Month: July 1991

Music at Oxford Fireworks Concert, Radley College, 20 July 1991

This was one of several Music At Oxford events that my old firm, BDO Consulting (aka Binder Hamlyn Management Consultants) sponsored between 1989 and 1992.

The first of them included an action-packed, cartoon-like journey to Oxford – click here or below.

Music At Oxford At The Sheldonian Theatre & Bodleian Library, 7 July 1989

The 1991 edition was a far more sedate affair – at least it was for me – as the fireworks were part of the show on this occasion.

Annalisa de Mercur accompanied me on this occasion. I think we all stayed at The Moat House, as we had done in 1990 when Caroline Freeman accompanied me.

We heard:

  • George Frideric Handel – Water Music Suite No 2 in D major HWV 349
  • Johann Pachelbel – Canon
  • Wolfgang Amadeus Mozart – Serenade No 13 in G K525 “Eine Kleine Nachtmusik”
  • Johann Sebastian Bach – Brandenburg Concerto No 1 in F BWV 1046
  • Wolfgang Amadeus Mozart – Horn Concerto No 4 in E Flat K495 3rd Movement
  • Malcolm Arnold – Sinfonietta No 1 for two oboes, two horns and strings
  • Samuel Barber – Adagio for Strings
  • George Frideric Handel – Music for the Royal Fireworks

Ah, in fact I have the running order from the programme:

It was quite a late evening affair, this one, with the second half not even starting until 9:45, so the fireworks must have been at what would now be deemed to be an antisocial hour.

I’m pretty sure we young consultants were discouraged from continuing our antisocial activities on our return to the hotel, so the boisterous singing |I remember from the first event I’m pretty sure simply didn’t happen this time around.

Drinking and chatting in the hotel bar almost certainly did happen, though.

I remember this one as a very pleasant and largely relaxing outing. I’m not sure I had any clients of my own there that night – perhaps one – and the relative popularity of the programme meant that my musical knowledge (such as it is) was little called-upon.

Postscript: Annalisa recalls…

Is this the one with chandeliers in the marquee and a view across the lake? If so, I remember it. Clearly, the chandeliers made more of an impression than either the music or the fireworks! Chandeliers in marquees have become pretty commonplace now, but at the time I had never seen anything like it!

Top recall, Annalisa, top recall.

The White Devil by John Webster, Olivier Theatre, 6 July 1991

My log from the time simply says:

Josette Simon was indisposed the night we went, which was a real shame.

I can now exclusively reveal that the understudy we saw instead was Souad Faress. I subsequently did get to see Josette Simon; in The Maids, a few years later. Bobbie might not have been so lucky.

I’m not sure I was wild about the play either. Jacobean tragedies don’t always float my boat and I have a feeling that I sensed that this one wasn’t entirely my cup of tea. The White Devil is heavy on courtly intrigue and light on laughs.

Fine cast as always with a National production, with Eleanor Bron and Denis Quilley as the big draw names along with Josette Simon. Philip Prowse directed. Here is the Theatricalia entry for this production.

Michael Billington was not so keen on this one, claiming that it wasted the actors:

Billington on White DevilBillington on White Devil Thu, Jun 20, 1991 – 23 · The Guardian (London, Greater London, England) · Newspapers.com

Whereas Michael Coveney loved the production:

Coveney on White DevilCoveney on White Devil Sun, Jun 23, 1991 – 61 · The Observer (London, Greater London, England) · Newspapers.com

Yugoslavia, A Pre-NewsRevue Lyric Eventually Used In NewsRevue, 1 July 1991

One of my very early efforts at lyric writing was this lyric about the break-up of Yugoslavia. The original is dated 1 July 1991 – I’ll need to upload a scan of the printout for that exact lyric. The version that follows – version 2, was updated and extended for NewsRevue in 1992 in the very early days of my involvement there. I have a feeling that it was actually used in the show briefly in the late summer/early autumn of 1992. If not Paula Tappenden’s cast then the one after.

Or did John Random use it in one of his subsequent runs/shows?

Anyway, here’s version 2:

YUGOSLAVIA (Version 2)

(To the tune of “Istanbul not Constantinople”)

VERSE 1

Serbia is in Yugoslavia,

Now there’s Croatia and also Slovinia,

Plus there’s Bosnia and then Macedonia,

Two that I don’t know,

And Mon-te-neg-ro.

VERSE 2

Lets go back to old Yugoslavia,

No you can’t go, there is such a palava,

You may get shot up and never recover,

One day you’re in Bled,

Next day bled and dead.

TRITE MIDDLE BIT 1

Even tennis stars,

Our commentators fear;

They can’t say without a glitch,

Goran Ivanisovitch.

VERSE 3

Take a break out in Yugoslavia,

No I won’t go there, I think I would rather,

Go to Greece or maybe Czechoslovakia,

Why did poor Yugoslavia get the veto?

Cos they went all to pieces after Tito.

 

(Instrumental – with “do, do, do’s”, “wo, wo, wo’s” and outbursts of “Serbia”, “Croatia”, “Bosnia”, possibly accompanied by some suitably violent business)

 

TRITE MIDDLE BIT 2

Even tennis stars,

Have put their lives at risk,

Monica Seles groans and grunts,

Even she had death threats once.

VERSE 4

See a shrink if in Yugoslavia,

Cos the countries shrinking farther and farther,

I’d prefer to be in the Intefarda,

Why is poor Yugoslavia now the pits?

Cos the Serbs are a bunch of violent gits.

Please note that the above version was dated 5 July 1992 – also aimed to be topical for Wimbledon but more than a year before the actual murder attempt on Monica Seles’ life.

Below is  a YouTube of The Four Lads singing Istanbul (not Constantinople)…

…or if you prefer the zappy They Might Be Giants version:

You can read the lyrics of Istanbul (not Constantinople) by clicking here.