David Eldridge plays are like buses – you wait ages then two come along at more or less the same time – this was two David Eldridges in a row for us.
I think this was the first production we ever saw at the Hampstead Theatre Downstairs, quite early in the era of Ed Hall using that downstairs space for experimental works.
It was the evening of Good Friday; an unusual night for a theatre visit.
I remember we thought this was a very good production and made a mental note to seek out subsequently the Hampstead Downstairs, which, by jingo, we have done.
This was a challenging play about addiction and the impact of those with addictions/addictive personalities on their loved ones.
Lisa Dillon was superb in the lead; it seems the lead part was pretty-much written for her. As usual at the Almeida, it was a well-chosen play, extremely well acted, directed and produced.
David Eldridge was very much on our watch list as a writer; we’d seen a few of his that we really liked, not least his adaptation of Festen at the Almeida.
I must admit though, we both found this a tough watch. Perhaps it was too soon after Phillie’s passing for us to be suitably sympathetic to a character whose misery and tragedy seemed largely self-inflicted. But it was undeniably an excellent evening’s theatre.
This visit to the Royal College of Music (RCM) was my first proper excursion visit with The Gresham Society, following my initial singalong taster session at Wilton’s Music Hall a few weeks earlier.
For me, it was especially fascinating to see the fine collection of musical instruments, some very early, not least because Janie and I listen to a lot of early music. Subsequently I have become a (very amateur) practitioner of early music myself, although only with my voice and my mock Tudor instrument.
My mock Tudor baroquelele – strangely not in the RCM collection
I think the Gresham Society crowd went on to enjoy libations somewhere near the RCM, whereas I had other fish to fry that evening.
A Tribute To Ken Campbell
I was a long-time fan of Ken Campbell and his superb comedy work. Janie less so.
This early evening round table discussion at The Royal Court worked out very well for me, as I was able to fit it in between the Gresham Society Visit To The Royal College Of Music and our dinner engagement with Charlie & Chris.
Chris had said that he would be unable to get to The Henry Root in South Kensington for dinner until about 7:30. Janie was keen to have a drink and a chat with Charlie “before the boys get here”, so the plans were well set.
Or, if that link ever fails, here is an upload of the download, as it were:
ROYAL COURT ROUNDTABLE TRIBUTE TO KEN CAMPBELL
Dinner With Janie, Charlie & Chris At the Henry Root
Unfortunately there was no recording, upload or download of the sparkling conversation in The Henry Root when Janie, Charlie, Chris and I gathered there later that evening.
The Henry Root, which was a rather jolly bistro restaurant named after William Donaldson’s wonderful letter-writing character, is now long gone. It was Ok; Janie and I dined there more than once in those heady days of the early teenies.
That particular evening with Charlie and Chris was an especially good one, as I remember it.
I love a bit of Corelli under almost any circumstances, but these adaptations of Op 5 concertos for the recorder have an especially soulful and melancholy timbre.
In the absence of Janie, I snapped up one of the CDs during the interval, as I was so sure she’d love the sound, which she did. We still both listen to this recording rather a lot. Indeed we are listening to it as I type.
Also available as a download now, from Amazon (click the pic) or elsewhere
It isn’t all that often that book to go to the Wigmore Hall on my own. But I really liked the look of this concert and Janie really didn’t fancy a special trip into town on a Monday evening, even for the Wigmore Hall. She was, at that time, normally still working long Monday clinics at her place.
The diary suggests I had worked a long day myself that day, ending up at Lord’s late afternoon, perhaps for a meeting about the Middlesex business plan. I’ll guess that it was the day of the AGM and that I therefore skived the Middlesex AGM that year for this concert.
What dedication to the early music cause and oh boy was it worth it.
The upshot of Janie missing out on this one was probably, in the longer term, good news. Since then, if I say that I shall nevertheless go alone to a concert that I really fancy, Janie usually then relents and agrees to come with me.
Three seemingly different stories that sort-of overlap and sort-of don’t. It’s hard to explain why, but Simon Stephens has a way with drama that simply keeps you gripped and thinking throughout.
Here is a very interesting behind the scenes short film from Sky Arts, including interviews with Simon Stephens, Linda Basset and several of the other cast and creatives, about Wastwater:
I only vaguely remember this small client do on the embankment.
26-27 March 2011 – Hotel Du Vin (Hil & Chris) Sergio’s
A trip to Bristol to see the in-laws (and possibly their boys). We stayed at the Hotel Du Vin – which we liked in its earlier days, when the staff were friendly and they would park our car. Sergio’s is an Italian Restaurant in Bristol which was well located for our choice of hotel.
28 March 2011 – Seaxe Club AGM.
No doubt there will have also been an excellent discussion forum with a couple of young Middlesex CCC players and some of the coaching staff that evening – as was/is usually the way with the Seaxe Club.
1 April 2011 – Kim & Micky dinner
It looks like we went to their place on this occasion.
