I have discovered a cassette tape of “contemporary” music which Mark Ellicott made for me in the summer of 1982. I remember little of the background to this tape, but I did play it a fair bit during that summer break from Keele and quite a lot during the ensuing academic year 82/83, which Mark missed.
During his first year at Keele, Mark was, self-confessedly, going through a bit of a transformation, from “Tory Boy” at the Keele Royal Ball…
…to becoming a more iconoclastic figure in Keele circles, going on to become Social Secretary later in the 1980s and subsequently managing some of the best-known venues in the UK.
I think Mark might have given me this tape right at the end of the summer term in 1982, perhaps by way of an apology for getting me roped into playing cricket on his behalf – long story told here and below:
Below is the tape listing from Mark’s one-side of a C90 offering, which I labelled “ME Batch” with a clear note on my log that Mark had made this for me:
Some fascinating choices there, which I have attempted to find in the best versions possible on the web. It will be interesting to learn Mark’s thoughts about this mix tape (or what people latterly would call a playlist) forty years on.
To add a little to the intrigue, the second side of the cassette is a recording of Changestwobowie, which my log says was made for me by Andrea Collins (now Woodhouse). Did Mark and Andrea collaborate on making this cassette for me, or did Andrea offer to fill in the second side of the tape for me after Mark gave me a one-sided cassette? My diary and logs are silent on such details and my memory only retains the extent to which I played this cassette quite a lot in the second half of 1982.
To close, here’s one of my (many) favourite tracks from that Bowie album:
Forty years on, just in case I didn’t express sufficient gratitude at the time: thanks Mark, thanks Andrea.
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