softLOUD, Sean Shibe, Wigmore Hall, 28 June 2019

Russ London — (Russ London) [CC BY-SA 2.5 (https://creativecommons.org/licenses/by-sa/2.5)], from Wikimedia Commons

This was the only one of the Wigmore Hall Lates concerts I booked this year and I don’t think Janie is now overly enthusiastic about me booking even one a year unless it is a “must see”.

It’s the Friday evening tiredness that gets Janie – especially after eating.

Perhaps I should have been wary of the lower case/UPPER CASE signal in the title of the concert.

Sean Shibe tries to show us the contrast and yet similarities between some beautiful, gentle 17th Century music from the Straloch and Rowallan Manuscripts and some modern electric guitar music of the most frenzied kind.

Here is a link to the Wigmore Hall resource that explains the concert.

Here he is playing some of his gentle stuff – I believe the sample below is Dowland:

Although I much preferred Shibe’s acoustic guitar to his electric guitar work, I did really like one electric guitar piece: the Steve Reich Electric Counterpoint. Here is Steve Reich and Pat Metheney’s version of it:

I cannot find any YouTubes of Sean Shibe’s more ear-drum-splitting electric guitar music, with which he concluded the concert. You have been spared, dear reader. It ensured that Janie and I were wide awake for the journey home. Perhaps not in the very best of moods; but awake.

Perhaps we’re getting too old for this sort of caper.

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