Hall, despite Janie’s (and my) resistance to braving that area in the run up to Christmas.

By Sunday 22 December things should have simmered down around there…

…I said. I was right. Our journey and the parking was just fine.

To add to the charm of the evening, my tennis friend John Thirlwell was there with his companion. They made pleasant company before the concert and during the interval.

Mr Thirlwell relaxing after doing battle on the tennis court at Lord’s

Kit Armstrong had chosen a quirky selection of pieces. He explains his choice in the following promo vid:

Here is the Wigmore Hall stub for this concert, with all the details.

The first half of the concert was early music – Renaissance through Baroque periods:

  • Thomas Tallis – Felix namque I
  • Giles Farnaby – A Maske
  • John Bull – Lord Lumley’s Pavan and Galliard
  • John Bull – Telluris ingens conditor
  • François Couperin – Le réveil-matin
  • François Couperin – Les petits moulins à vent
  • François Couperin – Le dodo, ou L’amour au berçeau
  • George Frideric Handel – Suite in G minor HWV432

I wasn’t familiar with Giles Farnaby but enjoyed making his musical acquaintance through the piece, A Maske:

It was also wonderful for me to hear him play some of that John Bull material live. Telluris Ingens Conditor especially pleased me.

The second half of the concert was more modern, covering the 18th Century through to one of his own pieces from the 21st Century.

  • Wolfgang Amadeus Mozart  – Rondo in A minor K511
  • Camille Saint-Saëns – Africa Op. 89 (1891)
  • Leopold Godowsky – In the Kraton from Java Suite
  • Kaikhosru Shapurji Sorabji – Transcendental Etude No. 36
  • Arvo Pärt – Für Alina
  • Kit Armstrong – Etudes de dessin

We were especially taken by the Saint-Saëns (I have long loved that piece), the Leopold Godowsky (new to both of us as composer and piece alike) and the Arvo Pärt (we didn’t know the piece but tend to like Part’s charming minimalism.)

I have had trouble tracking down the encore, but I am pretty sure it was Baude Cordier – Belle, Bonne, Sage, as I cannot imagine that there are too many pieces from around 1400 which the composer set out in the shape of a heart. Cute.

In truth I don’t think the piece worked well as a piano transcript – it is more lovely to my ears as a vocal rondeau.

Still, it was a superb concert. Janie and I were enthralled by it and so glad we made the effort to go to The Wig just before Christmas!

Lies Where It Falls by Ruairi Conaghan, Finborough Theatre, 20 December 2024

We found this piece absolutely fascinating and an engrossing piece of drama at The Finborough. Here is a link to the Finborough page about the play/production.

Just in case anything ever goes awry with that link – here is a scrape of it.

In short, Ruairi Conaghan’s uncle Rory was brutally gunned down during the Northern Ireland troubles when Ruairi was a young lad. The trauma of that family tragedy manifested itself big time in Ruairi after he had played IRA bomber Patrick Magee and moved on to the role of The Player King in a major production of Hamlet.

Lies Where It Falls is Ruairi Conaghan’s before, during and after story of his near-breakdown some ten years ago – forty years after the tragedy.

Janie and I both got a great deal out of this piece and Ruari’s performance.

We stayed on for a panel discussion which included playwright Seamus Finnegan, director, teacher and writer Andy Hinds, plus multidisciplinary artist and filmmaker Corie McGowan.

In truth, the panel discussion did far less for us than the gripping piece. But it did give me the opportunity to ask Ruairi the question that had been burning in my mind through most of the play:

IAN: Was/is the process of writing and performing that piece cathartic for you?

RUAIRI: Writing it was cathartic for me, my performing it is cathartic for you, the audience.

Good answer. Good writer. Good performer.

Lies Where It Falls got deservedly rave reviews at Edinburgh this year and should progress to bigger audiences elsewhere than the short run at the Finborough Theatre allows.

Several (Seven) Seasonal Events, December 2024

Family gathering at Buenasado in Bristol, 7 December 2024

Gosh it was a busy December of gatherings again this year. Also busy work-wise. Indeed Janie took the following picture early in the month, which should remind me of December 2024 just as much as the gatherings memoirs.

Looks like I’m concentrating on some serious shit

Family Gathering In Bristol, 7-8 December 2024

Janie and I took an Airbnb quite near to Hil and Chris’s place. We also visited them at home before the big bash at Buenasado, which was even closer to our Airbnb so we walked to the restaurant. The headline picture tells the main tale.

Tired after a hard week, a long drive and a steak supper? Moi??

Tennis Committee & Club Night At Lord’s, 11 December 2024

My first go at a committee meeting for real tennis, followed by Club Night, which Andrew Hinds kindly curated until I was able to escape the pavilion and trek across the way to the court. It was a fun evening. By the end of the evening, I had probably played a bit more than I should, but that’s Club Night for you.

No photos from that evening but my technique probably still looks like my 2016 shod.

Ivan Shakespeare Memorial Dinner At Spaghetti House Goodge Street, During Which I Won The Hodd, 12 December 2024

What a bunch of quizzical clowns: Keith, Graham, Barry, John, Hugh, Mark & Sue

The Ivan Shakespeare Memorial Dinner is traditionally, at this time of year, a gathering of the NewsRevue alumni clan with lots of quizzes. We have played for the Ivan Shakespeare Memorial Trophy for a great many years, but recently we also play for the Mike Hodd Trophy, as NewsRevue founder and mentor Mike Hodd also shed this mortal coil a few years ago.

Barry Grossman is probably our most consistent quiz winner, who once again won the Ivan Shakespeare Memorial Trophy, less confounded by Sue’s quiz than the rest of us.

Look how much it means to him…

I was delighted and astounded in equal measure to win “The Hodd” this year, based on John Random’s eminently suitable (for me) spoof police interrogation quiz questions based on song lyrics. I believe that makes me the third holder of The Mike Hodd Memorial Trophy:

  • 2022: Hugh Ryecroft
  • 2023: John Random
  • 2024: Me.
…and look how much it means to me.

As with the Ivan Shakespeare Memorial Trophy, it is not possible to win twice in a row, as tradition insists that the winner sets the quiz the following year. I need to put my thinking cap on now to design that 2025 quiz.

For the second year in a row, I road-tested the Z/Yen seasonal quiz on the NewsRevue crowd, with predictably hilarious results.

Hugh Ryecroft, who knows a thing or two about quizzes in a professional capacity, was very complimentary about the quiz while being suitably puzzled by it.

If any reader fancies having a go at the 2024 Z/Yen seasonal quiz, then by all means use the pdf linked here (or the image below). If you e-mail your answers to me – e.g. through the Contact Us link, and if you leave your contact details, I’ll mark your homework and send it back to you.

Z/Yen Seasonal Event At Watermen’s Hall, 13 December 2024

I’ve got no photos from the event, so an image of my quiz will have to do. And an image of the song.

I have also written up the event for Now & Z/Yen – click here. As always, it was a good fun afternoon which rendered the rest of the day a write-off.

Angela & John’s Golden Wedding Anniversary, Their Place, 15 December 2024

Fifty years on

We had a most enjoyable afternoon at cousin Angela & John Kessler’s place, to help them celebrate their golden wedding anniversary. I wasn’t at the wedding itself 50 years ago, which was a very grown-up affair at the Dorchester, but I did attend the pre-nuptial aufruf

…which, Angela and John reminded me, was at Stanmore shule and then at John’s mother’s place. I did experience the aftermath of Angela and John’s wedding vicariously, by experiencing a very grumpy mum and hungover dad the morning after the wedding, ahead of my own “Marathon-Man-like-trauma” that day:

Anyway, fifty years later, I am apparently grown-up enough to attend an anniversary gathering. I can faithfully report that I did not try to fool anyone with joke shop sweets, nor did I set off any “stinkeroos”, during the 50th anniversary party. Proof positive, if proof were needed, that I have grown up a bit in the last 50 years.

Our table.

Our table comprised an eclectic mix of interesting people, including, to my left, two branches of the Aarons family, cousins of Angela’s from the other side of her family, who used to live in Woodfield Avenue across the road from us. It was lovely to catch up with them. To my right, friends of Angela & John’s whom they had known for many years, all of whom were very friendly and interesting folk.

Youngsters table, with Ed, Vivian, Andrew and the kids

It was a very enjoyable afternoon. Not only was it a lively and friendly gathering, with refreshingly short yet moving speeches, but the catering was seriously good too, thanks to Adam and his catering team (see below).

Adam leading his team by example

In my December 1974 diary, when “reviewing” the grub after the aufruf, I wrote:

Meal was excellent

A heck of a lot has changed in 50 years, but the phrase works just as well for the anniversary meal at John and Angela’s place.

Cousin Bethany & Jesse Pop In From Australia For Dinner At The Marquis Cornwallis, 18 December 2024

Bethany, Jesse & Me in The Marquis Cornwallis

On the other side of the family and from the other side of the world, a message, seemingly from a young woman, through Facebook, about a week ahead of the visit:

Hi! My dad tells me we are related. Dad said you might be able to tell me the family tree connection.

My first thought was that this must be one of those scams, quite possibly written by an old Nigerian man with a fake young female identity. But the face did look a tad familial and a quick check on Facebook traced Bethany to be Frederick Krasey’s daughter and Debbi Krasey’s niece.

As luck would have it, I was free on the one evening that made sense for Bethany and husband Jesse before they whizz off around Europe for many weeks.

They were staying in Bloomsbury, very close to where Fred stayed when I met him on his visit 10+ years ago.

Short notice for the Wednesday before Christmas is not ideal timing ahead of booking a decent place, but The Marquis Cornwallis, which I know of old from hanging around that part of town, is a good cross between gastro pub and good honest pub grub. It was the first place I tried and they took my booking.

It’s always a little strange meeting such relatives for the first time. In cousinhood terms, Bethany is my second cousin once removed, which sounds very far removed, but it puts her into exactly the same category as people like Mark & Hilary Briegal and/or Adam & Michael Green, whom I have known pretty well for sixty years.

Adam, Mark, Hilary (torturing Mark), Michael (laughing) & me (perplexed). 1964

Different generational/age shift on the Krasey side, obvs.

Anyway, it was a super evening with Bethany and Jesse, except for one mysterious absence. You see, Bethany has started a blog for their travels, which I joined once I knew I was to meet them in London:

In that blog piece, Bethany introduces their travelling companion, Yoshi.

Naturally, ahead of booking The Marquis, I asked whether Yoshi would be joining us for dinner and Bethany said:

Jesse wouldn’t go anywhere without Yoshi! And so, Yoshi will indeed be joining us on our night about town. 

So where was Yoshi that evening? Bethany and Jesse were strangely silent on the topic and I was too timid to ask. But on reflection, I think this is a mystery that simply must be solved. Otherwise we might have to get Interpol involved.

But apart from the unexplained absence of Yoshi, we had a very pleasant evening and hopefully will be able to see each other again, when the Roaming Duo return to Blighty in March.

Dedanists’ Society Seasonal Lunch At Lemonia, 19 December 2024

Despite the fact that I was to a large extent “seasonal-evented-out” by the time this event came around…and despite the fact that I am not really the “long-wet-lunch” type, there is something so very heart-warming and enjoyable about the Dedanists’ Society annual lunch, that I cannot now resist putting my name down for it as a seasonal must.

It is a gathering of the real tennis enthusiasts clan – about 35 of us gathered this year in that private room at Lemonia that works so very well for this event.

I noticed Jonathan Ellis-Miller taking a gazillion photographs this year, and I am sure that photograph taking is quite a regular thing. Yet the Dedanists’ Society website is utterly devoid of pictures from Lemonia lunches passim.

I briefed DeepAI as politely as I possibly could and it mustered the following image which, I must say, is not a bad attempt based on a dozen or so words:

DeepAI imagines a gathering of Dedanists in a Greek Restaurant

If Jonathan Ellis-Miller would care to provide a genuine photo, I can add a real photo of real tennis enthusiasts. But in any case I genuinely had a great time and sense that most if not all attendees did similarly.

Ton Koopman 80th Birthday Celebration, Soloists of the Amsterdam Baroque Orchestra, Wigmore Hall, 29 November 2024

Ton Koopman, Paris, Cité de la Musique, 2008, Photo by Paul Ruet, CC 3.0

What a lovely, relaxing concert this was. Not so relaxing getting to The Wig on a Friday evening in the run up to Christmas. Nor all that relaxing navigating the inners of a packed Wigmore Hall. But once we were in our seats…bliss.

Janie must have asked me three times if it was ACTUALLY Ton Koopman‘s birthday that day. I said “probably not” and was right, but he had just turned 80 a few week’s before the concert, so this must be his 80th birthday tour.

A man who has dedicated his career to the Baroque canon, we sensed that Koopman surrounds himself with the finest exponents of baroque music, making a happy atmosphere and sound with those people.

Here is a link to the programme on The Wigmore Hall site. If by chance anything befalls that link, here is a scrape.

All of the pieces were by Telemann. Before the interval, we heard:

  • Trio Sonata in D minor for recorder, violin and continuo TWV42:d7
  • Trio Sonata in G minor for oboe, violin and continuo TWV42:g5
  • Sonata in F minor for bassoon and continuo TWV41:f1
  • Trio Sonata in F for violin, viola da gamba and continuo TWV42:F10
  • Quartet in D minor for recorder, traverso, bassoon and continuo from Tafelmusik II TWV43:d1

After the interval we heard:

  • Trio Sonata in C for recorder, traverso and continuo TWV42:C1
  • Quartet in G for traverso, oboe, violin and continuo TWV43:G2
  • Trio Sonata in F for recorder, viola da gamba and continuo TWV42:F3
  • Quartet in G for recorder, oboe, violin and continuo TWV43:G6

You might get a feel for the sound from the following YouTube, which includes Robert Smith (whom we saw) on the bass viol and focuses on recorder sonatas, of which we heard a few:

Or this one, which is a live performance of a Telemann trio sonata with recorder and viol:

Or this one, a movement from the Oboe Sonata g5 recorded by Ton Koopman and his then mates 30 years ago:

Indeed, that 1994 album looks great – I have playlisted it on my YouTube Music here – this link should work even if it looks crossed out.

Tender by Eleanor Tindall, Bush Studio, 23 November 2024

Janie and I love the Bush Theatre and we love the Bush Studio.

Sometimes love puts people through trials and ordeals. On a horribly wet, blowy night, Janie and I wondered whether we love the Bush THAT much when we set off to see this show.

No pressure, but it had better be good…

…said a windswept me to the faintly-amused-rather-than-horrified young woman who sold me the play text.

We needn’t have worried. The Bush Studio has, once again, found and produced a truly excellent piece of small-scale theatre.

Here is a link to the Bush page on this play/production.

Light on plot and heavy on coincidence, the play explores the love trials and ordeals of two young women who fall for each other but who both, in different ways, working their way out of relationships with men. The piece is laced with symbolism and surrealism, at times reminiscent of Lorca, at other times reminiscent of Greek tragedy. We both liked its weirdness.

The play is performed as a two-hander by Nadi Kemp-Sayfi and Annabel Baldwin. We had seen Nadi Kemp-Sayfi before – in A Museum In Baghdad. Both are excellent actresses. The strength of the theatrical experience is surely down to those two and the director, Emily Aboud, who surely got the most out of their undoubted talents.

We saw the last preview. The audience was a little sparse, but perhaps that was a preview thing; a stormy Saturday before Monday’s Press Night. The audience was mostly people who were a lot younger than us; makes a change to go to places where we bring the average age up considerably.

We left the theatre feeling thoroughly exhilarated and genuinely glad that we weathered the storms to see that production. Having foreshadowed the tempestuousness of the relationships on show in the play, the weather then pandered to us as we left The Bush, keeping the wind and piss to a minimum for our journey home, before letting rip again soon after we got home.

It looks as though some tickets, especially for later in the run, are still available, whereas some nights are sold out or down to the last few. We’d thoroughly recommend this play/production, so if you fancy it, book early to avoid disappointment. Runs until 21 December 2024.

An Afternoon & Evening At The Queen’s Club Watching The British Open & Dining With The Prossers, 22 November 2024

A very kind invitation from Richard Prosser, my oftentimes doubles partner for The Dedanists…

…to join him for an afternoon watching quality doubles at The British Open, followed by dinner, with Janie and Geraldine joining us for the grub bit.

Richard secured us front row seats in the dedans gallery, where we saw the following quarter-finals:

  • Rob Fahey & Steve Virgona v Louis Gordon & Rob Shenkman;
  • Tim Chisholm & Camden Riviere v Vaughan Hamilton & John Woods-Casey.

On arrival, I ran into a great many real tennis friends – many of whom I know from Lord’s. Indeed, Richard and I estimated that, at the start of that afternoon session, there were more MCC members than Queen’s members watching!

Janie made good time getting to Queen’s for dinner, so was able to join us for the last 20-30 minutes of the second match we saw.

Feeling envious that you didn’t see those matches? Or wondering what they looked like? Or wanting to refresh your memory? Here are the highlights reels for those two matches. I recall a great many highlights in fact, so the reels might not have captured them all:

The food at The Queen’s Club is very, very good these days – it has certainly come on a long way, catering-wise, since the 1990’s:

Richard had not yet met Janie before and neither Janie nor I had previously met Geraldine. It was a great pleasure to spend an evening with those two, eating good food and chatting about all sorts.

Janie and I continued to get pleasure from this event for the rest of the weekend. The doubles semi-finals were on the Sunday and once we had decided to have a quick peep at those on the stream, we were hooked. The first of the semi-finals in particular was a humdinger:

Janie and I also felt quite smug about our modern tennis experience that weekend. Although the weather was shocking, we found a gap in the weather each day to have a decent enough game of “lawners” outdoors.

But the prevailing good feeling from the weekend was that most enjoyable late afternoon and evening on the Friday with Richard & Geraldine Prosser.