I have already written about the star-crossed relationship between SU President Katy Turner & Concourse editors Paula & Hugh, which came to a head in early February 1981…
The upshot of all that was the resignation of Paula & Hugh, the interim appointment of Dave Lee to edit the March edition (hot on the heels of the ill-fated February one), the rapid appointment of Owen Gavin and Gerry Guinan to take over the editorship immediately after the March edition, to alternative applicant Dave Lee’s chagrin …
…you might well be thinking to yourself, “none of this commentary bodes well for the harmonious and timely production of that March issue”.
What Does the Diary Say?
Never wanting to be seen as a rat who leaves a sinking ship, I offered Dave Lee my whole-hearted support to produce that March issue and/but found myself as part of a core team of two on the production side. To his credit, Dave steeled himself to the time-sensitive task with great determination.
Many other contributors of course; Simon Jacobs, Gerard O’Kane, Julia Parkes, Moira Neish, David Perrins, Jon Gorvett, Diana Ball, Robert Blow, David Bakhurst, Dexter…
…but not a great deal of company in the Concourse office itself. To be fair on the others, it was a ridiculous post-shenanigans deadline, towards the end of term. I could just about get away with it as a Foundation Year student, but for most that level of commitment at that time of year was impractical.
Saturday 28 February – got up very late – went into Newcastle – ate & Concoursed
Sunday 1 March – late start – Concourse office most of the day and evening
Monday 2 March – OK day – busy with Concourse in evening
Tuesday 3 March – Not bad day – in Concourse office in evening.
Wednesday 4 March – Tough day working on Concourse. Nine Below Zero Concert…
I wrote a lot of copy – I was the political editor and there had been a whole swathe of union elections during February to report. I also did one heck of a lot of typing of my own and other people’s articles. My spectacularly fast four-finger technique was without question the best typing skill on offer…well, probably it was all that was on offer.
Yes, I remember matters becoming increasingly fraught as the days went on. Financially, missing the print deadline would mean ruination.
The set pages needed to go to the printers on the designated day, otherwise the printers would charge for the print run regardless but there would be no paper to sell.
Steve “Spike” Humphrey, a lovely, gentle chap whom I got to know quite well in other walks of Keele life afterwards, was the business manager of Concourse. Spike took pains to remind me and Dave that the print deadline really was just that; an immoveable deadline.
On that evening of 4 March, I’m pretty sure Dave & I were already well aware, even as we took a break to see the Nine Below Zero concert, that to get the pages ready for the printers the next morning, we’d be working much of the night to get the job done.
Nine Below Zero, Thirty After Three…
As for the Nine Below Zero gig, I’m sure Dave Lee’s forthcoming (due Summer 2021) book, The Keele Gigs – click this link for more details, will have more to say about that. They looked and sounded like this:
The other point to make about that gig, the very night of our deadline, was that Dave had commissioned and was determined to use, a review of the gig from Di Ball and Rob Blow.
That deadline upon deadline resulted in a little whimper of a hidden plea from me to Dave Lee at the end of that (quite lengthy) piece, when the copy finally arrived and when I finally got it ready for setting:
I apologise unequivocally, forty years on, to Dave, Di and Rob, none of whom were ever guilty of producing rotten articles. I must have been tired and emotional in the early hours of the morning, so, unforgivably, I mis-spoke.
I think Di & Rob kept us company for some time late that evening, as they completed their copy while Dave & I busied ourselves typing and setting other stuff.
But it was just me and Dave who remained once the porters (two from Ted, Walter & Wally no doubt) told us that they had to lock up and we agreed to being locked in.
Locked In…
In those days there were no CCTV cameras or anything like that. Yet I have somehow managed to uncover a couple of photos that seem to be pictures of me and Dave at work during that night.
I’ll guess that my 3:30 am plea in that article was accurate but also that it marked the near conclusion of our work. I think we had set everything else by then and simply needed to slot in the material from that night’s concert to be done. In fact, I suspect that my joke paragraph was in part a device to use up the space we had estimated for that article.
So I’ll guess that we were done around 4:00 or 4:30 am.
I’ll guess we expected the union to be opened up around 7:00 am.
I recall that we both had a little bit of silver in our pockets and chose to decompress after our labours using the amusements available.
We might have played table football…
…but I have a feeling that Dave was more a pinball person…
…or perhaps my extensive experience playing table football with Simon Jacobs most evenings put me in a different league for table football…
…or perhaps we quickly landed on the notion that table football is a game where you try to use up your goes as quickly as possible, whereas pinball is a game in which you rejoice in your opponents success – especially if it yields free balls and free games so you can continue to play.
I was an enthusiastic pinball player in those days. here is one of the games we might have played – for sure UKSU had this one at that time:
Once we had blown all the silver in our pockets, I think we both felt the onset of fatigue and so we decided to retire to the quiet room at the end of the union extension to grab forty winks before the sun would go up and the union would re-open.
…Then Nearly Knocked Out!
I think we both woke up to the same sound – that of shouting.
“All right you scallywags, where are you? I know you’re in here!”
Words to that effect.
We dozily wandered out of the quiet room, to see Pat Lyons, the building manager, hurtling along the extension passageway towards us.
My life flashed before my eyes. I imagined a Cluedo-like synopsis of our demise: “Mr Lyons, in the Union Extension, with the pipe wrench”.
Dave and I had but a few seconds to advocate for our very survival. Fortunately, as skilled communicators, used to summarising key facts into few words for journalistic purposes, we somehow managed to convince Pat Lyons during that short period of time that we had been deliberately locked in to produce Concourse.
Again my doubtlessly false memory has Pat upon us, about to wield a killer blow just a fraction of a second before our story rang true to him and he disarmed.
“You scared the bloody living daylights out of me,” said Pat
Words to that effect.
The feeling was entirely mutual.
Still, in the end no harm was done and in fact I think we produced a pretty darn good edition of Concourse, all things considered.
We put the paper to bed (unlike ourselves) in the early hours of 5 March and it returned from the printers for sale on Monday 9 March 1981.
In the spirit of this “forty years on” Ogblog journal, I intend to publish scans of those Concourse pages on 9 March 2021. Watch this space…
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