Paganini Lunchtime Concert At The Wigmore Hall, Fabio Biondi & Giangiacomo Pinardi, 29 January 2024

This was a lovely way to spend a Monday lunchtime. The Wigmore Hall stub for this concert sets out the programme.

Much of the material we heard can be found on the album “Niccolò Paganini – Sonatas for Violin & Guitar” which looks like the headline picture.

We sat directly behind Andrew McGregor, who presented the concert for BBC Radio 3 listeners. It is the first time we have ever sat in those seats, which was enlightening and slightly distracting in equal measure. We did at least, from there, hear what the presenter is telling the Radio 3 audience, which is often a bit more than can be found on the programme.

Actually, for this concert, most of what we wanted was in the programme, which can be found through the Wigmore Hall link or, if that ever fails, here.

If you are finding this within a month or so of the concert, then you can hear it on BBC Sounds – click here.

In the concert hall we got a sweet encore by Pietro Locatelli, which made me realise that I had paid that composer far too little attention, so we listened to a fair smattering of Locatelli when we got home. We also discussed his football skills and his magnificence as a restaurateur.

One of the finest composers Juventus ever produced? And as for Zafferano…

The MCC Tennis Weekend 2024: The Secret Diary Of Ian Harris Aged 61 and 5/12ths, 26 to 28 January 2024

Me looking to hit a rare winner

I wrote up my experience of the MCC Tennis Weekend as a “Secret Diary” piece which found its way onto the MCC website as the authoritative report on the event.

As everything I wanted to say about that most enjoyable weekend is contained in that report, I replicate it here, with the links to other resources for anyone who might be interested.

The Secret 2024 MCC Tennis Club Weekend Diary Of Ian Harris, Aged Sixty-One And Five Twelfths

I felt excited and fearful in equal measure when I learned that I had been promoted to Group B of the MCC Club Weekend this year. Surely Group C is where I belong.  The pros told me that Group B, this year, would be for 50-60 handicappers, like me.

I was to partner the actor Ian Falconer, with whom I had played a fair bit before. He can exert a calming and experienced influence over me. Anyway, there was no time to fret on Friday morning, as we played two tough matches, both of which we won; the second by quite some margin. My sense of imposter syndrome begone.

Ian Falconer said that I left the ball well in that second match. That reminded me of comments I have oft received about my cricket batting; that my best shot is the leave. Less kindly folk tell me that, apart from the block, the leave is my only cricket shot.

Tennis leaves don’t look very pretty on camera. Here is a link to a “lowlights” video package of our successful leaves in that Friday morning bout, with “musical” accompaniment. To be fair on our opponents, they hit some actual winners – e.g. these two top notch shots.

Our group then had a 24-hour break from the tennis, until Saturday afternoon. I enjoyed the convivial Friday evening dinner, with great company, great grub and surprisingly interesting speeches, not least from the Chairman, Bruce Carnegie-Brown, who broke the good news to us that real tennis play during test matches should be restored henceforward, with just a small risk of occasional interruption for media purposes.

Ian Falconer was unable to attend the dinner, as he is deep into rehearsal for a play in which he plays a domineering father. He was also to attend an audition the next morning, for a film role as Hitler.

Less aware of my partner’s acting techniques than his tennis techniques, I worried overnight that Ian might be a practitioner of The Method. If so, that calm, gentle, encouraging persona I had previously experienced, might be replaced with something…less comforting and more shouty. I decided that we should agree a safety phrase, “who do you think you are kidding, Mr Falconer?”, just in case matters got out of hand for the rest of the weekend. I am pleased to report that neither of us needed to resort to the safety phrase.

Saturday’s battles in our group were really close. We managed one (narrow) win and a draw, leaving us top of the table and qualified for a semi-final before the final day. All groups (including ours) had at least one, if not both, semi-final places up for grabs still on the Sunday.

There were many distractions for tennis-loving MCC folk early that Sunday morning. First thing, at home, I followed the India v England test match, the Australia v West Indies test, the Australian Open (lawn tennis) Men’s final and the live stream from Lord’s of our tournament. “Isn’t this a bit too much stimulation before you play?”, asked my wife, Janie. “Probably”, said I. By the time I set off for Lord’s, I knew that our pair had won Group B whatever happened in our last group match.

I got to Lord’s in time to see the final wicket fall in the India v England test along with my tennis friends in the dedans gallery, which was a wonderful watching moment ahead of playing our final group match.  We lost that match narrowly, despite having been ahead. “Foreshadowing”, as my dramaturge/actor tennis partner might well say.

We enjoyed lunch in the Long Room Bar between our last group match and the semi-final. All three days, in fact, lunch is an informal pleasure as part of this tournament. An opportunity to chat with friends, old and new, in convivial surroundings. The glorious sunshine all three afternoons added to that pleasure.

The tale of the Groups C/D category was one of mostly close-fought matches during the group stages. That characteristic persisted into the finals stages, with, in particular, a nail-biting semi-final Brunner & Vacher v Nelson & Stain. The Group C/D final, Brunner & Vacher v Lark & McDermott was similarly close and exciting to watch. Congratulations to the winners: Peter Brunner & Piers Vacher.

In the Groups A/B category, the main story was the dominance of the Cattermull & Parkes pairing. My own semi-final, Falconer & Harris v Bishop & Whiting, was one of the most exciting matches I have ever played. We had our chances…we came close. The final, Bishop & Whiting v Cattermull & Parkes, was one-sided in the final score, but was an excellent display of good tennis by all four players. It was just the relentless consistency of Paul Cattermull & Rufus Parkes, despite giving up significant handicaps, that saw them dominate their matches and storm home with the trophy.

It was a superb weekend which should live long in the memory. The organisers – Hannah and Dinesh, the professionals – Chris, Chris and Alex, and the tennis committee – especially Giles and Graeme, all deserve our thanks and praise.

If you only watch one of the video clips, I’d recommend this one: six “highlights” that couldn’t possibly be described adequately in words. [alternatively click the YouTube below]

ECM Jazz Series At The Wigmore Hall, 4 January 2024

Everything you might want to know about the concert from a Wigmore Hall perspective can be seen on this link.

In the first half, Michele Rabbia, Gianluca Petrella and Eivind Aarset played their unusual style of electronically-enhanced ambient music, mostly pieces from the album Lost River.

Here’s an example piece – Nimbus

One lady in our row, clearly not keen on electronically enhanced jazz, decided not to stick around for the second half. That’s a shame, because it was very different and not electronically enhanced at all.

Avishai Cohen and Yonathan Avishai have been friends since they were kids and the camaraderie really showed. Their set mostly came form the album “Playing The Room”.

Here’s a sample from that:

Here is a live video of them playing a lullaby, which i think they used as their encore:

Not a concert to set your pulse racing, but two very interesting acts and a good way to start concert-going in 2024.