Igor Levit, Wigmore Hall, 27 December 2014

Igor Levit in 2019 – Bundestagsfraktion Bündnis 90/Die Grünen, CC BY 2.0

I got more out of this one than Janie did.

I’d heard so much about Igor Levit as this emerging talent which The Wig was promoting, so when this concert came up in the Twixtmas period, I thought it would be a good one for us.

Here is a link to the programme of the concert we heard.

I thought he was very good, but Janie thought he was showy and our friend Eric Rhode voted with his feet at half time, telling me afterwards that he found Levit’s playing very heavy handed.

He’s certainly getting rave reviews now; perhaps he was still a bit raw in 2014.

Here is a little snatch of Levit playing one of the Bach Partitas a few months earlier than our concert – it’ll give you an idea of his style and you can judge for yourselves:

Tiger Country by Nina Raine, Hampstead Theatre, 12 December 2014

Talk about bad timing.

Less than a week earlier we’d seen a play about dementia (albeit a truly excellent one), while mum’s dementia was fast deteriorating:

Visitors by Barney Norris, Bush Theatre, 6 December 2014

…little did we know that we were seeing this play about NHS hospital chaos less than a fortnight before mum was to make her final, one-way trip to such a place.

In truth, although we quite enjoyed this play/production, we found it a bit fast and furious without really saying all that much. We’d felt similarly about the police one, Wildefire, at the same venue a few weeks before:

Wildefire by Roy Williams, Hampstead Theatre, 7 November 2014

As with Wildefire, there was some great acting, some wonderful lines and some super vignettes in there. Indira Varma was excellent, as usual; in fact the whole cast was good.

Perhaps it was just a bit too near the bone for me – not just in the mum aspect but also because I was doing so much work with NHS Foundation Trusts at that time. Definitely worth seeing, but no wow factor for either of us.

Below is a “behind the scenes” video:

Below is the actual trailer for the production:

Here is a link to the reviews – the critics pretty-much universally loved the piece.

Z/Yen Seasonal Event At 90 Basinghall Street, 11 December 2014

On this occasion, we decided to make the Z/Yen seasonal event “a musical house party” at our offices in Basinghall Street.

We weren’t exactly flush that year and we had a lot of musical people in our midst…

…well, one or two genuinely musical people and quite a lot of people who like to have a go.

It was the year that Mike Smith had induced me to start playing the baritone ukulele.

It was a bit like the definition of jazz – i.e. the musicians were enjoying themselves more than the audience. But that was OK because almost everyone WAS the musicians. And everyone was enjoying the party.

I’m grateful that Janie took pictures to help mark this event.

The usual traditions of Secret Santa, a little giftie for everyone and of course the seasonal song were all in play.

A rare offering in the lyrics department by Michael Mainelli that year. I think we agreed that, as Mike and I were putting together a whole load of musical entertainment, a revival of Michael’s contribution to the 2011 medley would do.

The lyric is not bad at all (is it possible I tweaked it a bit?) and well suited to an event in Basinghall Street:

OH LITTLE STREET OF BASINGHALL

(Sung to the tune of “Oh Little Town of Bethlehem”)

Oh little street of Basinghall,
On Guildhall’s shady side;
Above old Gresham College Hall,
Z/Yen’s offices reside.

Yet on the fourth floor slaving,
Z/Yen staff work till they sink;
While past the fifth floor sliding door,
Directors eat and drink.

How noisily, how noisily,
They party with the swish;
To show off Z/Yen’s new office and,
Promote “The Price of Fish”.

But now Z/Yen’s Christmas party,
Is here so we can sell;
This gastro dome, that wondrous time,
To the tune of Jingle Bells.

Visitors by Barney Norris, Bush Theatre, 6 December 2014

This was a really excellent piece, performed beautifully.

We went to see this only a month before mum died, by which time her dementia was getting rapidly worse. So I went with a mixture of trepidation and eager expectation.

I needn’t have worried – the play handled dementia as its central theme with great balance and dignity. An excellent effort from a young playwright in his 20s.  Barney Norris, you are now on our watch list.

Here is a link to the Bush resource on this play/production.

All of the performances were good, but Linda Bassett and Robin Soans were both exceptional.

There’s a neat little interview with Barney Norris (playwright) and Eleanor Wyld, one of the performers:

Mostly well received by the critics – click here for a search term that finds the reviews.