My Children! My Africa! by Athol Fugard, Lyttelton Theatre, 15 September 1990

I’m very partial to Athol Fugard’s work, but thirty years on, I remember very little about this one. Even the log, which was only a few years after the event, says:

Little recollection, strangely.

I saw this with Bobbie Scully, who seemed keen to see Fugard with me back then. Janie also has a taste for his work.

Here is the Wikipedia entry for this play/production.

I think the problem for me/us was that it was a story that pre-dated Nelson Mandela’s release but we were seeing it very soon after that momentous event. In that sense it felt a bit like old news, although of course the injustices and arguments depicted were still (are still) relevant.

Michael Billington in the Guardian loved it:

Billington on My Children!Billington on My Children! Sat, Sep 8, 1990 – 21 · The Guardian (London, Greater London, England) · Newspapers.com

Michael Coveney in The Observer was less sure, finding it, unusually for Fugard, overly sentimental.

Coveney on My Children!Coveney on My Children! Sun, Sep 9, 1990 – 50 · The Observer (London, Greater London, England) · Newspapers.com

Going It Alone At The Proms With Anton & Günter, Royal Albert Hall, 9 September 1990

Annalisa was due to join me at this concert, but had to pull out at the last minute for some reason. The reason is not captured in my log. It was a Sunday, so I expect it was a health reason rather than a work reason.

Anyway, I hobbled to the Albert Hall alone for this Prom. I think it was the first time I had been to the Proms alone and possibly was the only time I have done so to date (the date of writing this being late 2024).

I say hobbled, because the cursory “traction” approach to my multiple prolapse was obviously not working and I was still in a great deal of pain with my back after my injury in June that year. Indeed, I associate my evening alone at the Proms with Anton & Günter as the point at which I resolved that I would have to try something else, but that I was determined to try something other than major surgery before possibly submitting to that as a last resort.

This was a one piece concert:

Anton Bruckner – Symphony No 5 in B Flat Major, performed by the maestro Günter Wand conducting the BBC Symphony Orchestra.

I suspect that Bruckner 5 is a good number for contemplative thought – it is certainly long enough. I do remember finding this performance especially moving and being really taken with it.

It was filmed and the film has been released on DVD – here is an extract:

If you look very carefully you might spot me sitting in the stalls on my tod.

This review from the Bucks Examiner says a lot:

Wand Ashmore BucksWand Ashmore Bucks 21 Sep 1990, Fri Bucks Examiner (Chesham, Buckinghamshire, England) Newspapers.com

Robert Henderson’s review in The Telegraph was no less glowing:

Wand Prom Henderson TelegraphWand Prom Henderson Telegraph 14 Sep 1990, Fri The Daily Telegraph (London, Greater London, England) Newspapers.com

I was there, folks. I was there. No doubt uncomfortable, fidgeting and barely able to walk for five minutes afterwards…but I was there.

An Heroic, Massive Cast For A Sunday Evening Prom, Royal Albert Hall, 2 September 1990

This was a big concert with a massive cast. Two big works:

  • Ludwig van Beethoven – Symphony No. 3 in E flat major, ‘Eroica’
  • Leos Janáček – Glagolitic Mass

One heck of a lot of musicians: The Royal Liverpool Philharmonic Choir & BBC Symphony Chorus, The Royal Liverpool Philharmonic Orchestra & the (now) late, great Czech conductor Libor Pešek. Not to forget soloists John Mitchinson, Michael George, Jane Eaglen, Ameral Gunson and Ian Tracey.

Here is a link to the BBC stub for this concert.

Jilly accompanied me on this occasion, according to my log, which is usually pretty reliable, as long as I wrote the details down at or near the time, which on this occasion I guess I did.

However, I returned to the scene of the crime, for a different rendition of the Glagolitic Mass, a couple of years later and did not log the name of my companion, which has resulted in one of the greatest mysteries in the entire history of Ogblog postings about 1992 classical concerts – click here or below.

The prime suspect for the 1992 evening is now Bobbie, who has gone very quite on that topic.

Jilly wrote to say:

With regards to the concert in 1992, I must admit that my memory does somewhat fail me. I can hardly remember what I did yesterday, let alone 30 years ago, but all I can say is that I don’t remember ever seeing the Glagolitic Mass performed, and I’m not sure that I’ve actually ever seen Simon Rattle conducting in person, but if it’s helpful for you to put me down as having been at the concert with you I won’t object!

Well, Jilly, what do you have to say now that the log has fingered you for a different performance of the Glagolitic Mass? I’m expecting a confession. No need for an apology.

To be fair, Jilly also says:

Thank you for attaching the review at the bottom; how that choir managed to sing a Slavonic piece without the score just baffles me. Reading and pronouncing the transliterated version of Rachmaninov Vespers utterly did my head in, and that was with a good number of rehearsals.

Well all I can say to that is:

Glagolitic script: Лобачев Владимир, CC0, via Wikimedia Commons

Joking apart, I remember this 1990 Prom as being a big one in every way, including the audience response at the end of a long Sunday evening concert.

I think Jan Smaczny in The Independent liked it:

Pedek Prom Smaczny IndyPedek Prom Smaczny Indy 04 Sep 1990, Tue The Independent (London, Greater London, England) Newspapers.com

Tom Sutcliffe in the Guardian absolutely did.

Pesek prom Sutcliffe GuardianPesek prom Sutcliffe Guardian 04 Sep 1990, Tue The Guardian (London, Greater London, England) Newspapers.com

Does this bring any of it back to your memory, Jilly?