Tag: Patsy Rodenberg

Clubland by Roy Williams, Royal Court Theatre Upstairs, 23 June 2001

We are very partial to modern plays in Royal Court Theatre Upstairs and this play by Roy Williams did not disappoint.

I think this was our first sighting of a Roy Williams play – we started picking him after seeeing this.

Here’s Nicholas de Jongh in The Standard speaking quite highly of it:

Clubland de Jongh Standard Clubland de Jongh Standard 20 Jun 2001 Evening Standard (London, Greater London, England) Newspapers.com

Jonathan Myerson in the Independent was not so sure:

Clubland Myerson Independent Clubland Myerson Independent 20 Jun 2001 The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, suggested that this play was not as good as Roy Williams earlier material and that he needed to branch out a bit. I think he was probably right, as we really went for some of William’s later plays even more than this one, but it was good enough to get us hooked:

Clubland Billington Guardian better Clubland Billington Guardian better 23 Jun 2001 The Guardian (London, Greater London, England) Newspapers.com

The Playboy Of The Western World by J M Synge, Cottesloe Theatre, 16 June 2001

Janie and I thought this play/production was…

…excellent.

The RNT put on terrific stuff in the Cottesloe at that time. Fiona Buffini directed an excellent cast, including Sorcha Cusack, Patrick O’Kane & Derbhle Crotty. The Theatricalia entry for this production can be found here.

Despite the fact that we thought it was excellent, our friend, Michael Billington, really didn’t like it, bemoaning the fact that the only Synge that ever gets revived is this one.

Playboy Billington Guardian Playboy Billington Guardian 22 Feb 2001 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer in The Telegraph loved it:

Playboy Spencer Telegraph Playboy Spencer Telegraph 21 Feb 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh in the Standard rated it good, which is sort-of medium:

Playboy de Jongh Standard Playboy de Jongh Standard 21 Feb 2001 Evening Standard (London, Greater London, England) Newspapers.com

In that case, the casting vote must go to me and Janie. It was excellent.

Howard Katz by Patrick Marber, Cottesloe Theatre, 2 June 2001

Janie and I thought this one was

Very good.

We saw a preview – the first Saturday.

Excellent cast, led by Ron Cook. We loved Closer, so were keen to see more Patrick Marber, who directed this one himself (not always the best idea…) Here is a link to the Theatricalia entry.

Nicholas de Jongh did not like it, awarding the production the dreaded blob:

Katz de Jongh Standard Katz de Jongh Standard 14 Jun 2001 Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in The Independent, on the other hand, really liked it:

Katz Taylor Independent Katz Taylor Independent 14 Jun 2001 The Independent (London, Greater London, England) Newspapers.com

Our friend Michael Billington steers closer to de Jongh, liking the performance more than the play:

Katz Billington Guardian Katz Billington Guardian 14 Jun 2001 The Guardian (London, Greater London, England) Newspapers.com

Just as well we thought it was very good, then.

The Shape of Things by Neil LaBute, Almeida Theatre At King’s Cross, 25 May 2001

Superb.

That was my one word log entry for this one, which both of us o indeed remember as superb. We were deep into Neil LaBute back then and might still be if he was still writing plays like this one.

Add to that Almeida quality of production and four fine actors: Rachel Weisz, Paul Rudd, Gretchen Mol and Frederick Weller – it wasn’t going to go wrong. I don’t normally approve of playwrights directing their own work, but Neil LaBute was actually very good at doing the director’s job with his own material.

Here is a link to the Thetaricalia entry.

A rare visit to the Almeida on a Friday for us – it was a bank holiday weekend and we had little else on, so I think this will only have come down to getting good seats for a preview.

Here’s what the critics had to say best part of a week after we had seen it. Charles Spencer was very impressed in The Telegraph:

Shape Spencer Telegraph Shape Spencer Telegraph 1 Jun 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

#Susannah Clapp was less sure, but still heaped praise:

Shape Clapp Observer Shape Clapp Observer 3 Jun 2001 The Observer (London, Greater London, England) Newspapers.com

Our friend Michael Billington was not so sure:

Shape Billington Guardian Shape Billington Guardian 31 May 2001 The Guardian (London, Greater London, England) Newspapers.com

Indeed, this analytical piece form The Guardian suggest that tis piece divided the critics. The stuff we like best often does:

Shape Guardian analysis Shape Guardian analysis 9 Jun 2001 The Guardian (London, Greater London, England) Newspapers.com

Marriage Play & Finding The Sun by Edward Albee, Cottesloe Theatre, 5 May 2001

Janie and I have a very clear memory of the opening of Marriage Play, in which Bill Paterson’s character, Jack, repeatedly taunts his wife, played by Sheila Gish, with the phrase “I’m leaving you”. It’s a bit “Who’s Afraid…” meets “Dances of Death”, I suppose. But we both recall really enjoying Marriage Play, while we thought a lot less of the second half’s short play, Finding The Sun.

What did the critics think?

Our friend, Michael Billington, was not wild about the evening as a whole, much preferring Marriage Play:

Marriage Billington Guardian Marriage Billington Guardian 9 May 2001 The Guardian (London, Greater London, England) Newspapers.com

Charles Spencer seems to have seen it similarly, while gushing even more about Sheila Gish and Bill Paterson.

Marriage Spencer Telegraph Marriage Spencer Telegraph 10 May 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh, on the other hand, was much taken by both plays, even preferring Finding The Sun:

Marriage de Jongh Standard Marriage de Jongh Standard 9 May 2001 Evening Standard (London, Greater London, England) Newspapers.com

Earlier that day, Janie and I had warmed up for our evening at the theatre by seeing Greta for massage (in my case) and pilates in Janie’s case.

Lulu by Frank Wedekind, Almeida Theatre At Kings Cross, 24 March 2001

To the bus station we went that Saturday to see Lulu very early in the Almeida run. The theatre was being refurbished that season – hence the bus station.

This play might have benefitted from the more intimate atmosphere of the Almeida Theatre itself. The coldness of the bus station served to emphasise the absence of warmth in a sex worker’s craft.

With Anna Friel, Oliver Milburn and Alan Howard taking lead roles and Jonathan Kent directing, it was always going to be a well put together show. Here is a link to the Theatricalia entry.

Nicholas de Jongh was captivated by Anna Friel’s Lulu, but several of his critic colleagues were not. The following piece from the Standard shows the critical divide.

Lulu de Jongh Standard Lulu de Jongh Standard 20 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Janie and I were similarly conflicted over this one It wasn’t just about the bus station setting. Wedekind’s work is open to wide interpretation and this version seemed to be hedging its bets.

Our friend, Michael Billington, expressed similar sentiments well:

Lulu Billington Guardian Lulu Billington Guardian 20 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Susannah Clapp was kinder to it than most:

Lulu & Boston Marriage, Clapp Observer Lulu & Boston Marriage, Clapp Observer 25 Mar 2001 The Observer (London, Greater London, England) Newspapers.com

Were we glad to have seen this production? Of course we were.

The Walls by Colin Teevan, Cottesloe Theatre, 10 March 2001

We went to a preview of this one and decided…

…so awful we walked out at half time!

Very unusual for us and almost unheard of at The National. Fabulous cast: Toby Jones, Clare Higgins, Karl Johnson, Michael Culkin, Gary Lydon, Declan Conlon, Monica Dolan, Tony Rohr.

What went wrong? In truth, we don’t tend to recall the bad experiences unless they are bad for a memorable reason Let’s see if the reviews help me.

Twos tars from Michael Billington…”dated Dublin Ionesco”…that’s NOT good:

Walls Billington Guardian Walls Billington Guardian 19 Mar 2001 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh tries to be balanced, but awards a dreaded blob nonetheless:

Walls de Jongh Standard Walls de Jongh Standard 15 Mar 2001 Evening Standard (London, Greater London, England) Newspapers.com

Charles Spencer’s phrase, “as dire an evening as I have spent in a theatre so far this year” kinda sums it up.

Walls Spencer Telegraph Walls Spencer Telegraph 16 Mar 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

It wasn’t just us, then.

Mouth To Mouth by Kevin Elyot, Royal Court Theatre, 3 March 2001

Janie and I had loved The Day I Stood Still…

The Day I Stood Still by Kevin Elyot, Cottesloe Theatre, 24 January 1998

…so thoroughly expected to enjoy Kevin Elyot’s next play, Mouth To Mouth, which indeed we did. Not quite to the same extent as The Day I Stood Still – Mouth to Mouth was quite dark – but still we liked it a lot. Fine acting and thought provoking writing.

Here is the Theatricalia entry. Michael Maloney, Lindsay Duncan, Adam Godley, Peter Wight, Andrew McKay, Lucy Whybrow and Barnaby Kay, directed by Ian Rickson. What’s not to like?

Charles Spencer in The Telegraph loved it.

Mouth Telegraph Spencer Mouth Telegraph Spencer 8 Feb 2001 The Daily Telegraph (London, Greater London, England) Newspapers.com

Nicholas de Jongh also spoke very highly of it:

Mouth de Jongh Standard Mouth de Jongh Standard 7 Feb 2001 Evening Standard (London, Greater London, England) Newspapers.com

Paul Taylor in The Indy was more measured, sensing that Kevin Elyot constantly returns to the same themes…but does so very well!

Mouth Taylor Indy Mouth Taylor Indy 7 Feb 2001 The Independent (London, Greater London, England) Newspapers.com

Spinning Into Butter by Rebecca Gilman, Royal Court Theatre Upstairs, 13 January 2001

This was a really interesting play and it was an excellent opportunity to reciprocate David & Rachel’s hospitality from a couple of month’s earlier:

Kinky Friedman Live In Brighton With David Seidel & Rachel Barnard, 12 November 2000

Apart from the quintessentially US nature of the production and the left field approach to tackling racism through performance, it’s hard to see much similarity between the evenings.

Rebecca Gilman’s play was memorable through its “warts ‘n’ all” approach to anti-racism and political correctness on campus. Also memorable was a superb performance by Emma Fielding in the lead role. The supporting cast were also “Royal Court good”, as was Dominic Cooke’s directing.

Our friends David and Rachel found it interesting and we had plenty to discuss over grub after the play.

Our other friend, Michael Billington, gave it a very good review in the Guardian:

Spinning Guardian Billington

Article from 11 Jan 2001 The Guardian (London, Greater London, England)

Paul Taylor did not like the play, describing it as self-conrgratulatory white guilt in search of a play:

Spinning Taylor Indy

Article from 10 Jan 2001 The Independent (London, Greater London, England)

Nicholas de Jongh couldn’t put aside his issues with the play, describing it as mediocre and giving it the dreaded Standard blob:

Spinning Standard de Jongh

Article from 10 Jan 2001 Evening Standard (London, Greater London, England)

Charles Spencer thought the play flawed yet intriguing and well worth seeing:

Spinning Telegraph Spencer

Article from 11 Jan 2001 The Daily Telegraph (London, Greater London, England)

Suzannah Clapp gave it a very balanced review in The Observer, concluding that a play that makes you argue is a play worth seeing:

Spinning Observer Clapp

Article from 14 Jan 2001 The Observer (London, Greater London, England)

Life x 3 by Yasmina Reza, Lyttelton Theatre, 2 December 2000

Janie and I rated this one in my log:

very good.

We also both remeber it quite well, 25 years later. That might have a fair bit to do with the superb cast: Mark Rylance, Harriet Walter, Imelda Staunton and Oliver Cotton. The production was directed by Matthew Warchus. We didn’t recogognise his name then but we certainly do now. Here is the Theatricalia entry for this one.

Yasmina Reza (as translated by Christopher Hampton) was all the rage in the English speaking world back then. This was our fourth go at one of hers – Art having been the piece that kicked off the Reza fashion…

Art by Yasmina Reza, Wyndham’s Theatre, 11 January 1997

…we’d even seen one of hers at The Almeida just 10 weeks earlier:

Conversations After A Burial by Yasmina Reza, Almeida Theatre, 16 September 2000

Anyway, apart from Art, with thought Life x 3 to be the most interesting and memorable of Reza’s works.

Again we went to a preview, so we were ahead of the critics. What did they think? Here’s Charles Spencer who seemed pretty impressed with it, at least as entertainment if not as profound drama:

Life Spencer Telegraph Life Spencer Telegraph 11 Dec 2000 The Daily Telegraph (London, Greater London, England) Newspapers.com

Kate Bassett wrote an interesting profile-cum-review with some equivocation about this piece and Reza-ism generally:

Life Bassett Indy Life Bassett Indy 10 Dec 2000 The Independent (London, Greater London, England) Newspapers.com

Our friend, Michael Billington, was not at all sure about this piece:

Life Billington Guardian Life Billington Guardian 8 Dec 2000 The Guardian (London, Greater London, England) Newspapers.com

Nicholas de Jongh was impressed, while spotting something a bit Ayckbournish about the piece, which I remember thinking/saying myself at the time:

Life de Jongh Standard Life de Jongh Standard 8 Dec 2000 Evening Standard (London, Greater London, England) Newspapers.com