A Small Gathering Of Alleyn’s Chaps Who Started In The Class 1S Fifty Years Ago, 26 October 2023

Frankly, only Candappa could come up with an idea like this and see it through to implementation.

When I call my friend Rohan Candappa just “Candappa”, I am of course harking back to that time, 50 years ago, when we started secondary school and discovered that we all had surnames but none of us seemed to have first names.

Candappa – bellicose back then…

…merely cantankerous now: Rohan Candappa

But as usual, I am digressing.

The gathering was at The Young Vic, in commemoration of the first theatrical school trip of our young careers, with Mr Sandbrook himself, to see Scapino, in January 1974:

Rohan issued some specific instructions:

Dress code: Grey suits (too large ideally, but don’t worry, you’ll grow into it), black briefcases, and a slightly nervous smile. Oh, and make sure you’ve got some blotting paper in the briefcase.

I knew that I would be unable to comply fully with Rohan’s rules and also that I was no longer in a position to get my (late) mother to write a note of apology to Mr Sandbrook, our form teacher. I decided to commission ChatGPT to forge a note from my mum. It took four or five goes, as ChatGPT, unwilling to imagine itself in 1973 writing a note, was keen to use the phrase “1973 was a long time ago” as part of the excuse. Only when I advised it to use a “dog ate my homework” style of excuse did it muster the following:

Interesting use of a gender-neutral pronoun there. Not very 1973.

It was always only going to be a small group of us. In the end, only four of us met, as Dave French unfortunately was a bit poorly on the day. He did send an extensive note, which I shall quote from shortly.

The four of us who met were:

  • Candappa, Rohan
  • Goodwin, Ian
  • Maine, Myles
  • Harris, Ian (me).
Left to right, Me, Myles, Rohan, t’other Ian

We called the register – strangely while I was calling the register from my old 1974 diary, Dave French was sending me a message which included said register with some thoughts about the people, especially those who have sadly departed.

Dave French helpfully provided a legible list, when he wrote in to us:

Please raise a glass or three in my absence to:

Allott 

Athaide

Barrett

Burgess

Candappa – Candy

Carroll

Corrin

Dallaway 

Feeley

Foord – Dunkie

Forrest

Frearson

French – Frog

Goodwin – Milk

Handy

Harley

Hayes

Hollingshead – Mutt

Manhood 

Masson – Chimpy

Mayne

Moore

Ricketts 

Romain – Charlie

Sym

Stendall

🍻🍻🍻

One sobering thought was the realisation that at least four of our number have departed permanently. That’s at least as many departed as gathered that October evening. An attrition rate above 15% seems very high.

The memorial roll of honour is as follows:

  • Wayne Manhood – I have written an Ogblog piece – click here – including my own partly false memories of this one from the 1980s.
  • Jovito Athaide – as Dave French wrote: “I think it was in the early 1990s that I received a call from Jovito Athaide’s dad, letting me know he’d died suddenly from an undetected heart condition.” I think quite a few of us got this call – my parents probably told me about it without passing on my new number to Mr Athaide. I have an address and phone number for Jo in an old address book – I should imagine he made a point of collecting/exchanging them.
  • Dave Masson – Dave French writes: “I and a few others stayed very close to Dave Chimpy Masson for many years after school – very fond memories in the sixth form of going back to his house at 66 Woodwarde Road, 5 minutes from school, either at lunch or during free periods, to drink his home brew – made maths more tolerable in the afternoon. Devastatingly he and his mother-in-law died in a car crash in Namibia in 1995…his birthday, December 4th, is ingrained in my memory, and I always say “Hi” and raise a glass to him. Lovely guy”.
  • Paul Hayes – who died of cancer more recently, in 2017. He had many formal obituaries – e.g. the one linked here – as he was a high-profile media dude. We had our own Alleyn’s alums-style toast to him just a few weeks later.

Yet the four of us who gathered in October 2023 were able to park our melancholy, enjoy each other’s company enormously and share many reminiscences.

Rohan, being Rohan, brought a small collection of gifts for all of us who attended – a fountain pen, a piece of blotting paper and a notebook which he had craftily renamed G.W.B for general work book – gosh yes, I remember those.

Gifted, we were, all of us gifted.

Naturally, when I got home I wrote Rohan a thank you note in my GWB using my fountain pen and blotting paper.

I then scanned the note and e-mailed it to Rohan, which slightly spoiled the 1973 effect.

My favourite anecdote from 50 years ago was also one of Rohan’s. He recalled that, in one of our very first lessons with Mr Sandbrook, we were promised a princely sum of money – perhaps it was 10p – every time we spotted a spelling or grammatical mistake on the blackboard. Rohan recalls that it took him most of the year to realise that he was very unlikely indeed to hit pay dirt. Rather, Mr Sandbrook had duped him into paying attention to the spelling and grammar for best part of a year.

On the topic of Mr Sandbrook, I had exchanged e-mails with Rohan about the possibility of trying to track Ian Sandbrook down. Rohan said that he had tried to do that, but with only limited success. On the morning before our gathering, I decided to do a bit of detective work myself. I decided that an Ian Sandbrook who seemed to be highly active in the arts community of St Endellion, even since the days of teaching us, was still active there until very recently. The others agreed that the Endelienta bassoon reference clinched it, as we remembered Mr Sandbrook bringing his bassoon into the class room to show us.

What a rackett!

I decided to write to Mr Sandbrook via Endelienta and see what happens.

On 1 November, an e-mail arrived from “Ian” addressed to “Ian”…

…it took me a while to realise that Mr Sandbrook really had just written to me. He’d like to know how we got on when we met, so I’ll send him a link to this piece. Hopefully he will send through some thoughts and memories of his own, in addition to the thoughts he wrote in his first note. He might even grant me permission to share those thoughts with the Alleyn’s 1970s alums on Facebook, several dozen of whom tend to look at these postings, however long and rambling they might be. Even Mike Jones, formally of the masters common room, hangs out in the Alleyn’s 1970s Facebook group.

Oh, and by the way, there are no cash prizes for spotting my spelling and grammatical errors. I’m not falling for that one. But all subediting comments and corrections are gratefully received.

It’s Not All Black And White: Meet-Ups With Annalisa, Jilly Black & John White, Mid-October 2023

John-Boy Forking Madeleine In Jikoni

Annalisa Redux, Lunch At Antalya In Bloomsbury, 17 October 2023

As part of my Ogblog project, I am writing up events of 25, 40 & 50 years ago from old diaries and records. A few weeks ago I wrote up Annalisa’s wedding from 25 years ago…

…and thought I should make a concerted effort to reconnect with Annalisa. I was able to track down Charlotte, Annalisa’s sister, with relative ease. Charlotte put me back in touch with Annalisa, and the result of all that was a very pleasant, long lunch at Antalya Restaurant.

We had a fair bit of catching up to do, so many years having passed, yet in many ways it felt a bit like catching up after two or three months, not two or three decades, except that the news had a longer span, as it were.

Annalisa back then. Shorter hair now.

We’ve resolved to try not to leave it 25 years again. Given the entreaties from my other two mid-October gatherings (see below) that they would love to see Annalisa again, I suspect that we’ll find a way to make it a considerably shorter interval next time.

Jilly Black & The Peculiar Matter Of “Rachmaninov Pulling Nudes”, 20 October 2023

Peculiar Serge (Rachmaninov)

I have for some while been helping Jilly to digitise her family photographs from an assortment of different types of negative, transparency, printed pictures and the like. This occasional project hit the temporal buffers over the summer (not least because Jilly’s chosen days tended to end up as train strike days), so was in need of revival.

I more or less expect to receive a note from Jilly explaining why she will be arriving later than the appointed hour (never really a problem for me, given that we are working on this project at the flat), but on this occasion the WhatsApp message gave me pause for thought:

I had to clean an extremely dirty oven and have a coffee…[something about almond milk]…and some Rachmaninov pulling nudes at the same time

I read the message twice, concluded that Jilly must have taken leave of her senses and hunkered down with whatever it was that I was doing for another hour or so before her revised expected arrival time.

Just before Jilly arrived, another message:

OH NO! It was supposed to be “Rachmaninov Preludes”, NOT “pulling nudes”

A Beautiful Rachmaninov PRELUDE

As I kindly and considerately put it in my reply:

Ha ha. That’s going straight onto the blog at the next available opportunity.

Jilly blames the technology for that verbal mishap, which I must say seems, in truth, entirely reasonable. Annalisa will no doubt have a quiet chuckle to herself about that, as I had been banging on about how much more reliable these technologies have become in recent years…which they have…but when they get it wrong, oh boy can they get it wrong!

Anyway, as always, a very pleasant lunch and afternoon with Jilly, during which we not only digitised quite a lot of her non-standard family negatives but Jilly kindly helped me to identify the locations of my family pictures from Sicily nearly 50 years ago, as Jilly did some tour-guiding there “back in the day”.

Jilly’s Dad from a 120 (60×60) negative – possibly playing a Rachmaninov Prelude

John-Boy Forking Madeleine At The End Of A Fine Meal At Jikoni, 24 October 2023

Dinner with John is always long overdue, because if we were both in town more often and had more time on our hands our get togethers would be far more frequent.

Actually our previous gathering had been all four of us (including Janie and Mandy), which was supposed to have been five of us, but Pady Jalali had to cancel her visit.

It was John’s turn to choose and he chose really well with Jikoni. A really charming place with friendly staff and excellent grub.

We ate:

  • Burrata, Bitter Leaves & Figs (with Roasted Muscat Grapes, Pomegranate Dressing)
  • Wild Mushrooms on Toast (with Curry Hollandaise, Autumn Truffle)
  • Roasted Hake & Clams or Butternut Squash Moilee (with Coconut Chutney)
  • Kuku Paka, Sukuma Wiki (with Saffron Rice)
  • Paan Madeleines (see headline picture)

I hadn’t realised, but Bella (John & Mandy’s younger daughter) is really into cooking now, both as a hobby and latterly at work. John spotted the Jikoni cook books and decided to treat Bella to one of them.

Ravinder Bhogal (the chef/proprietor/author) took the trouble to chat with us and make a personalised dedication to Bella in the book, which I thought was a charming touch.

Ravinder Bhogal by Rahul Arora, CC BY 3.0

Lenny Henry was in the restaurant that night. John reminded me that we had seen him in person before, when he performed at Keele during our sabbatical year. I was able to claim a far more recent sighting – in May when Janie and I went to see Lenny Henry’s excellent one-man play, August In England.

As always with John, the evening flew by and on this occasion we found ourselves the last people in the restaurant. We realised once we spotted that the staff were oh-so-discreetly clearing up around us!

Rappresentatione di Anima, et di Corpo by Emilio de’ Cavalieri, Vox Luminis, Wigmore Hall, 1 October 2023

Just one cornetto in our concert – our cornetto looked like the middle one.

We also heard and saw a beautiful cetterone, an instrument about which I needed to do research afterwards. Likewise the lirone, (see below).

Lira de gamba (which I think is the same thing as a lirone), GeorgWildermann, CC BY-SA 4.0

But the thing that made this concert so very special was the extraordinary piece we heard. Emilio de’ Cavalieri’s Rappresentatione di Anima, et di Corpo.

Here is a link to the Wigmore Hall information-rich (if you look at the programme notes) stub for this concert.

Those programme notes describe the piece as an:

uncategorisable piece of music-theatre [which was] premièred in Rome in February 1600…

Coincidentally, I had only recently put on, at Hampton Court Palace, my own uncategorisable piece of music-theatre from around that period

…but I digress.

Vox Luminis are a wonderful outfit who don’t tend to disappoint. This evening was no exception. They perform with smiles on their faces and clearly celebrate each other’s and their joint success.

Here is a trailer of Vox Luminis performing this very piece in 2021 in Utrecht. Different soloists, but you can’t have everything:

Janie and I are not easily wowed these days – we’ve seen a lot of excellent concerts in our time, but this one blew our metaphorical socks off. Delicious music, sounding a little different from anything we’ve heard before from that period. Sweeter than Monteverdi oratorios, but loads going on in the soundscape.

A real treat.