For some unknown reason, we didn’t book this when it first came out. I think Janie was on a bit of a “let’s be more selective about what we see” spree at the time and at a glance I thought this play might be a bit geeky and not to her taste.
But I was wrong and I’m so glad we had the opportunity to put matters right before the end of The Haystack’s run.
Below is the short trailer vid:
If it looks like a bit of a thriller, that’s because it is a bit of a thriller. Also, the subject matter is, technically, very geeky indeed. Yet the topic; the use of technology for surveillance in our culture, is covered in a fascinating, human-interest story way. The geeky elements are covered well, but also in a way that ordinary folk can understand and relate to. Trust me, if Janie comes out of seeing a play saying that, it has done a very good job.
Here is a link to the Hampstead Theatre resources on this one.
Ironically, those resources, including the programme, enabled us to place the writer, Al Blyth, under surveillance. Janie and I deployed our sophisticated facial recognition systems (otherwise known as our eyes) to spot Al Blyth in the audience that night…sitting next to us. Fiendish we are.
Janie nearly blew our cover by engaging him in polite conversation, but thought better of it, not least because he seemed quite engrossed with his own guests.
Proof positive though, if such proof were needed, that I know how to choose good seats at The Hampstead.
Meanwhile, the play and this production of it were cracking good. Really, really good. This is the first piece we have seen Roxana Silbert direct for some time; if it indicates the quality she is going to bring to The Hampstead in her role as Artistic Director, her appointment is seriously good news for one of our favourite places.
The play is called The Haystack because looking for lone wolf security threat types is like looking for a needle in a haystack…or is it, if you have a plethora of machine learning and surveillance tools at your disposal? Further, if you deploy those tools and techniques, are you in danger of turning the society you are trying to preserve into the very type of society you are trying to avoid?
The acting was all very good, with special mentions to Oliver Johnstone & Rona Morison as the central pair plus Sarah Woodward as a believably creepy spook.
It has been very well received as a production – click here (or look within the Hampstead resource above) for reviews – it deserves a West End transfer and I hope it gets one.
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